Tag Archives: Okkervil River

cat_reviews

Margaret Glaspy Gets Earnest at a Sold-Out Bowery Ballroom

February 17th, 2017

Margaret Glasper – The Bowery Ballroom – February 16, 2017

_KduVea7
The cold and wind in New York City was pretty insufferable last night. But lucky for me, I got to slip into The Bowery Ballroom and join a sold-out crowd for the brilliant Margaret Glaspy and the dynamos of Cuddle Magic, a chamber-pop group whose members have some impressive names on their résumés (Beyoncé, Amanda Palmer and Okkervil River). The six-piece took the stage first and launched into a set of songs from their brand new album, Ashes/Axis. Layered synths, staccato beats and exquisite vocals make it a great listen. The bandmates hopped down into the crowd and went acoustic for part of the set amidst their beaming audience. They also used the night as an opportunity to film a music video for “Kiss You”—there was a kissing booth set up downstairs and everyone was encouraged to slide on in for a cameo. Speaking of cameos, Glaspy briefly joined them onstage for a song they wrote together.

The headliner and her band made their way onstage next for a first-rate set of songs from her critically acclaimed full-length, Emotions & Math. Glaspy’s sultry voice could make any space intimate. She’s magnetic and it seemed impossible to not take a few steps forward to soak in every one of her nostalgic lyrics and jagged guitar riffs. Highlights included “Somebody to Anybody,” a cover of Lauryn Hill’s “Ex-Factor” and a soulful rendition of Lucinda Williams’ “Fruits of My Labor.” Glaspy brought out friend and collaborator Julian Lage to add to the guitar magic with a couple of exceptional solos. There’s affection, hurt and pride in her music, and she scrutinizes the highs and lows of love and heartbreak in a jaunty, approachable way. There’s no limit to this type of exploration, as musicians have proved to us for years. Here’s hoping Glaspy keeps on bringing us her earnest, gorgeous take on the matter. —Schuyler Rooth | @SchuylerSpeak

 

 

cat_preview

Okkervil River – The Bowery Ballroom – November 22, 2015

November 23rd, 2015

Okkervil River - The Bowery Ballroom - November 22, 2015

Photos courtesy of Mike Benigno | mikebenigno.com

cat_preview

Okkervil River/Black Joe Lewis – Terminal 5 – September 26, 2013

September 27th, 2013

Okkervil River

Photos courtesy of Brian C. Reilly | www.briancreilly.com

cat_preview

Catch Okkervil River and Black Joe Lewis Tomorrow at Terminal 5

September 25th, 2013

Okkervil River began playing the Venn diagram overlap of alt-country, indie rock and folk rock a decade and a half ago in Austin, Texas. And although the lineup has changed over the years, Will Sheff remains the band’s guiding presence. Their fantastic seventh album, The Silver Gymnasium (stream it below), is the most personal to date—telling tales of Sheff’s small New Hampshire hometown. And the frontman, who’s been a Brooklyn resident since 2007, tells Brooklyn Magazine: “In order to bring that passion and substance and emotional investment to rock music, which I feel is becoming a little milky and watered down right now, I felt like I should put something of my own on the table.” And it worked. The LP has earned Okkervil River (above, doing “It Was My Season” in studio for WNYC FM) plenty of worthy acclaim.

Joe Lewis was working in an Austin, Texas, pawnshop when he first picked up a guitar. He began playing gigs around town as part of a blues trio. But his interests also included, rock, soul and R&B, so Lewis branched out musically and eventually started playing with different people. Then things clicked. With seven talented backing musicians (including horns), Black Joe Lewis & the Honeybears (above, playing “Come to My Party”) have a big sound and so even the songs that are straight to the point, like “I’m Broke” or “Big Booty Woman,” will keep you moving. The Honeybears have earned comparisons to Stax Records groups—although keeping it local, they don’t sound too dissimilar from the Dap-Kings—and with his big, shouted vocals, Lewis’s name is mentioned alongside Wilson Pickett’s. The band’s excellent third album, Electric Slave (stream it below), came out last month. The Boston Herald says, Black Joe Lewis’s music never felt restrained. But his new album, Electric Slave, shows he’s been holding back.” See both bands tomorrow night at Terminal 5.

cat_preview

A Cult Hero Returns

May 26th, 2010

Roky Erickson – Webster Hall – May 25, 2010

Roky Erickson - Webster Hall - May 25, 2010
Troubled rock legend Roky Erickson brought his wild catalog to Webster Hall last night, replete with moments both brash and reflective. Being backed by Okkervil River was the perfect complement, as Will Sheff and his bandmates blended country smoothness and hazy, loose blues to match Erickson’s erratic rock sound. Fresh off releasing an album together, True Love Cast Out All Evil, the collective was a wonderful marriage of sound and personality. Sheff took the lead through the early parts of the performance, shouting out the set list and interacting with the crowd. Erickson’s reticence and nervousness gave the feel of an old mass, with his back to the audience, only turning to his rock and roll worshipers to speak in his strange tongue.

But somewhere between the mid-set Little Richard cover and “I Walked with a Zombie” at the end, a flip was switched in Erickson, and he came to life with personality and bravado. As he and the band dove deep into songs from his 13th Floor Elevator days—like “Goodbye Sweet Dreams” and “Reverberation (Doubt)”—his lucidity grew and he embraced the fans before him. Instead of looking at Sheff for which chords to play, Erickson furiously ripped through them as his signature voice rang out as loud as his 62 years would allow. He even engaged the crowd, cracking jokes about his oldest songs now being on CDs. As if this middle-of-the-show awakening didn’t do enough to envelop the audience in joy, Erickson finished his encore with “You’re Gonna Miss Me,” a song that even casual rock fans know, and turned Webster Hall into a psychedelic-rock dance party deserving of Roky Erickson. —Sean O’Kane

Photos courtesy of Sean O’Kane | seanokanephoto.com