Tag Archives: Patterson Hood

cat_reviews

Patterson Hood Hits Crowd with Lyrics Then Guitar

June 24th, 2009

Patterson Hood and the Screwtopians – Music Hall of Williamsburg – June 23, 2009

(Photo: Adam Smith)

(Photo: Adam Smith)

Patterson Hood is one of those rare songsmiths who will get you to lean in closer so you can better hear the words he’s singing and then, once you’re within range, smack you silly in the face with some heavy-duty guitar. Such is the case with the Drive-By Truckers and such was the case last night at Music Hall of Williamsburg with his current side project, the Screwtopians. One minute I was straining to catch Hood’s lyrics (what was that he sang about “baseball and science”?) the next minute I was straining to catch my balance as guitars, keyboards, drums, bass and pedal steel whipped up a raucous rock.

Personally, I enjoyed it when things got a little quieter on tunes like “The Range of War,” where the lyrics were transmitting clearly and the pedal steel dominated. Then again, I’m a sucker for the pedal steel. Hood explained the project: Dusting off some recently rediscovered 15-year-old tunes riddled with the anger of a barely employed recent divorcée and then “responding” to them with new material written by the same guy 10 years later in anticipation of the birth of his first child.

The Screwtopians had all the earmarks of a side project with friends from other groups filling in the backing band and guitar players turning away from the audience to rock out, more like buddies in a garage having fun than a band trying to earn its keep. Perhaps the best part was the fact that Will Johnson from Centro-matic was in it—not necessarily for his playing in the Screwtopians, but for the fact that he was in the house to play an opening set. Johnson held down the stage with just guitar and voice, singing out of the side of his mouth like every song was a whispered secret to the crowd, but a stage whisper at best. His voice—loud, crisp, powerful and soulful—was the best thing going. He concluded with a full-band tune that had me hoping his next side project might be Will Johnson and the Screwtopians. —A. Stein

Contest

Grow a Pair: Win Free Tickets to See Patterson Hood Tonight

June 23rd, 2009

grow_a_pair_trans5

Patterson Hood’s new album, Murdering Oscar (And Other Love Songs), with his newest band, the Screwtopians, is out today. And to celebrate, The House List is giving away two free tickets to tonight’s show at Music Hall of Williamsburg. Just fill out the form below, listing your name, e-mail address, which show you’re trying to win tickets to (Patterson Hood, tonight) and a brief message telling us your favorite Drive-By Truckers song and why. Eddie Bruiser will notify the winner by 5 o’clock. Good luck.

Your Name (required)

Your Email (required)

Subject

Your Message

Five Questions With…Patterson Hood (Plus a Bonus MP3 at the Bottom)

June 18th, 2009
Self Portrait

Self Portrait

Patterson Hood was destined to be involved in music. His dad, David Hood, was the bassist for the legendary Muscle Shoals Rhythm Section. And Patterson began writing music before he turned 10 and joined a band before reaching 15. He went on to receive much acclaim as one of the Drive-By Truckers’ founders, songwriters and guitarists. The Truckers have put out several successful albums in addition to serving as the backing band on the sublime soul singer Bettye LaVette’s The Scene of the Crime and, more recently, on Booker T.’s Potato Hole. (Together they performed as Booker T. and the DBT’s in a terrific show last weekend at Bonnaroo.) And as if all of that weren’t enough, Patterson brings a whole new band, the Screwtopians, to Music Hall of Williamsburg next Tuesday (June 23rd) and The Bowery Ballroom next Wednesday (June 24th) in support of Murdering Oscar (And Other Love Songs). In advance of these shows, Patterson was nice enough to answer five questions for The House List.

What’s the last band you paid to see live?
Probably Springsteen in Chicago in ’07. I went to a local show in Athens, Ga., not long ago and paid cover to support the scene.

Which band or bands that you listened to growing up do you still listen to?
Probably most of them. I’m still always seeking out new bands to love, but I still love the old ones, too. At home I have music playing nonstop unless I’m writing. Now I get to play records for my daughter and I get to turn her on to cool music. She loves the Clash, Centro-matic, the Kinks and Dolly Parton. She’s four-and-a-half and has great taste.

Which NYC musician—past or present—would you most like to play with?
Sonic Youth. I’ve been a fanatical fan since around Sister. Tad Kubler and I keep discussing a possible project someday. I’d love to produce a Patti Smith album.

What’s your favorite place in New York City to hang out? And do you ever feel like you could live here?
I’m fond of the Lakeside Lounge and National Underground. I think The Bowery Ballroom is one of the best-sounding rooms in America. Yes, I could definitely live here if I could work out the logistics of commuting for the band and moving my family.

Your after-party is at Hi-Fi, the Avenue A bar known for its endless jukebox, and The House List gives you a buck, what three jams are you playing?
Wilson Pickett’s “Hey Jude,” the Stooges’ “1970” and Curtis Mayfield’s “We People Who Are Darker Than Blue.” —R. Zizmor

Listen to “Pollyanna” off Murdering Oscar (And Other Love Songs)—out next Tuesday.