Tag Archives: Photos

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So Much More Than Just One Song

February 7th, 2012

Gotye – The Bowery Ballroom – February 6, 2012


With one of the most talked about songs and videos of 2011, “Somebody That I Used to Know,” it felt like Gotye was just waiting for that first New York City show that sells out with an air of mystery and excitement surrounding it. And Monday at The Bowery Ballroom was that show: two projectors on the balcony accompanied the music with beautiful custom animations, and onstage there more instruments than you could count or even name. I was unsure what to expect of the show because Gotye’s album is an interesting one, filled with a few obvious hits but also some otherwise quirky stuff.

Opening the show with the crowd-pleasing “Eyes Wide Open,” Gotye’s voice sounded fantastic—soulful, clear and strong enough to quiet a packed room. Despite so much visual stimulation, the set lacked nothing musically. Each band member switched roles at least once, which found Gotye taking on a lot of percussion. The crowd never stopped moving thanks to songs like “Easy Way Out” and “State of the Art,” during which Gotye used a different microphone to make his voice drop at least an octave.

After an eager fan threw a bra onstage, Gotye wore it throughout “Smoke and Mirrors” and announced that he was going to perform a song that “maybe you’re all waiting for or maybe you’ve heard too much of.” With that he played the familiar opening xylophone of “Somebody That I Used To Know” with clear adoration from all those waiting to hear it. Kimbra came out to sing her part to even more applause and they did justice to the song that so many have listened to, covered and loved. Clearly Gotye is no one-hit wonder, and in thinking steps ahead of most when it comes to his live show, 2012 might very well be his year. —Lauren Glucksman

Photos courtesy of Diana Wong | dianawongphoto.com

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Skrillex – Terminal 5 – February 4, 2012

February 6th, 2012


Photos courtesy of Brian C. Reilly | www.briancreilly.com

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Quintus – Mercury Lounge – February 3, 2012

February 6th, 2012

Quintus

Photos courtesy of Sean O’Kane | seanokanephoto.com

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A Young Band with an Ageless Sound

February 1st, 2012

Smith Westerns – Webster Hall – January 31, 2012


If this winter is going to be remembered as the winter that never was for New York City, we might as well celebrate the unusually mild weather with some music that reminds us of sunnier days. What better band to bring us to these warmer memories than the Smith Westerns? With a penchant for songwriting that draws heavily on the yearning for teenage love as inspiration, the Smith Westerns took the stage on Tuesday night at Webster Hall to showcase their sunny garage-pop melodies.

The Chicago-based band has had some considerable accomplishments in the two years since first playing Webster Hall, most notably with the release of the critically acclaimed sophomore album Dye It Blonde. Playing a set that featured songs mostly off this release, the band opened the show with a jubilant rendition of “All Die Young.” With frontman Cullen Omori belting out “Love is lovely when you are young,” the line felt somewhat like a mission statement for the show.

As young as this band is (the oldest member is only 21), it’s impressive to see how natural they appear and work together onstage. This was especially noticeable during “Imagine Pt. 3,” where guitarist Max Kakacek’s riffs unexpectedly burst through the melodic maelstrom of pop hooks. The crowd lost it for “Weekend,” a closing song that quite brilliantly highlights the heartbreak of unrequited love and shattered romantic expectations. So maybe young love ain’t so lovely after all. But the music it generates sure is, and you can enjoy that at any age. —Dan Rickershauser

Photos courtesy of JC McIlwaine | jcmcilwaine.com

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Aimee Mann Satisfies

January 30th, 2012

Aimee Mann – Music Hall of Williamsburg – January 27, 2012


“For some reason, most of my friends are comedians,” Aimee Mann told the audience halfway through her sold-out Music Hall of Williamsburg show on Friday night. Although the songwriter is best known for singing melancholy tales about the “dysfunctional, broken and crazy” (her exact words), she is also quite the comedienne, and for each dismal story in her songs, Mann counteracted the gloom with a wry anecdote, a pointed comment or some spontaneous banter with the crowd (see also: playing herself on Portlandia). Given her natural penchant for hilarity, she probably shouldn’t be too stumped at her circle of comical friends.

Before playing a block of songs from her soon-to-be released album (probably called Charmer, though she admitted to some last-minute reservations about the title), Mann, in saying, “I won’t be offended at all,” gave everyone permission to use the bathroom in case the new material wasn’t their thing. Of course the pieces were met with a warm welcome, and songs like “Labrador” fit in nicely with Mann’s repertoire of catchy tales of the downtrodden. Perhaps as a reward for our patience with the new material, Mann followed with a selection of songs from her popular soundtrack to Magnolia, prefacing her spot-on renditions of “Save Me,” “Wise Up” and “One” by dryly commenting, “It’s hard to believe it’s been so long … since I lost that fucking Oscar.”

During the night’s encore, after performing “4th of July,” from her very first solo album, 1993’s Whatever, Mann was joined by opening act John Roderick, another humorous musician (offering hugs for five dollars at the merch table after the show), for a cheery cover of Simon & Garfunkel’s “Keep the Customer Satisfied.” The choice of song may have been a final wink to the crowd, for Mann certainly knows how to put on a satisfying show, no jokes about it. —Alena Kastin

Photos courtesy of Mike Benigno | mikebenigno.wordpress.com

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Nada Surf – The Bowery Ballroom – January 24, 2012

January 25th, 2012

Photos courtesy of Alexis Maindrault | rockinpix.com

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Chairlift – The Bowery Ballroom – January 23, 2012

January 24th, 2012


Photos courtesy of Mina K

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A Spotlight on Five Frontmen

January 23rd, 2012

Where’s the Band? – Music Hall of Williamsburg – January 21, 2012


Lately the alternative scene has become saturated with megatours crammed with enough acts to ensure ticket sales, a trend that’s become as tiresome as the now-obligatory album-anniversary tour. Luckily the Where’s the Band? tour has mixed up the idea a bit, putting the spotlight on some of the scene’s best frontmen and their guitars. Led by the Get Up KidsMatt Pryor, Saves the Day’s Chris Conley and Bayside’s Anthony Raneri, the acoustic tour hit the velvet-backed stage of Music Hall of Williamsburg on Saturday night.

Under-the-radar scene vet Evan Weiss (the man behind Into It. Over It.) set the pace early when he opened the show balancing personal lyrics over pop-punk strumming. By cheering Weiss’s song selections and standing silently as he told heartbreaking stories behind a few of them, it was clear those in attendance got the idea behind the tour. Weiss turned over things to longtime pal Ace Enders, who, like Pryor and Raneri, was showcasing new material—in addition to doing such songs from his days leading the Early November as “Ever So Sweet” and “Baby Blue.”

Conley then swapped spots with Enders to do an all-requests set that unearthed gems like 1998’s “Hold,” and of course, “At Your Funeral.” Pryor’s following set proved he’s ready to continue his busy streak from the past few years (solo albums, Get Up Kids’ reunion tours and albums) into 2012, as he featured songs from May Day, to be released later this month. While each act earned big cheers from different sections of the crowd, Long Islander Raneri, who also offered songs from his new release, the EP New Cathedrals, earned the biggest reaction from the entire room. —Sean O’Kane

Photos courtesy of Sean O’Kane | seanokanephoto.com

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Portlandia the Tour – Music Hall of Williamsburg – January 20, 2012

January 23rd, 2012


Photos courtesy of Diana Wong | dianawongphoto.com

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Anthony Green – The Bowery Ballroom – January 19, 2012

January 20th, 2012


Photos courtesy of Sean O’Kane | seanokanephoto.com

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Santigold Triumphantly Returns

January 18th, 2012

Santigold – Music Hall of Williamsburg – January 17, 2012

“It’s been a long, long time, and we’re so ready,” said Santigold to a sold-out Music Hall of Williamsburg on Tuesday night. While it had indeed been a good chunk of time since the world last saw Santigold, the singer-songwriter-producer’s performance last night made for one powerful tale of her reemergence. Complete with three different sets of sparkly, glammed-out clothes, mesmerizing choreography and notable guest appearances, it was almost as if Santi’s spent the past few years off preparing for this elaborate reintroduction to the stage.

Opening with the energetic and forceful “Go,” Yeah Yeah Yeahs singer Karen O joined Santi, making for a charismatic power duo. Santigold then delivered old favorites “L.E.S. Artistes” and “Lights Out” before playing the powerful yet restrained new song “God from the Machine,” off the soon-to-be-released Master of My Make-Believe. With the help of elaborate costumes and liberal use of props, including golden pom-poms, sledgehammers, ropes and twirling umbrellas, Santi’s mesmerizing backing dancers’ moves would have upstaged anyone who lacked her overpowering stage presence.

Closing the first third of her set with “Get It Up,” Santi left the stage to her dancers before returning in a black-and-silver striped outfit to sing “Hold the Line” alongside a giant white horse. She then welcomed a big chunk of the crowd onstage to dance along with her to “The Creator.” But it wasn’t just onstage revelers getting loose—David Byrne, the legendary leader of the Talking Heads, who knows a thing or two about over-the-top, well-choreographed performances, danced along in the balcony. Opener Spank Rock later joined Santi to rap through a verse of “Shove It” before returning once more to finish the two-song encore with “B.O.O.T.A.Y.” —Dan Rickershauser

Photos courtesy of Andie Diemer | issuu.com/andiediemer/docs/portfolio

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Some Girls

January 16th, 2012

Girls – Terminal 5 – January 14, 2012


In case you’re wondering, yes, there are some girls in the hard-to-Google band Girls, three old-school-style backup singers who stood on their own riser and added plenty of oomph to a sold-out show at Terminal 5 on Saturday night. The singers, dressed in matching, flashy tank tops, were just one part of a variety of fashion styles on display by the San Francisco band, which included lead singer Christopher Owens in a skirt, bass player JR White in a leather jacket and a stage decorated with dozens of floral arrangements like a DIY wedding reception. The range of musical styles was just as wide, as Girls worked material from the acclaimed Father, Son, Holy Ghost album.

The set began with high energy, one of the singers screaming, “Are you ready!? Put your hands together,” like she were introducing a soul revue. The crowd responded to the bouncing music by pogo-ing in unison. The middle stretch was decidedly more mellow and lo-fi, with lots of doo-wop throwback and sing-alongs galore. As the energy worked its way back, song-by-song, it was clear that for all the accoutrements, this was truly an old-fashioned rocking guitar band at heart. The guitar playing was like a highlighter on a page of text, making sections pop out, sparking contrast and adding color with subtle riffs and some well-placed slide.

Finally, just when it seemed like Girls had shown all they had, the singer who had earlier hyped the crowd gave an “Are you ready?” scream and the band launched into the heavy Bowie-esque “Die.” It felt like the previous three-quarters of the show had been a warm-up for a completely different band, one that rattled the room with a new energy as the floor became a trampoline once again. —A. Stein

Photos courtesy of Diana Wong | dianawongphoto.com

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Black Taxi Celebrates

January 16th, 2012

Black Taxi – The Bowery Ballroom – January 14, 2012


It doesn’t get much better than seeing Black Taxi at New York City’s Bowery Ballroom on the occasion of a new album, especially with a trio of great bands preceding the four-piece. The guys in Black Taxi work so hard and play so well that a sold-out, raging celebration was a given. From the first moment to the last, the space was jamming, with the crowd raucously reacting to each infectious riff. These dudes know how to work a room, and the whole quiver of instruments came out—with a horn section to boot. It was utterly impossible to tell who was having a better time, the band or the fans.

It isn’t just because the group has so many friends or that everyone in the band is really awesome that Black Taxi has such a loyal fanbase. No, it’s because these guys are just so damn good that rocking out at their shows is, hands down, the best way to spend any given night. And it gets better every time. So if you haven’t seen them already, the next time Black Taxi take the stage do yourself a favor and make it out to support them. And don’t forget your dancing shoes. —JC McIlwaine

Photos courtesy of JC McIlwaine | jcmcilwaine.com

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Preservation Hall Jazz Band – Carnegie Hall – January 7, 2012

January 9th, 2012


Photos courtesy of Michael Jurick | music.jurick.net

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Elizabeth and the Catapult – Mercury Lounge – January 4, 2012

January 5th, 2012


Photos courtesy of Mike Benigno | mikebenigno.wordpress.com