Tag Archives: Photos

cat_preview

Coheed and Cambria – Terminal 5 – May 22, 2017

May 23rd, 2017


Photos courtesy of Joe Papeo | www.irocktheshot.com

cat_preview

Marian Hill – Brooklyn Steel – May 22, 2017

May 23rd, 2017


Photos courtesy of DeShaun Craddock | dac.photography

cat_preview

Delta Rae – The Bowery Ballroom – May 22, 2017

May 23rd, 2017


(Delta Rae play Music Hall of Williamsburg on 8/15, tickets on sale tomorrow at noon.)

Photos courtesy of Marc Millman Photography | www.marcmillmanphotos.com/music

cat_preview

A Laid-Back Sunday with Real Estate at Brooklyn Steel

May 22nd, 2017

Real Estate – Brooklyn Steel – May 21, 2017


There are few bands with a sound and vibe as laid-back as Real Estate. They give the impression of having just stumbled upon themselves and their music with little effort or plan. Of course, that’s not the case, two sold-out shows at Brooklyn Steel don’t just happen on their own, although playing a sold-out, two-night run on two nonconsecutive nights, as they just did on Wednesday and then last night, is the sort of shoulder-shrug, yeah-why-not? move that befits the band.

“We’re back,” announced bassist Alex Bleeker as if he weren’t quite sure himself. They opened with “Stained Glass,” off their new In Mind release, lead singer Martin Courtney singing about “the days are slowing down” as their harmonies and Beatles guitar eased into the room. “Darling” featured skip-rope bass from Bleeker as the venue dappled in blues and purples. Seeing them live, one can fully appreciate how many great songs Real Estate have—they seem to play themselves, relaxed and effortless, like sinking down into a comfy couch. “It’s Real” revealed fun little games with tempo and “Talking Backwards” was naturally pure sine waves of melody.

As the set unfolded, Real Estate did as well, spinning out extended band-fully-clicked daydreams of guitar, bass, drums and keys. The reverie coming to an end when Courtney announced they had a couple songs left, “and by couple, I mean just one,” and then proceeded to play two songs’ worth of music, “Beach Comber,” its country hop opening up into the long instrumental outro of “Two Arrows,” with its dreamy-but-intense drum-addled jam. The encore featured three more songs to round it out, including a guest appearance from the members of Frankie Cosmos, who opened the show. Real Estate finished with “All the Same,” Courtney reminding us that “It’s alright, it’s OK,” an appropriate mantra for the truly laid-back. —A. Stein | @Neddyo

Photos courtesy of Nick Delisi | www.nickdelisi.com

cat_preview

The Growlers – Terminal 5 – May 20, 2017

May 22nd, 2017


Photos courtesy of Joe Papeo | www.irocktheshot.com

cat_preview

Sylvan Esso – Brooklyn Steel – May 18, 2017

May 19th, 2017


Photos courtesy of Gregg Greenwood | gregggreenwood.com

cat_preview

Temples – Music Hall of Williamsburg – May 16, 2017

May 17th, 2017


(Temples play Music Hall of Williamsburg again tomorrow night.)

Photos courtesy of Pip Cowley | pipcowleyshoots.com

cat_preview

Perfume Genius Goes Bold at Sold-Out Brooklyn Steel

May 17th, 2017

Perfume Genius – Brooklyn Steel – May 16, 2017


There’s a lot to be said for an artist rising to the occasion, for recognizing the swell of critical acclaim for the work one has created and the inescapable buzz of anticipation for performing it while being able to get a handle on all of the nerves and emotions flowing in and around a big moment to deliver with poise and pace, and, ultimately, heart-stopping impact. Perfume Genius’s pop music is so stirring because it strikes a balance between extravagance and intimacy, bombast and fragility, not to mention Mike Hadreas dancing unpredictably within the space of that spectrum. Riding the energy of his just released fourth solo album, No Shape, Hadreas greeted his largest U.S. audience to date last night at the recently unveiled and sold-out room of Brooklyn Steel.

Amidst his backing band keeping a steady pulse of from the shadows, Hadreas floated about a stage transformed into his own lair of sonic fantasy, unleashing a voice of divine range to touch thrilling peaks on seismic pop starbursts like the rousing “Queen” and “Slip Away.” Then, with uncanny sense of timing, ballads including No Shape finale “Alan” and “Too Bright” found him landing softly and sweetly into spot-lit pockets where lyrics of emotion commingled with his virtuosic piano play. With his seductive and disarming presence, Perfume Genius’s music left all in the audience intoxicated and helpless to surrender. It was a performance of bold substance, delivered with flair and elegance by an artist keenly aware that his time has arrived. —Charles Steinberg | @Challyolly

Photos courtesy of Charles Steinberg | charlesosteinberg.com

cat_preview

Desiigner – PlayStation Theater – May 15, 2017

May 16th, 2017


Photos courtesy of Mina J

cat_preview

The Jesus and Mary Chain – Brooklyn Steel – May 14, 2017

May 15th, 2017


Photos courtesy of Joe Papeo | www.irocktheshot.com

cat_preview

The Moonlandingz – Rough Trade NYC – May 11, 2017

May 12th, 2017


Photos courtesy of Silvia Saponaro | www.saponarophotography.com

cat_preview

Father John Misty Lets His Music Do the Talking at Brooklyn Steel

May 12th, 2017

Father John Misty – Brooklyn Steel – May 11, 2017


Brooklyn Steel was shoulder to shoulder with people on Thursday night to see Father John Misty for the second of three straight-sold out shows in Brooklyn this week. His new album, Pure Comedy, is a lyrically deep concept record that has been picking up some well-earned praise for layered cultural commentary that takes sharp aim at sacred cows, innocent bystanders and everything in between. It’s a demanding and serious affair that eschews his usual self-deprecating humor for a set of somber ballads that set out to explain how the technological advancements we’ve made as humans is quickly leading to our downfall as a species. See? Comedy, right? Nevertheless, the room was filled with excitement as people packed in eagerly waiting for the Father’s sermon.

First up was NYC freak-folk mainstay and ex–Moldy Peaches frontman Adam Green, who recently directed the video for Misty’s new single, “Total Entertainment Forever,” and it’s truly something to behold. If you haven’t seen it, you owe it to yourself to check it out. I won’t spoil it for you. Along with his three-piece band, Green played a set full of feel-good indie rock that found him high-fiving people in the front row and even fitting in a few lengthy crowd surfs that took him across the room. As he said his goodbyes, it was clear that he had won over everyone who caught his opening set.

Shortly after, the crowd exploded with cheers as Father John Misty, aka Josh Tillman, took the stage. Dedicating the lion’s share of his set to the new album, he shied away from his usual witty stage banter and let the songs do most of the talking. The new material translated to the stage fantastically as his nine-piece band, complete with a horn section and two-keyboardists, brought the dynamics and drama that make the arrangements so powerful on record. Ever the dynamite showman, Misty navigated the stage with ease as he threw in his Jim Morrison gyrations with a wink and a nudge all while pouring out his world-weary grievances through his tender croon. Misty’s voice sounded tremendous as it filled the room and was heartbreakingly beautiful when he would hit his high falsetto. As good as it was, when he reached back to some of the more upbeat material from his first two albums to close out the set, the crowd answered back singing along to every word.

When he returned for the encore, Father John Misty addressed the crowd for the first time, entering into a long and hilarious conversation with a girl in the front row. She yelled out for him to “Do you!” to which he replied, “Thanks, I needed that today” before going into his anthem about modern American dejection, “Bored in the USA.” During the final song, “Holy Shit,” the singer-songwriter pointed the microphone stand into the crowd to let the adoring fans belt out the wordless refrain before taking his final bows. By the end of the night, Misty’s message had landed and was somehow both distressing and life-affirming at the same time—all in a fantastic way, of course. —Patrick King | @MrPatKing

Photos courtesy of Pip Cowley | pipcowleyshoots.com

cat_preview

The Cult – Brooklyn Steel – May 10, 2017

May 11th, 2017


Photos courtesy of Silvia Saponaro | www.saponarophotography.com

cat_preview

Low Cut Connie – Mercury Lounge – May 9, 2017

May 10th, 2017


Photos courtesy of Silvia Saponaro | www.saponarophotography.com

cat_preview

Bishop Briggs – The Bowery Ballroom – May 9, 2017

May 10th, 2017


(Bishop Briggs plays Music Hall of Williamsburg tonight.)

Photos courtesy of DeShaun Craddock | dac.photography