Tag Archives: Preview

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Hear Some of the Bands You Can See This Week

July 24th, 2017

Hear some of the bands you can see this week.

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Jesse Malin and Juliana Hatfield Play The Bowery Ballroom on Saturday

July 21st, 2017

Singer-songwriter and guitarist Jesse Malin (above, performing “Meet Me at the End of the World” for Paste Studios) has been a fixture on the downtown music scene—as a bandleader and a solo artist—since the ’80s. The prolific performer’ recent release, an EP, Meet Me at the End of the World (stream it above), came out at the end of June. And on Saturday night at The Bowery Ballroom, he teams up with another singer-songwriter and guitarist with a new album, Juliana Hatfield (below, performing “I Wanna Be Your Disease” also for Paste Studios), whose Pussycat (stream it below) was inspired by last year’s presidential election: “All of these songs just started pouring out of me. And I felt an urgency to record them.” Matthew Ryan opens the show.

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RAQ Play Late After Phish at Mercury Lounge on Friday and Saturday

July 20th, 2017

The guys in RAQJay Burwick (bass and vocals), Chris Michetti (guitar and vocals), Todd Stoops (keys and vocals) and Scotty Zwang (drums)—formed the experimental, improvisational jam band in Burlington, Vt., at the turn of the century. They’ve been winning over fans ever since thanks to their complex song structures and quirky-yet-accessible lyrics. And with Phish kicking off 13 dates at Madison Square Garden beginning tomorrow night, RAQ (above, doing “Beauregard”) will be handling late-night duties on Friday and then again on Saturday at Mercury Lounge.

 

 

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PJ Harvey Comes to SummerStage in Central Park on Wednesday

July 17th, 2017

PJ Harvey (above, performing “The Community of Hope” live on The Late Show with Stephen Colbert) has a short fuse leading to a powder keg full of emotion. And for more than two decades, she’s been using this unbridled intensity to astounding effect. With such albums that have withstood the tests of time as Rid of Me (stream it below), Stories from the City, Stories from the Sea (stream it below) and Let England Shake (stream it below), Harvey has as rich and rewarding of a catalog as any of her peers. These albums have all earned their right to be called classics and still sound as vibrant and ahead of their time today. Last year’s The Hope Six Demolition Project (stream it below) is no different, with some of Harvey’s most musically adventurous and politically charged material to date. She and her top-notch band will be setting the Central Park SummerStage ablaze this Wednesday with songs from her entire career. Any chance to see Harvey and her band in the flesh is a truly mesmerizing experience. This show is one you should not miss. All hail, Polly Jean Harvey. —Pat King | @MrPatKing

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Hear Some of the Bands You Can See This Week

July 17th, 2017

Hear some of the bands you can see this week.

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Woods Bring Feel-Good Music Home to The Bowery Ballroom

July 13th, 2017

Plenty of artists have, for better or worse, found inspiration in today’s headlines, much of the resulting music reflecting a dark view on the news of the day. When Woods felt compelled to enter the studio to capture the current mood, the resulting songs were much more optimistic in tone. The mini-album, Love Is Love (stream it below), recorded and released earlier this year, conveys its message in its title track. Taking their evolved sound from last year’s City Sun Eater in the River of Light (stream it below) even further, the new record is awash in pastoral psych-folk amidst upbeat jazz-funk horn fills. Woods (above, performing “Creature Comfort” in studio for KEXP FM) bring the new material and a hefty back catalog of inspired songwriting and spinout jams—and maybe some catharsis—back to The Bowery Ballroom for a Saturday night homecoming. It’ll be a family affair, with John Andrews and the Yawns (plus Cut Worms) opening. —A. Stein | @Neddyo

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The Kickback Celebrate a New Album Thursday at Mercury Lounge

July 12th, 2017

Now based in Chicago, Billy Yost (vocals and guitar), Jonny Ifergan (guitar) and Daniel Leu (bass) have been making eclectic music together since forming the Kickback close to 10 years ago. Following the release of several EPs, their catchy debut full-length, Sorry All Over the Place (stream it below), dropped two years ago. “The Kickback turn Sorry All Over the Place into a whimsical and ambitious fit of rock potpourri,” reported Consequence of Sound. “The band squeezes the pop-rock template dry, milking that broad category for its many musical riches.” Their sophomore LP, Weddings & Funerals, arrives on Friday, but the Kickback (above, doing “White Lodge” for Jam in the Van) celebrate its release a night early, on Thursday at Mercury Lounge.

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My Morning Jacket Return to NYC to Play Forest Hills Stadium

July 12th, 2017

Louisville, Ky., road warriors My Morning Jacket are known for their wildly entertaining, energetic live performances deftly covering material from their seven studio albums, including 2015’s The Waterfall (stream it below), with a well-placed cover or two sprinkled throughout their set. They have a sum-of-their-parts sound—with each performer locked in unison—that still allows all five members room to shine. Frontman Jim James and guitarist Carl Broemel—perhaps the band’s secret weapon, at the very front of the stage, his hair furiously swaying in harmony with his slashing guitar—play in, at and around each other over the course of the entire two-plus-hours show, oftentimes face to face. But despite the fiery duo’s considerable presence, it’s Patrick Hallahan’s ferocious drumming, Tom Blankenship’s forward-thrusting bass (no more so than on “The Dark”) and Bo Koster’s subtle keys work that drive everything forward, one song into the next, often with an effortless-sounding segue. On Saturday at Forest Hills Stadium, My Morning Jacket (above, performing “Phone Went West” at Red Rocks), who have played New York City shows at rooms as small as Mercury Lounge and as big as Madison Square Garden, roll into Queens in mid-tour form. Guitar hero Gary Clark Jr. opens the show.

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A Double Dose of Pokey LaFarge in New York City This Week

July 11th, 2017

Pokey LaFarge, born Andrew Heissler, is what you might call an old soul. You could imagine him, plucking away with that whipcrack band, at the Cotton Club or some other bygone temple of ancient, potent music, stirring up impure thoughts and a hankering for more gin or whiskey. He’s on tour again, this time behind Manic Revelations (stream it below), which fleshes out his sepia-toned blues, rockabilly and Western swing with Memphis soul and gospel elements, complete with horns—and a framing of current political themes. The first place to start is “Riot in the Streets,” which the New York Times was right in calling “like an explanation of now, delivered in an ancient language.” A St. Louis native, LaFarge (above, performing “Bad Dreams” for KCMP FM) addresses the death of Michael Brown, police victimization and media bias. “What I wanted to convey was the desperation people feel when they have been pushed to brink,” he told the Huffington Post in May. “No more talking. No more waiting. No more silence. Sometimes you have to fight.” You get him twice this week: Wednesday at The Bowery Ballroom and Thursday at Rough Trade NYC. And you can expect a healthy focus on the 10 outstanding Manic tracks with a judicious sampling of material going back to his 2006 debut. His band is the South City Three, including bass, harmonica, electric guitar, drums, clarinet, sax and trumpet, with a few other variables as they see fit. Go from there and relish the retro flavor. —Chad Berndtson | @Cberndtson

 

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Catch the Cave Singers Tomorrow Night at Mercury Lounge

July 11th, 2017

When his previous band, Pretty Girls Make Graves, called it quits in 2007, guitarist Derek Fudesco teamed up with former Cobra High drummer Marty Lund and former Hint Hint singer Pete Quirk to start a new one, the Cave Singers, to make rock music with a folk bent (think: Bob Dylan and Woody Guthrie). The Seattle three-piece had enough material for their first album, Invitation Songs (stream it below), within months of forming. A second disc, Welcome Joy (stream it below), followed two years later, and after the third, the-more-electric-than-acoustic No Witch (stream it below), was released in 2011, the trio became a four-piece with the addition of Fleet Foxes multi-instrumentalist Morgan Henderson on bass. Their first album as a quartet, the terrific Naomi (stream it below)—perhaps heavier on the rock than the folk—came out in 2013, and the Cave Singers (above, performing “That’s Why” live in studio for KEXP FM) followed that with their fifth LP, last year’s Banshee (stream it below). “The finished product shows the group understands very well what works for them,” said AllMusic. “Banshee is a smart and impressive piece of work that speaks to the mind and the soul with similar clarity.” The Cave Singers kick off their new tour tomorrow night at Mercury Lounge. Brooklyn’s LAPêCHE open the show.

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Hear Some of the Bands You Can See This Week

July 10th, 2017

Hear some of the bands you can see this week.

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Sir Sly Bring Brand-New Album to The Bowery Ballroom on Tuesday

July 10th, 2017

Singer Landon Jacobs, keyboardist Jason Suwito and drummer Hayden Coplen formed the alternative-rock trio Sir Sly (above, performing “You Haunt Me” on Conan) five years ago in Los Angeles. Their first full-length, You Haunt Me (stream it below), came out in 2014. The band “lays down a strong foundation, announcing their presence with 11 somber yet danceable earworms that are sure to set the hype machine on overload now that listeners actually know who is making the music and anticipate the follow-up,” according to Glide Magazine. That anticipated follow-up, Don’t You Worry, Honey (stream it below), arrived just a few weeks ago, and Atwood Magazine immediately named it one of the best albums of the year, noting that they’re “expanding their musical palette through a daringly diverse, yet surprisingly concise set of songs that stays faithful to, and builds upon, Sir Sly’s unique blend of electronic, gospel and hip-hop influence.” With a new album comes a new tour, and Sir Sly headline The Bowery Ballroom tomorrow night. The D.C. trio Shaed opens.

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Mother Mother Headline The Bowery Ballroom on Saturday Night

July 6th, 2017

Supporting their newly released full-length, No Culture (stream it below), which combines everyday-life issues with self-exploration, Vancouver, B.C., synth-rock band Mother Mother (above, performing “The Drugs”) will fabulously rock the stage at The Bowery Ballroom on Saturday night (with Brooklyn pop quintet Pavo Pavo opening). The album cover itself is open for interpretation, its serious tone colliding with an in-your-face attitude devoid of any apologies. The group’s frontman and songwriter, Ryan Guldemond, isn’t afraid to put Mother Mother’s thought-provoking takes on exploring identity through culture and how it fits into our differences and similarities on display. No Culture, their sixth long-player, continues the band’s distinctive, fast-paced synth sounds. Guldemond has discovered that by opening up his writing with personal stories that it’s become even easier for fans to connect with them. The songs have always had a nostalgic, captivating element with fast tempos and catchy lyrics, and they’ve evolved with a more intense, hard rock sound. Mother Mother’s onstage energy matches their upbeat songs, like “Hayloft.” Experience if for yourself on Saturday night. —Karen Silva | @ClassicKaren

 

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Umphrey’s McGee to Light Up SummerStage on Friday Night

July 5th, 2017

“Leave it to an act who named their 1998 debut Greatest Hits, Vol. 3 to create this crazy quilt, innovative and unique mash-up of disparate songs, played live,” said American Songwriter of last year’s Zonkey (stream it below). “Taking a concept initially conceived during Umphrey’s McGee’s Halloween shows to the studio, the sextet displays their wildly diverse influences and inspirations by grabbing parts of two, three and sometimes four tunes, cutting and pasting them together, and performing the result with no overdubs, without a net, in the studio.” Summer’s here and the time is right for dancing in the park. The stalwart jamband plays a scintillating music that seeks out wide-open spaces and fills them with long-form improvisation. They’ll find plenty of room to jam in the middle of Central Park when they play SummerStage on Friday night. For the diehards there will sure to be set-list surprises and look-ma-no-hands acrobatics for next-day social media deconstructing. For the curious and uninitiated, Umphrey’s will be sure to impress with their two-guitar, part-heavy-metal/part jazz-prog-rock fusion. Up-and-comer jammers Aqueous will be grooving the park early, so bring your dancing shoes and be ready to rock. —A. Stein | @Neddyo

 

 

 

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A Bright Light Bright Light Dance Party at Music Hall of Williamsburg

July 5th, 2017

London-based Welsh singer-songwriter and multi-instrumentalist Rod Thomas has been combining electronics, disco, synth pop and house music into his own unique sound as Bright Light Bright Light since 2010, moving people to the dance floor on both sides of the Atlantic ever since. In the process, Thomas has garnered the attention of Elton John, Jake Shears (Scissor Sisters) and Alan Cumming, each of whom appeared on the most recent Bright Light Bright Light album, last year’s Choreography (stream it below), which AllMusic called “Thomas’s biggest, boldest and most personal statement to date, it was a bright, Technicolor pop record inspired by his love of the music and movies of the ’80s and ’90s.” Find out why the Rocket Man is such a fan when Bright Light Bright Light (above, performing “All in the Name” with Elton John on The Graham Norton Show) plays Music Hall of Williamsburg on Friday night. NYC’s Ariana and the Rose open the show.