Tag Archives: Radio City Music Hall

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Not Even Nerves Can Stop MGMT

August 18th, 2010

MGMT – Radio City Music Hall – August 17, 2010

MGMT - Radio City Music Hall - August 17, 2010
MGMT performed the majority of their first of two sold-out Radio City Music Hall shows covered in shadows. The focal point of the venue’s cavernous stage instead fell upon an onslaught of colorful psychedelic images and lights projected onto a backdrop of large abstract shapes. The eager crowd danced and waved glow sticks as the band played material from their most recent album, Congratulations, with the trippy visuals complementing the eclectic-retro sound on songs like “Brian Eno,” “Flash Delirium,” “It’s Working” and “Siberian Breaks.”

In addition to newer material, MGMT also played a sizable portion of their 2008 breakthrough album, Oracular Spectacular. Though two years have passed since its heyday, one of the loudest cheers of the night erupted with the opening notes of “Time to Pretend,” the group’s tongue-in-cheek tale of rock-star excess, which unwittingly became the soundtrack to every hipster BBQ and house party from Brooklyn to Brisbane that summer. Despite the fact that in the years since the song was written, MGMT founding members Andrew VanWyngarden and Ben Goldwasser have actually become what most would consider bona fide rock stars, with fancy magazine-cover stories and headlining slots at festivals around the world, their understated performance further cemented the fact that they have certainly not become the rock-star clichés they once wrote about.

As the show began to wind down, the modest rockers finally let the lights come up a bit during the undeniably catchy “Kids,” with Goldwasser and VanWyngarden stepping away from their instruments and awkwardly, endearingly attempting to dance with the crowd—but mostly just looking down, nodding their heads to the beat and wandering around the stage as they sang. When the song finished and the crowd erupted with approval, VanWyngarden seemed relieved, admitting in utter un-rock-star fashion that when faced with the task of playing Radio City Music Hall, “I think we were a little bit nervous.” —Alena Kastin

Photos courtesy of Greg Aiello | www.ga-photos.com

SPIN25: One More Time with Feeling

August 3rd, 2010

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Last week SPIN magazine celebrated its 25th anniversary with an epic five-night run of shows: the Smashing Pumpkins, the Flaming Lips, the Black Keys and the National at Terminal 5 and then Spiritualized closed out the week with a choir and an orchestra at Radio City Music Hall. If you weren’t there in person you still had the opportunity to check out what went down because each show streamed live on SPIN.com. But that is so last week. And since the music was extra stellar—thanks to ZYNC from American Express—you’ve got another chance to see these shows: The headlining act from each date will be rebroadcast at 9 p.m. ET every night this week here.

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Spiritualized – Radio City Music Hall – July 30, 2010

August 2nd, 2010

Spiritualized - Radio City Music Hall - July 30, 2010

Photos courtesy of Gregg Greenwood | www.gregggreenwood.com

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Ladies and Gentlemen We Are Floating in Space

July 28th, 2010


The English space-rock band Spiritualized has been making lush, atmospheric music since its debut, Lazer Guided Melodies, came out in 1992. Despite several personnel changes over the years, the group—guided by frontman Jason Pierce (J. Spaceman)—has continued to produce quality albums, including the much acclaimed Ladies and Gentlemen We Are Floating in Space, which features a gospel choir plus Dr. John on one track. Why bring up a disc that came out in 1997? Great question: Because as part of SPIN25, Spiritualized (above, playing the dreamy “Ladies and Gentlemen We Are Floating in Space”) will perform the LP in its entirety with a choir and orchestra on Friday at Radio City Music Hall. And how can you top that?

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SPIN Turns 25

July 23rd, 2010

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Next week SPIN magazine celebrates its 25th anniversary with five great shows: the Smashing Pumpkins at Terminal 5 on Monday, the Flaming Lips at Terminal 5 on Tuesday, the Black Keys at Terminal 5 on Wednesday, the National at Terminal 5 on Thursday and Spiritualized at Radio City Music Hall on Friday. And the even better news is that if you don’t have tickets to these shows, you’ll still be able to see them because Spin.com will be streaming them live. So let the SPIN25 celebration begin.

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Move on Up

June 17th, 2010

The National – Radio City Music Hall – June 16, 2010

The National - Radio City Music Hall - June 16, 2010
Just three songs into the National’s sold-out show at Radio City Music Hall last night, lead singer Matt Berninger jumped off the stage and into the crowd. After a strong opening set by the Antlers, the National started with “Mistaken for Strangers,” followed by “Anyone’s Ghost,” from recent release High Violet. As he sang, Berninger displayed his distinctive stage behavior, pacing, wringing his hands and clapping to himself along with drummer Bryan Devendorf’s frantic beats—a controlled mass of pent-up energy. It was halfway through “Bloodbuzz Ohio” when Berninger, no longer able to hold it in, jumped down to be alongside his hyper fans as he sang angst-ridden lyrics touching upon love, debt and failure.

The National easily filled the cavernous venue with their dynamic orchestral arrangements of songs like “Squalor Victoria,” “England,” “Runaway” and “Little Faith,” but were quick to acknowledge their more humble beginnings, dedicating “Secret Meeting” from their 2005 album, Alligator, to The Bowery Presents’ own Johnny Beach, who they note got them their very first show. The National seemed to want to remind hometown fans that while they may be playing bigger and bigger venues these days, we need not fret because this is weird for them, too.

For his part, Berninger continued to breach the stage/audience boundaries, and during the climatic “Mr. November,” made his way all the way up to the mezzanine, his microphone cord trailing behind him, as audience members helped pass it over their heads to follow the singer. Since the National’s emotive, lush music is no longer a wonderful shared secret among a select group of savvy listeners, it is likely that the venues they play in will continue to grow in size. But luckily, at last night’s show, Berninger seemed to prove that as the band’s popularity rises, he, too, will rise up to the highest balcony and sing beside more and more members of the crowd, the place where he is perhaps most comfortable. —Alena Kastin

Photos courtesy of Mina K

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Great Guitar Music Comes to Radio City

April 27th, 2010


When Rodrigo Sanchez (lead guitar) and Gabriela Quintero (rhythm guitar) met as teenagers in Mexico City, they discovered a mutual musical taste and formed the thrash-metal band Tierra Acida. When that ultimately didn’t pan out (they recorded music that was never released), the duo began to learn different guitar styles. Finding the Americas stifling, they set out for Europe, landing in Dublin, where Rodrigo y Gabriela honed their fast and lively acoustic sound (incorporating some Zeppelin and Metallica along the way) in pubs and on streets. Then one-time busker Damien Rice asked them to tour with him and things eventually took off. Their most recent album, 11:11, came out last year, and Rodrigo y Gabriela continue to tour, which is what brings them to Radio City Music Hall on Thursday. You should bring yourself.

(Check out Rodrigo y Gabriela performing “Hanuman” on Lopez Tonight, above, and “Stairway to Heaven,” below.)

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Spoon – Radio City Music Hall – March 26, 2010

March 29th, 2010

Spoon - Radio City Music Hall - March 26, 2010

Photos courtesy of Greg Notch | photography.notch.org/music

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Yeah Yeah Yeahs – Radio City Music Hall – September 23, 2009

September 24th, 2009

Yeah Yeah Yeahs - Radio City Music Hall - September 23, 2009

Photos courtesy of Dino Perrucci | dinoperrucciphotography.com

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A Legend Comes to Radio City

September 21st, 2009

Aretha Franklin – Radio City Music Hall – September 18, 2009

(Photo: Mina K)

(Photo: Mina K)

As we waited for Aretha Franklin to grace us with her presence at the sold-out Radio City Music Hall on Friday, her orchestra warmed up onstage. With a bevy of musicians and backup singers, this was a big production—the only kind befitting the Queen of Soul. When the singer appeared, looking regal in a floor-length black gown, the band wasted no time in vamping up the instantly recognizable opening bars of the Otis Redding classic “Respect.” It may be a jukebox staple, but there’s something magical and mind-blowing about hearing such a classic song performed live. “We’re going back now,” announced Franklin, as her set continued with vintage songs from her catalog including “Call Me,” “Baby, I Love You,” “Think,” and “Don’t Play That Song for Me.”

Franklin’s personality commands just as much attention as her music, and she enjoyed telling stories and throwing out the occasional one-liner. When she requested some water to be brought from backstage, Franklin joked, “And if you see a man back there, you can bring him too!” Despite these larger-than-life antics, there were more intimate moments in the show as well, as Franklin took a moment to acknowledge an old family friend in the crowd, reminiscing about memories they had shared.

Though, at times, criticism has a way of surfacing regarding the consistency of Franklin’s performances, her stage presence and vocal range were captivating, and there were many eruptions of spontaneous applause as she gracefully went from belting out a bright high note to a low, raspy growl. There should be no dispute: Aretha Franklin will always be the Queen of Soul, and it was a privilege to be one of the queen’s subjects on Friday night. —Alena Kastin

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Still Captivating After All These Years

August 14th, 2009

Tori Amos – Radio City Music Hall – August 13, 2009

Tori Amos

Touring in support of her most recent album, Abnormally Attracted to Sin, pianist and singer Tori Amos played only a handful of songs from the new record last night as part of her lengthy set at Radio City Music Hall. Though most performers relish the opportunity to test-drive new material and push aside older songs, Amos seems to live by the principle that as her repertoire expands, so shall the scope of her set list. And rightly so—there would be quite an outcry from her voracious fans should any old favorites suddenly be deemed obsolete.

In concert, Amos possesses not only the intuition to craft sets comprised of favorites, new and old, but the ability to truly inhabit her unique songs with a dynamic stage presence. From the show’s opener, “Give,” a pulsing, slow-burn of a song, which found Amos a bit reserved and brooding, to the exuberant crowd-pleaser “Cornflake Girl,” she even managed to fit in a heartfelt cover of Nirvana’s “Smells Like Teen Spirit.” Throughout the show, Amos played up the more sensual elements of her songs, straddling her piano bench, kicking out a high-heeled foot, or gesturing suggestively, long red hair swirling down her back as she displayed her signature move of masterfully playing two keyboards simultaneously.

Although we’ve all come a long way since Amos’s 1991 debut album, Little Earthquakes, when she played the opening chords of “Precious Things,” the crowd’s overwhelming excitement proved that the song may be almost 20 years old, but it remains just as captivating now as it ever was. —Alena Kastin

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Andrew Bird’s Big Sound Fills Radio City

June 19th, 2009

Andrew Bird – Radio City Music Hall – June 18, 2009

(Photo: Cameron Wittig)

(Photo: Cameron Wittig)

When the curtain was pulled back at Radio City Music Hall last night, there was a wizard standing there. A real wizard for once: Andrew Bird, with spirals of looping violin curling around his lone figure onstage summoning more and more sound and releasing it into the room until an echoing cacophony filled the chamber completely. His band joined him and this noise became “Sweetbreads,” and the wizard behind the curtain became Willy Wonka. In Wonka’s world, everything is edible. In Andrew Bird’s world everything makes music—hand claps, whistles, violin, xylophone, guitar and, of course, his voice all moving together in a complicated contra dance. I have seen several amazing shows at Radio City, but never have I seen the venue filled with music the way Andrew Bird did: perfectly coating the walls and arching ceiling.

And never have I seen an Andrew Bird show so dominated by his voice, which stood out more prominently than the band and the looping instruments, whistling and all.  Through a set consisting mostly of new material, the majority off of this year’s Noble Beast, Bird coaxed his voice and his band, a bit stuttering at first, then more confidently. Things really gelled midway through with a majestic, wall-of-sound “Effigy” followed by a powerful “Nonanimal” and a rollicking “Fake Palindromes.”

As the set wound down, supporting act Calexico, in full—more guitars, pedal steel, xylophone and trumpets—joined Bird and Co. for a climactic one-two-three punch. The 11-strong ensemble took a big sound and made it even bigger, finally exploding with a highlight version of “Scythian Empire.” —A. Stein