Tag Archives: Ryan Rabin

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Grouplove Bring a Sense of Normalcy to Terminal 5

November 5th, 2012

Grouplove – Terminal 5 – November 2, 2012


Last week was harrowing for New Yorkers, having to endure flooding, massive power outages and loss, all thanks to Hurricane Sandy. But as the city slowly came back to life, Grouplove’s set at Terminal 5 on Friday night was one of the first events to really help some normalcy return to a torn city.

The crowd stirred loudly with shared tales of survival, but when bassist Sean Gadd appeared onstage, everyone there was instantly matching the hand claps he used to start “Itchin’ on a Photograph.” From that point on, the Los Angeles indie-rockers were in control with their lush blend of vocals, hook-filled songs and stomp-around-the-stage antics. Their diverse set started with bouncier tracks like “Lovely Cup” and “Love Will Save Your Soul,” but as the crowd loosened up, the band grew rowdier by the end with “Close Your Eyes and Count to Ten” and “Slow.”

Grouplove returned for the encore, sitting at the stage’s edge before hushing the audience and performing a beautiful version of “Cruel and Beautiful” without the aid of any microphones or plugs—a fitting way to end the week, giving fans a few hours to forget their woes and have fun again. —Sean O’Kane

Photos courtesy of Sean O’Kane | seanokanephoto.com

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Grouplove and the Power of Positivity

June 13th, 2012

Grouplove – Webster Hall – June 12, 2012


Basic math teaches us that a double negative is actually a positive: There isn’t no truth to that. The same math teaches us that a double positive is also a positive and you can keep piling them up and stay in the black, which seems to be just the way Grouplove plays it. The Los Angeles band unleashed a tidal wave of positive energy last night at Webster Hall, proving why, in record time, they’ve gone from a “dude, you’ve got to check out these guys” kind of thing to selling out a Tuesday night show. Opening with “Lovely Cup,” the quintet bounced around the stage like toddlers on a playground, taking turns mounting the drum riser, hopping in place and playing their hearts out.

They continued in this vein, thrilling the audience with songs off their ironically titled Never Trust a Happy Song: “Itchin’ on a Photograph,” “Love Will Save Your Soul” and “Naked Kids,” which felt like a modern day version of “Row, Row, Row Your Boat,” with a car heading to the beach replacing the boat and “here’s to living out our dreams” instead of “life is but a dream.” As the set churned on, everyone in the band got a chance to lead the party. Lead guitarist Andrew Wessen played ukulele and sang on “Spun,” which featured some wonderfully frenetic jamming, and bassist Sean Gadd sang “Chloe.”

While a sold-out show might not be a big deal to some bands, the guys in Grouplove were as hyped to be playing for this crowd as the audience was to be there. One of the night’s best moments was “Slow,” a more deliberate and structured song sung by Hannah Hooper. But then the song flipped, the microphone cables turned fluorescent red and strobe lights flashed while the band built an intense rhythm jam led by drummer Ryan Rabin’s electric blue drumsticks. The encore was highlighted by the band’s hit song, “Tongue Tied,” a glorious bit of pop perfection. And although it seemed Grouplove couldn’t top this, they segued into the most ecstatic cover of Whitney Houston’s “I Wanna Dance with Somebody” you can imagine. Because the math is simple: No matter how many pluses you tack on, the result is always positive. —A. Stein