Tag Archives: Smith Westerns

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A Young Band with an Ageless Sound

February 1st, 2012

Smith Westerns – Webster Hall – January 31, 2012


If this winter is going to be remembered as the winter that never was for New York City, we might as well celebrate the unusually mild weather with some music that reminds us of sunnier days. What better band to bring us to these warmer memories than the Smith Westerns? With a penchant for songwriting that draws heavily on the yearning for teenage love as inspiration, the Smith Westerns took the stage on Tuesday night at Webster Hall to showcase their sunny garage-pop melodies.

The Chicago-based band has had some considerable accomplishments in the two years since first playing Webster Hall, most notably with the release of the critically acclaimed sophomore album Dye It Blonde. Playing a set that featured songs mostly off this release, the band opened the show with a jubilant rendition of “All Die Young.” With frontman Cullen Omori belting out “Love is lovely when you are young,” the line felt somewhat like a mission statement for the show.

As young as this band is (the oldest member is only 21), it’s impressive to see how natural they appear and work together onstage. This was especially noticeable during “Imagine Pt. 3,” where guitarist Max Kakacek’s riffs unexpectedly burst through the melodic maelstrom of pop hooks. The crowd lost it for “Weekend,” a closing song that quite brilliantly highlights the heartbreak of unrequited love and shattered romantic expectations. So maybe young love ain’t so lovely after all. But the music it generates sure is, and you can enjoy that at any age. —Dan Rickershauser

Photos courtesy of JC McIlwaine | jcmcilwaine.com

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Go See Smith Westerns Play Next Tuesday

January 27th, 2012


In the past couple of years the ridiculously young guys in the band Smith Westerns have nailed the lush, dreamy sounds of Ziggy Stardust Bowie way beyond their age. They grew up in Chicago, not known for its glam scene. Nonetheless, they built on the strong, albeit fuzzy, foundation of their self-titled debut and have since delivered a fully formed and blindingly gleaming second album, Dye It Blonde. In the process, they traded a lo-fi, distanced sound for lush instrumentation without relying on glam’s historically theatrical getup. But don’t just take our word on it—discover for yourself. Check out Smith Westerns, above, doing “Weekend” for KEXP FM and then go see them play live at Webster Hall next Tuesday. —Jason Dean

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Yeasayer Closes Tour with a Dance Party

June 20th, 2011

Yeasayer – Terminal 5 – June 18, 2011


Even though outdoor festivals become a main focus for concertgoers this time of year, local boys Yeasayer did their best to have big fun indoors on Saturday night at Terminal 5, and they succeeded. By the end of their set, the sweaty, cheering dance party they sparked could have easily been at home in one of the music tents at Bonnaroo.

Enveloped in fog that changed with the pulsing colors of their lights onstage, Yeasayer followed lively sets from Hush Hush and Smith Westerns with an expert one of their own. Throughout the show, singer Chris Keating was humble (“We should be playing the Cake Shop”), funny (“Thanks for coming to North Hells Kitchen”) and grateful that the home crowd was out in full force for the last show of the Odd Blood tour.

Keating was also adaptable: After one of his keyboards failed (and then went missing, presumably offstage to be fixed), he literally threw away the set list—and into the crowd, his hand forced by having to rely more heavily on guitarist-vocalist Anand Wilder to provide most of the band’s melodies. To keep up the tempo, Yeasayer switched to older material, like “Wait for the Summer” and “Sunrise,” a decision the loudly cheered by the crowd. “We’ve played, like, 200 shows this year and we’ve beat the shit out of our stuff,” Keating said with a laugh as he set down his cup. “Now I have a place for my drink to go.” —Sean O’Kane

Photos courtesy of Sean O’Kane | seanokanephoto.com

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You Don’t Need to See the Glam to Hear the Glitter

March 4th, 2011

Smith Westerns – Mercury Lounge – March 3, 2011

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The guys in Smith Westerns can’t order a drink at Mercury Lounge, but that didn’t stop them from playing their shiny glam pop to a sold-out crowd last night. In the past couple of years the ridiculously young band has grown from a trio to a five-piece, and in the process nailed the lush, dreamy sounds of Ziggy Stardust Bowie way beyond their 20 years of age. They grew up in Chicago, not known for its glam scene. Nonetheless, the band built on the strong, albeit fuzzy, foundation of their self-titled debut release and has since delivered a fully formed and blindingly gleaming second album, Dye It Blonde. In the process, they’ve traded a lo-fi, distanced sound for lush instrumentation, without glam’s historically theatrical getup.

Stripped of the baggage of the genre, Smith Westerns capture glam rock’s original intention to break away from contemporary trends even more closely than the people who actually created it. Packing a massive number of riffs into a typically sub-three-minute song, they energetically raced through their set of tracks from their latest disc. And unlike the personas that overwhelmed the music from that era, these guys just inhabit their own naive, carefree selves—plus they have an amazing amount of talent.

Like their contemporaries Cheap Time, Smith Westerns have the charisma needed to pull off the most essential element, a larger-than-life attitude to match the epic tracks like “Smile” and their motto, “All Die Young.” Most of which comes from frontman Cullen Omori, brother to bassist Cameron, who effortlessly channels a dreamy and accessible power pop backed by impressive lead guitar from Max Kakacek. It’s all about dancing, partying, and falling in love—at any age. —Jason Dean

(Smith Westerns play The Bowery Ballroom on 4/25.)