Tag Archives: Sylvan Esso

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Sylvan Esso – Brooklyn Steel – May 18, 2017

May 19th, 2017


Photos courtesy of Gregg Greenwood | gregggreenwood.com

Contest

Grow a Pair: Win Free Tickets to See Sylvan Esso on 5/19

May 16th, 2017

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With a brand-new album in tow, Sylvan Esso return to town this week for two nights at Brooklyn Steel, on Thursday and Friday. And although each appearance sold out in advance, The House List is giving away two tickets to Friday’s show. Don’t have any and want to go? Try to Grow a Pair. It’s easy. Just fill out the form below, making sure to include your full name, e-mail address, which show you’re trying to win tickets to (Sylvan Esso, 5/19) and a brief message explaining your favorite What Now track. Eddie Bruiser, a firm believer in pop duos, will notify the winner by Friday. Good luck.

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Maggie Rogers Returns to The Bowery Ballroom as a Performer

April 12th, 2017

Maggie Rogers – The Bowery Ballroom – April 11, 2017

Maggie Rogers – The Bowery Ballroom – April 11, 2017
When Pharrell takes an eye to an artist (and I’m not talking about his stint on The Voice), ears perk up. The celeb producer was enchanted by American songwriter Maggie Rogers’ track “Alaska” while teaching a master class at NYU last summer. Her anticipated EP, That the Light Is Fading, released back in February layers Rogers’ folk sensibilities with newly examined dance tempos she acquired living abroad. Rogers has the swagger of an Amelia Meath (Sylvan Esso) and the hymnal quality of Florence Welch (Florence and the Machine). Last night at The Bowery Ballroom, the first of two sold-out New York City shows, the singer-songwriter took center stage donning a custom white denim suit designed by Christian Joy. The room was filled with the chirping of crickets as Rogers opened with “Color Song” and her frenetic dance moves were unleashed.

After the dance-pop track “Dog Years,” the recent graduate offered a slow jam written for a crush entitled “Say It.” Wise beyond her years, Rogers pensively acknowledged not only how much has changed for her in the past year, but also the world itself. “Global grief hangs heavy as summer heat,” the first lines of “Hashtag,” rang especially true for the sunny front earlier in the day and the current political climate. She revealed that “Little Joys” was the first song she wrote in NYC and admitted the opening was inspired by Sharon Van Etten. Light on the material, a cover of Neil Young’s “Harvest Moon” was reimagined with dance beats ebbing and flowing into the folk-rock classic.

Before the final song, Rogers became teary and choked up recounting the times she had previously been to The Bowery Ballroom as an audience member. She pulled herself together, saying, “I really love making music,” and culminated the evening with the track that had left Pharrell virtually speechless. No longer a fledgling songwriter, the world awaits the next chapter of Ms. Maggie Rogers. —Sharlene Chiu

Photos courtesy of Pip Cowley | pipcowleyshoots.com

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Sylvan Esso Amaze Terminal 5 with a Dazzling Show

January 26th, 2015

Sylvan Esso – Terminal 5 – January 23, 2015

Sylvan Esso – Terminal 5 – January 23, 2015
Having been on the wrong coasts at the wrong time, I missed seeing Sylvan Esso live all of last year, which was a major downer since their self-titled album was one of my favorites from 2014. I’d been a fan of Amelia Meath from her time with Mountain Man, and I’d seen Nick Sanborn perform with Megafaun. But what they create as a pair far exceeded anything I could have imagined and fueled many a late summer night—pairing simple but dang catchy synths with Meath’s vocal dance and bounce from beat to beat. This past Friday night at a sold-out Terminal 5, I rectified last year’s elusion.

Ensconced in darkness, Meath and Sanborn descended onstage with minimal equipment, only the synth station and microphones. Barreling into “Could I Be,” the sound gave out midway to the surprise of the duo. Not to miss a beat, Sanborn stated, “This has never happened before.” Those in the crowd weren’t worried as the band quickly took it back to the top before Meath playfully announced, “Once more with feeling.” The pint-size singer in platform shoes commanded the stage with intricate dance moves that could give Robyn
a run for her money. I’m not sure if it was the java scent stuck on my clothes from an earlier Cafe Grumpy run, but I was abuzz for “Coffee” and so were the fans cascading to the lyrics “get up, get down.”

The hostess of the night led the crowd in pre-howls on “Wolf” as Sanborn infused pulsating beats. Not stopping there, he delivered a heavy helping of drum and bass for “H.S.K.T.” Then, after a quick exit, Sylvan Esso returned to encore with a new song that they joked would be on a future album, Bangers with an s. Take that, Miley Cyrus. Meath called “Come Down,” the finale, a “slow one” before crooning to a packed Terminal 5, still reeling from the high-energy show. As folks filed downstairs, I heard multiple proclamations of “best show ever” and “aren’t they the beeest?” Needless to say, everyone was thoroughly entertained. —Sharlene Chiu

Photos courtesy of Gregg Greenwood | gregggreenwood.com

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Cold War Kids Headline Diverse CMJ Lineup at Rough Trade NYC

October 23rd, 2014

Cold War Kids – Rough Trade NYC – October 22, 2014

Cold War Kids – Rough Trade NYC – October 22, 2014
Rough Trade NYC hosted a flock of impressive acts last night, and concertgoers who caught this show on the second night of CMJ 2014 lucked out, as the lineup provided such a satisfying variety befitting the festival’s spirit. Fresh off tours supporting Sylvan Esso and My Brightest Diamond, Brooklyn native Doe Paoro and her band entranced early arrivals with celestial electro soul. Australia’s Little May followed with their subdued rock sensibilities. The band had many an audience member swooning with material from their self-titled debut album. Little May’s gorgeous, resonant sound is full of husky whispers and hook-y choruses, and they played up their songs’ melancholic beauty throughout their set.

Moses Sumney took the stage next and quickly mesmerized the crowd with his velvety voice and artful looping skills. The Los Angeleno stood alone onstage and built vast choral phrases out of lilting, angelic tones and subtle beat-boxing. Sumney could sing every word in the dictionary and make it sound interesting—his voice is just that good.  The 20-year-old electro rocker Elliot Moss and his band continued the night with a dynamic set of songs from Moss’s 2013 album, Highspeeds. His music is mercurial, with elements of Radiohead, James Blake and Bon Iver popping up here and there. Having successfully wooed the audience to move superclose, Moss and Co. graciously left the stage to make way for the night’s headliners.

The much-loved members of Cold War Kids meandered onto the stage as the audience roared with excitement. The band’s career has spanned nearly a decade, and the five-piece has some serious discography to show for it. From their 2006 debut record, Robbers and Cowards, to the just released Hold My Home, the band has made a big impression on their fans. The gentleman barreled through an extensive set featuring songs from all over their repertoire. Nathan Willett’s valiant vocals drove “All This Could Be Yours” and “Miracle Mile” at the top of the set. All-time favorites like “Hang Me Up to Dry” and “Hospital Beds” got the crowd howling. The guys in Cold War Kids have an astounding sense of synchronicity. They’re constantly making contact with one another, whether it’s a hand on a shoulder or an intense glance during a chorus. Their set was a spectacular burst of energy, proving that Cold War Kids aren’t losing steam. Rather, they’re louder than ever. —Schuyler Rooth

Photos courtesy of Pip Cowley | pipcowleyshoots.com

(Cold War Kids play Terminal 5 on 3/20.)

(Elliot Moss plays Music Hall of Williamsburg on Sunday and Terminal 5 on 3/20.)

(Moses Sumney plays Rough Trade NYC tonight.)

(Little May play Mercury Lounge tomorrow and Pianos on Saturday.)

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Sylvan Esso’s Potent Chemistry on Display at Rough Trade NYC

September 12th, 2014

Sylvan Esso – Rough Trade NYC – September 11, 2014

Sylvan Esso – Rough Trade NYC – September 11, 2014
Last night’s Sylvan Esso show at Rough Trade NYC, alongside Landlady, sold out at lightning speed when tickets went on sale months ago. Adventurous pop rockers Landlady took the stage first and delighted the audience with their sprightly music. Six men strong, they commandeered the stage and held everyone in their thrall as they launched into a glittering set of percussive, psychedelic songs. Lead singer Adam Schatz propelled the performance with his soulful crooning and no-holds-barred dancing. Songs like “Maria” and “Above My Ground,” from the band’s sophomore album, Upright Behavior, began ever so quietly and culminated thunderously. Schatz provided plenty of entertaining and insightful banter throughout and had no trouble engaging the crowd in sing-alongs.

Amelia Meath and Nick Sanborn of Sylvan Esso took the stage next, Meath in six-inch platform sneakers and Sanborn with his fingers poised to take command of his soundboard. The sultry chords and audacious beats of “Hey Mami” launched their set. Sylvan Esso’s music is simultaneously doe-eyed and wolfish—it’s a tantalizing tangle of abstract lyrics and sly electronica. The duo’s chemistry is some of the most potent stuff around these days. They faced off throughout the set, feeding off each other’s energy and charging the air with fervor. Heavy reverb on Meath’s vocals made for an especially heady effect. The two played some artful cover songs during their encore, but it was the originals from their self-titled debut album that mesmerized most. These two bands are the quintessence of enchanting, and their magic won’t be fading any time soon. —Schuyler Rooth

Photos courtesy of Lina Shteyn | www.linashteyn.com

(Tonight’s Sylvan Esso show at The Bowery Ballroom is sold out, but you can see them play Terminal 5 on 1/23.)

 

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Tune-Yards Close Out Tour at Webster Hall

June 24th, 2014

Tune-Yards – Webster Hall – June 23, 2014

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New Yorkers, if you haven’t had the chance to catch Tune-Yards yet you’ve missed your chance this time around. The band ended their U.S. tour in New York City last night, giving locals three different chances to see them over the past couple of months, first playing a show at Rough Trade NYC in May and ending it with two more at Webster Hall, including last night. The show began with the venue practically already at capacity for Sylvan Esso’s opening set. The band featured the wonderfully charismatic singer Amelia Meath, with equally impressive dance and vocal moves, backed by Nick Sanborn’s dance-mandatory electronic music. With its repeated chorus of “heads, shoulders, knees and toes,” the song “H.S.K.T.” felt like a request to move all of the following. Watching Meath do so unabashedly onstage made it easier for everyone else at Webster Hall to follow. It was a set that could leave one thinking, “Why isn’t this band bigger?”—a question more likely than not to become a self-fulfilling prophecy.

Behind Sylvan Esso was the backdrop for Tune-Yards. The Peptmo Bismol–colored pink curtain covered in giant UFO-looking iridescent eyes offered a taste of what was to come. Tune-Yards have grown for this tour to include a handful of backing dancers and singers. It’s a welcome addition for the new Nikki Nack songs, much more percussive and rhythm-based, which even had Merrill Garbus on the drums for most of the night. With the backdrop, dancing, backup vocals and neon costumes perfect for a backlight, things kicked off in a maximalist way, offering something for every sense.

In comparison, “Gangsta” felt distilled down to its chaotic essence, held together at times only by its intermittent police-siren-sounding wails. Garbus brought ought the ukulele for “Powa.” Just the sight of it elicited a noticeable cheer from the audience, but the highlight of the night was “Bizness.” The song kicked off with the backing singers impressively covering the harmonic hoos usually done by Garbus and a loop pedal. As the tune reached its triumphant peak, Sanborn from Sylvan Esso jumped out of nowhere to crowd surf over the dancing audience. This moment, as well as the rest of the night, felt like a celebration of a U.S. tour well done. —Dan Rickershauser

 

 

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Sylvan Esso Celebrate New Release Tonight at Mercury Lounge

July 17th, 2013

A chance meeting three years ago led to Mountain Man vocalist Amelia Meath and Megafaun multi-instrumentalist Nick Sanborn teaming up to form the duo Sylvan Esso. Their debut, a 12″, “Hey Mami”/”Play It Right” (stream it below), just came out yesterday on Trekky Records. It features two A-sides with an a cappella and instrumental version of each tune. Stereogum calls the single “the perfect synthesis of both groups’ sound—folksy crooning and layered harmonies from Meath and Sanborn’s crunchy synths that both bounce and stutter.” And Sylvan Esso celebrate its release tonight at Mercury Lounge.