Tag Archives: Terminal 5
Atmospheric-rock band Slowdive play a sold-out CMJ Music Marathon show at Terminal 5 on Saturday night. And even if you don’t already have tickets, you still might be able to go because The House List is giving away two of them. Want them to be yours? Then try to Grow a Pair. It’s easy. Just fill out the form below, making sure to include your name, full e-mail address, which show you’re trying to win tickets to (Slowdive, 10/25) and a brief message explaining which band you’re most excited to see at CMJ (other than this UK five-piece). Eddie Bruiser, a music-festival lover, will notify the winner by Friday.
For more than three decades the annual CMJ Music Marathon has been one of the most important outlets for shining the spotlight on new music from across the country and even around the world. The five-day (and night) festival kicks off today, which means the city’s venues—traditional and otherwise—will be jam packed with stacked lineups and fans chasing bands that might possibly become the next big thing. And, of course, The Bowery Presents has plenty of great shows, big and small:
1. Tom Vek and Olga Bell at Mercury Lounge EARLY SHOW
2. Oh Land, Walking Shapes, Corbu, Sons of an Illustrious Father at The Bowery Ballroom
3. the Crookes, Money, Spring King and Longfellow at Rough Trade NYC FREE
4. Cold War Kids, Aurora, Chief Scout, the Big P.A. at Brooklyn Bowl
5. Ming City Rockers, Made Violent, Slothrust, Børns at Mercury Lounge LATE SHOW
6. the Horrors and Moon Duo at Stage 48
1. Spookyland and Mighty Oaks at Mercury Lounge EARLY SHOW
2. Ryn Weaver, Circa Waves, Public Access T.V., Step Rockets and Sway Clarke II at The Bowery Ballroom
3. Teen Daze, Mothxr, Vérité, Carousel, Ayer and guest DJ Dart Party at Brooklyn Bowl
4. Bombay Bicycle Club, Milo Greene and Luxley at Terminal 5
5. Cold War Kids, Elliot Moss, Moses Sumney, Little May and Doe Paoro at Rough Trade NYC SOLD OUT
6. Young Magic, Saint Pepsi, Popstrangers, Dog Bite and Chandos at Mercury Lounge LATE SHOW
1. Twin Peaks, Happyness, the Wytches, Spring King and Nai Harvest at Rough Trade NYC FREE DAYTIME SHOW
2. Heat, Avid Dancer, Trixie Whitley, Cheerleader, Tor Miller, Bully and Bee Caves at Mercury Lounge EARLY SHOW
3. Beach Fossils and Small Black at Brooklyn Bowl
4. RAC, the Kooks and Speak at Terminal 5
5. the Kills, Moon Duo, Nuns and Slothrust at The Bowery Ballroom SOLD OUT
6. Moses Sumney, Adult Jazz, J. Fernandez and George Maple at Rough Trade NYC
7. the Big Sleep and Haven at Mercury Lounge FREE LATE SHOW
1. Special Guest TBA, Oscar, Pinact and September Girls FREE DAYTIME SHOW
2. Mexican Golden Girls, DMA’s, Bear’s Den, Peter Matthew Bauer, Little May, Chief Scout and Colony House at Mercury Lounge EARLY SHOW
3. Kevin Morby (full band), Chris Forsyth and the Solar Motel Band, Twin Peaks, Springtime Carnivore, Modern Vices, Ryley Walker, Geronimo Getty and guest DJ Mondo Boys at Rough Trade NYC
1. King Gizzard & the Lizard Wizard, the Wytches, Circa Waves, Water Liars, DMA’s, Springtime Carnivore, Public Access T.V., Spookyland, Amason, Little May, the Bright Light Social Hour and Ryley Walker at Pianos FREE DAYTIME SHOW
2. the Paperhead, Ultimate Painting, Doug Tuttle, Estrogen Highs and Negative Scanner at Rough Trade NYC FREE DAYTIME SHOW
3. Teen Commandments, Sphynx, the Ocean Blues, Wild Adriatic, Walker Lukens, Saskwatch, Pree, New Myths and No Way Josie at Mercury Lounge
4. A Place to Bury Strangers, White Fence, Moon Duo, Prince Rama, King Gizzard & the Lizard Wizard, Wampire, Young Magic, No Ningen, Spires, the Wytches and the Paperhead at Rough Trade NYC
5. DJ Dodger Stadium, Special Guest TBA, Blue Hawaii, Adult Jazz, Aurora and Casual Sex at Brooklyn Bowl
6. Slowdive and Low at Terminal 5 SOLD OUT
7. Sam Roberts Band, Water Liars, Springtime Carnivore, Dilly Dally and Knox Hamilton at The Bowery Ballroom
Flying Lotus – Terminal 5 – October 15, 2014
“I have come to inform you that, you’re fuckin’ dead,” said Flying Lotus last night to a sold-out Terminal 5 crowd, stated in the most matter-of-fact way possible, thus kicking off the all-senses barrage that is a Flying Lotus show. With glowing bright yellow eyes and sitting in the midst of an inverted cube bathed in shape-shifting projections, Flying Lotus provided a symphony of his own creation. Further driving home the afterlife theme, someone dressed as the Grim Reaper menaced the audience for a few songs. But those sounds were not of this world. There was bass so heavy you could not only feel it but also sort of taste it, almost as if Flying Lotus had turned an intensity dial up to 11 and then the dial broke, so he just said, “Fuck it” and left it there.
But there was also a top on this, a weird calming sense of meditative contemplation. And those two things don’t often work together. Some jazz has been able to do it, although it’s rare. But Flying Lotus is related to Coltranes, which may partially explain his mystical musical powers, but to nail it down in a different genre—electronic music—is a noteworthy innovation. Of course, the visuals were extravagant enough to make up half of the show’s overall experience. Think of Flying Lotus’s amazing album covers but always morphing. It was like a trippy three-dimensional stream constantly flowing through the stage, with a mere silhouette pushing buttons, moving dials, throwing his hands up and dancing.
For a few songs, Flying Lotus popped out of the inverted projection cube of awesome to rap a few songs as his alter ego, Captain Murphy, right into the first few rows of audience. After the set ended he returned, saying he’d see some of the crowd on Thursday at Music Hall of Williamsburg. It’s remarkable how trailblazing Flying Lotus’s sound has become, especially in an era when people are racing to find that next big thing, the last morsel of underutilized electronic sounds that could (potentially) change everything. Only recently are others catching up to FlyLo, in a rush to appropriate, integrate and collaborate with that sound he’s pioneered for years. It’s like he’s turned around to ask, “Where have y’all been?” But by the time the rest of the world finally catches up, we may all well be dead. —Dan Rickershauser
Singer-songwriter and multi-instrumentalist Clarence Greenwood has been doing business as Citizen Cope since the ’90s. But after his major-label debut on Dreamworks in 2002, Cope bought out of his contract and self-produced the follow-up, the eclectic The Clarence Greenwood Recordings (stream it below), filled with roots, rock, reggae, dub and hip-hop. Now a decade later, Citizen Cope (above, doing a solo rendition of “Sideways” live in the Bing Lounge) celebrates its 10th anniversary with full-band performances of the album in its entirety, plus a second set of favorites. And in New York city, it’s a two-night party, on Friday and Saturday at Terminal 5. (And it’s for a good cause with $1 of each ticket sold going to Turnaround Arts to purchase musical instruments for middle schoolers in Lame Deer, Mont.—a community on the Northern Cheyenne Indian Reservation. Lame Deer is part of Turnaround Arts, a President’s Committee on the Arts and the Humanities program that uses arts education to help students succeed.)
FREE BEER. FREE BURGERS. FREE BEATS. We’ve teamed up with @ShakeShack and @BrooklynBrewery to give away a Rocktober concert pass plus a whole lot more! One winner will receive two tickets to Generationals at Music Hall of Williamsburg on 10/12, Zeus at Mercury Lounge on 1018, RAC at Terminal 5 on 10/23 and Streets of Laredo at Mercury Lounge on 10/29, a $50 Shack gift card, a Small Batch Brooklyn Brewery tour and 18 Brewery tokens. To enter: Follow all three Instagram accounts and tag a friend in the comments. Must be 21+ to enter.
Tags: Brooklyn Brewery, Contest, Generationals, Music Hall of Williamsburg, RAC, Shake Shack, Streets of Laredo, Terminal 5, Ticket Giveaway, Zeus
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The Airborne Toxic Event – Terminal 5 – October 7, 2014
I’ve always thought of the Airborne Toxic Event as a band that’s been around far longer than they have. Because there’s something about them that screams comfort and confidence on a big stage like Terminal 5, something that usually only comes from a seasoned band with lots of experience. Although they only formed in 2008, last night the five-piece put on a show with the aplomb of an act that’s been around twice as long.
The Airborne Toxic Event crammed a career’s worth of songs into the show, and even from up close the full-page set list looked like it was written in 12-point font. A feathery 20-foot avian sculpture adorned the stage and provided the production an ethereal quality— drummer Daren Taylor practically looked like he could take flight—as they crisscrossed back and forth among songs from their self-titled debut, 2011’s All at Once and 2013’s Such Hot Blood. Lead singer Mikel Jollett never seemed happy in one place, taking each chance he could to leave his microphone to wail on his guitar or tease the crowd. Within the first half hour of the set, he was hanging from the facade of Terminal 5’s second floor and joking with the crowd he was singing and dangling above.
Anna Bulbrook was lively, too, as she took turns doubling up the vocals, ripping on her violin and tapping away at her keyboard. Guitarist Steven Chen and bassist Adrian Rodriguez put on a show of their own on the opposite side of the stage as they shredded their way through their parts of every song. It was the kind of group effort you expect from a band with decade-spanning experience, and it hopefully means that the Airborne Toxic Event will be around for that long … or more. —Sean O’Kane
Tags: Adrian Rodriguez, Airborne Toxic Event, All at Once, Anna Bulbrook, Daren Taylor, Mikel Jollett, Photos, Review, Steven Chen, Such Hot Blood, Terminal 5
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Electronic producer and DJ Porter Robinson brings his live show to Terminal 5 this weekend on Saturday and Sunday. Tickets still remain to see him on Sunday, but Saturday’s show is already sold out. But even if you don’t have tickets, you’ve got another chance to go because The House List is giving away two of them. So what are you waiting for? Try to Grow a Pair. Just fill out the form below, making sure to include your full name, e-mail address, which show you’re trying to win tickets to (Porter Robinson, 10/11) and a brief message explaining what you like so much about Robinson’s newest album, Worlds. Eddie Bruiser will notify the winner by Friday. Good luck.
A self-described “hippie with a soul,” Allen Stone grew up outside Spokane, Wash., raised on gospel music. But once in his teens, he discovered secular music and took to soul, R&B and singer-songwriter fare, which should come as no surprise since as a musician he’s been compared to the heady likes of Stevie Wonder and Donny Hathaway. Stone’s breakthrough came with the 2011 self-release of his eponymous second album (stream it below)— rereleased the following year by ATO Records. AllMusic approved: “[O]ne would never expect to look at him that he possesses one of the most foul voices this side of Marvin Gaye, with a joyous, positive feel and energy to match…. There’s a bright future here. Soul is where you find it.” A follow-up album (stream a preview below) is due out later this year, and while Stone’s voice is terrific in its recorded form, the engaging, energetic performer (above, covering “Is This Love” at last year’s Bonnaroo) is best experienced live. And he just so happens to be playing Terminal 5 on Thursday night. Boston R&B five-piece Bad Rabbits and Los Angeles pop and soul singer Roméo Testa open the show.
English Singer-songwriter Elly Jackson’s synth-pop act La Roux began when she was introduced to producer-keyboardist Ben Langmaid in 2006. Their self-titled debut (stream it below) arrived in 2009 to nearly universal acclaim. “A childhood spent listening to folk and rock and roll can be heard in the simultaneous appreciation of songcraft and rejection of traditionalism that is evidenced by the ferocious pace of the opening quartet of cut-glass chart-toppers,” said NME before declaring it “a nigh-on flawless album.” Eventually Jackson and Langmaid parted ways, but La Roux undoubtedly continues. Her follow-up album, Trouble in Paradise (stream it below), came out this past July—and despite the time off between releases, critics were again impressed. The Guardian said, “The end result was well worth the wait” and “Almost sickeningly overburdened with fantastic tunes, Trouble in Paradise may well be not just a triumph against the odds, but the best pop album we’ll hear this year.” Discover how it all sounds live when La Roux (above, performing “In for the Kill”) plays Terminal 5 tomorrow night.
Banks – Terminal 5 – September 30, 2014
“New York, I’d die for you,” shrieked Banks last night to the sold-out Terminal 5 crowd, almost in disbelief to be playing her biggest headlining show in the city to date. And rightly so—it’s been barely 18 months since the once mysterious Californian chanteuse began dropping tracks on Soundcloud and gaining traction after Zane Low featured her on BBC Radio 1. Now, it’s clear that Jillian Rose Banks is a star in the making, building more than just a solid Internet following.
Playing off the theme of her recently released debut album, Banks revealed the growth of a real Goddess. There’s an intimacy to each of her gigs, which makes those in the audience feel like they’re the only ones in the room, as she reveals deeply personal lyrics about love and heartbreak. But don’t be fooled, this is one strong woman who makes it known that she’s a force to be reckoned with through her haunting don’t-fuck-with-me vocals. In fact, Banks went all boss during the title track, “Goddess,” flipping the bird at the crowd as if she were M.I.A. at the Super Bowl.
Having attracted some heavyweight producers for her first record, Banks’ live show really brought the likes of TEED’s production work on “Warm Water” to life. One of the night’s clear highlights was her live take on the brooding track with Sohn, “Waiting Game,” and a surprising rendition of a Fugees’ classic, “Fu-Gee-La.” On a final note, Bank’s hipster-Goth-awkward-dance game is something to rival Lorde’s epic double claw. Just saying. —Pip Cowley