The Bowery Presents

Posts Tagged ‘the Antlers’

Win Tickets to Tomorrow Night’s Editors Show

Thursday, February 18th, 2010


The post-punk UK band Editors—singer-guitarist Tom Smith, guitarist Chris Urbanowicz, bassist Russell Leetch and drummer Ed Lay—released their first album, The Back Room, in 2005. The buzz from that earned them appearances at Coachella and Lollapalooza the following year. The band’s second disc, An End Has a Start, released in 2007, went platinum in the UK the very day it was released. Not wanting to rest on their laurels, the guys in Editors (above, playing “Papillon” on Later…with Jools Holland) opted to take their sound in a different direction in choosing to use synthesizers on 2009’s In This Light and on This Evening rather than sticking with the dark guitar rock they’d employed on their previous two albums. But you can judge which style you like best when Editors (with the Antlers and the Dig) play Terminal 5 tomorrow night.

Want to go but don’t have tickets? Then try to win two from The House List. Just fill out the form below, listing your name, e-mail address, which show you’re to win tickets to (Editors, 2/19) and a brief message explaining which Winter Olympic sport is your favorite and why. Eddie Bruiser, who does not care for figure skating, will notify the winner tomorrow. Good luck.

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The Antlers Finish the Year at Home

Wednesday, December 16th, 2009

The Antlers - The Bowery Ballroom - December 15, 2009

The Antlers - The Bowery Ballroom - December 15, 2009
As the year draws to a close, reflection is both natural and expected. The desire to contextualize events focuses our understanding of the past. Notably, in 2009, numerous bands rose to prominence by way of file sharing and blogs. These ever-expanding media outlets continue to expose music listeners to a host of new artists and groups. Among this year’s breakthrough performers, the Antlers, with their sophomore record, Hopsice, are an immediate standout.

With honest narratives and beautiful vocals, the album effectively captures the emotional toll involved with terminal illness. Consequently, the band and disc have garnered many fans and much praise. What is refreshing is that this does not appear to spoil the Brooklyn trio. During their packed show last night at The Bowery, frontman Peter Silberman earnestly and graciously proclaimed, “This is hands down the best year of my life.” It was abundantly clear that he and his bandmates, drummer Michael Lerner and keyboardist Darby Cicci, embraced their homecoming after a rigorous year of touring.

Admittedly, it felt a bit strange to see Silberman share such personal songs in the public realm. To go from the intimacy of experiencing the album on headphones to watching the Antlers live is a bit jarring. For their set, they carefully worked through the majority of Hospice, injecting distortion-saturated breaks between songs, which seemed overdone at times. But it appeared to engage the crowd throughout the show. The best moments came when Silberman’s vocals soared above the cymbal crashes and ambient melodies. The band transformed the folk-rock ballad “Two” into a powerful electric version, and much of the set shared this sonic quality, soft-to-loud musical movements. It is this dynamic that captures rise of the Antlers. —Jared Levy

Photos courtesy of Jen Macchiarelli | www.jennylow.com

My Five: Johnny Beach

Monday, July 6th, 2009
Mission accomplished

Mission accomplished

Johnny Beach is a Renaissance man. He has been in his current position as The Bowery Ballroom talent buyer for more than two years. Prior to that, he served as Mercury Lounge talent buyer for four years. But he’s been shotgunning beers for considerably longer. Check out his insight below.

The Middle East, The Recordings of the Middle East
They are called the Middle East, but they’re from Australia. (Not sure how that came about.) While they are still virtually unknown here in the States—which will all change very soon—the Middle East is starting to make a name for themselves in their homeland. Spunk Records (home of Arcade Fire, Animal Collective, the Shins, M. Ward in Australia and New Zealand) recently released their debut EP. Listen to the song “Blood” and you’ll become a believer.

The Antlers, Hospice
They self-released the best record of an NYC band so far this year, which will receive a proper release via FrenchKiss Records later this summer. This captivating three-piece band sounds completely at home on the haunting “Kettering” as well as the more rocking “Syliva” and “Two.” They’ve recently supported the Walkmen, Vetiver, White Rabbits and others, but they should be headlining shows in the not-too-distant future. Plus, these guys are improving their ability to shotgun beers.

Centro-matic, Love You Just the Same
This record is by no means a new one, but I cannot help but include it. It’s safe to say that Centro-matic is the most underrated band in America. I got to see Will Johnson play two solo sets recently and it further proves that he has one of the best voices I’ve ever heard. He is quite the prolific songwriter—in Centro-matic, South San Gabriel and also on a few records just as Will Johnson. So while you should go out and spend $150 now to buy his entire catalog, this one might be the best place to start.

Manchester Orchestra, Mean Everything to Nothing
They hail from Atlanta, and while they are still quite young, they already have some sweet beardage and are a well-oiled rock machine. They’ve toured a lot in the emo-kiddie world, but they would be equally at home opening for the likes of My Morning Jacket. Their new record is stacked with a bunch of sweet jams—check out “The Only One” and “I’ve Got Friends” and the more mellow but equally awesome “I Can Feel a Hot One.” They’ll be touring with Silversun Pickups throughout August.

Telekinesis, Telekinesis
This record has really grown on me in the past couple of months and now it’s in constant rotation. It’s basically just a 21-year-old dude named Michael Lerner, and Chris Walla from Death Cab for Cutie produced it. I saw them live for the first time recently, but became quite worried a few days before the gig when I found out the drummer sings. (I am still plagued by weekly Phil Collins nightmares.) But I was pleasantly surprised when Telekinesis pulled it off quite well. The disc is filled with sweet, straight-up-catchy pop songs. And who can argue with that?

And also my top-five beers to shotgun:

1. Tecate
2. Pabst Blue Ribbon
3. Budweiser
4. King Cobra
5. Modelo

Phantogram/the Antlers - Mercury Lounge - April 2, 2009

Friday, April 3rd, 2009

phantogram

Last night at Mercury Lounge, the Saratoga Springs, N.Y., duo, Phantogram (formerly known as Charlie Everywhere) opened as the first of four bands. Onstage, it’s just friends-since-high-school Sara Barthel on synthesizer, Josh Carter on guitar, and a Mac laptop—kind of like a latter-day two turntables and a microphone.

The band’s name fits them to a T because a phantogram is a two-dimensional image that’s distorted so it appears to viewers in 3D. And with the twosome’s engaging light show behind their urban-beats-and-psychedelic-melodies soundscape, they appear and sound much larger than they really are. Although some songs have a heavier, industrial sound, Josh and Sara seem destined to become the king and queen of good-times late-night dance parties.

the-antlers

The Antlers, the third band to perform last night, are a trio—guitar, drums and keys—and without the thump, thump, thump of a bass, their set began with a quiet, slow-building sound that progressively opened up, becoming almost dreamy as they continued. Singer-songwriter Peter Silberman’s voice is, well, lovely, even when singing about “getting fucked and unfucked.” And on the band’s final song, “Cold War,” his vocals were like something out of Jeff Buckley’s far-reaching upper register. And then their sweeping sound slowly dissipated until it was still, quiet, finished. —R. Zizmor

© 2009

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