Tag Archives: the Black Keys

Watch SPIN’s 25th-Anniversary Concert Series Again

November 30th, 2010

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It was such a great week, you get to relive it again! This past July SPIN magazine celebrated its 25th anniversary with amazing shows—the Smashing Pumpkins, the Flaming Lips, the Black Keys and the National at Terminal 5 and Spiritualized at Radio City Music Hall. Each show was streamed live, so if you couldn’t be there in person, you could still get a taste. And now you can have the whole meal because Fuse presents the concert series this Friday, 12/3, at 9 p.m. Don’t know what channel Fuse is? No problem, just go here.

(Encore presentations will follow at 3 a.m. and 11 a.m. on 12/4, 5 p.m. on 12/7, 4 p.m. on 12/9 and 2 a.m. on 12/10.)

SPIN25: One More Time with Feeling

August 3rd, 2010

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Last week SPIN magazine celebrated its 25th anniversary with an epic five-night run of shows: the Smashing Pumpkins, the Flaming Lips, the Black Keys and the National at Terminal 5 and then Spiritualized closed out the week with a choir and an orchestra at Radio City Music Hall. If you weren’t there in person you still had the opportunity to check out what went down because each show streamed live on SPIN.com. But that is so last week. And since the music was extra stellar—thanks to ZYNC from American Express—you’ve got another chance to see these shows: The headlining act from each date will be rebroadcast at 9 p.m. ET every night this week here.

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The Black Keys Sell Out

July 29th, 2010

The Black Keys – Terminal 5 – July 28, 2010

The Black Keys - Terminal 5 - July 28, 2010
Historically any musical innovation has come from a hybridization of styles. In the case of the Black Keys, they’ve taken their love of the bare-bones sound of drums and an electric guitar and traced its origins all the way back to the Delta blues, then combined it with a variety of influences like Link Wray and Wu-Tang among others, eventually collaborating with Mos Def and Q-Tip on the rap-rock album Blakroc. Longtime friends since high school, guitarist Dan Auerbach and drummer Patrick Carney didn’t necessarily set out to pioneer a unique sound. They took elements from the music they grew up with and added tried-and-true classic-rock screaming distortion.

The Black Keys played three sold-out show in two days, and they headlined Terminal 5 last night, having just left Central Park’s SummerStage a few hours before, not that it showed in their performance. The stage show was as stripped down as the duo—although they played their new material as a foursome, adding keys and bass to the mix—no lasers or elaborate lights, just a huge drum kit stage right, a stack of amps behind Auerbach and a huge banner of two black hands clasped together inside a tire, a reference to their recent album, Brothers, and even Auerbach and Carney’s personal connection, at the back of the stage.

The Keys played their Zeppelin-referenced blues with big crunchy distortion guitar that became another voice alongside Auerbach’s eerie Hendrix-like vocals, which are as equally at home delivering hushed falsetto on “The Lengths” as getting the Led out on “10 A.M. Automatic.” Hardly pausing between songs, they seemed to be taking their Ohio Midwestern work ethic to heart onstage, delivering on the promise of two friends getting to do what they sincerely love: Brothers in riff-heavy blues rock. —Jason Dean

Photos courtesy of Gregg Greenwood | www.gregggreenwood.com

New Grub at SummerStage

March 26th, 2010
(Photo: Elizabeth Lippman for The New York Times)

(Photo: Elizabeth Lippman for The New York Times)

Seeing a cool show on a beautiful night at Central Park’s SummerStage can be one of the great joys of living in NYC. But the food there? Not so much. Good news, though, because when you head to the park this summer to see bands like John Butler Trio and State Radio (6/15), the Flaming Lips (7/26), the Black Keys (7/27) and Hot Chip (8/4), new culinary treats will await you. According to The New York Times, the Brooklyn Flea will be curating the food this summer. So you can ditch the lame chicken sandwiches and not-so-soft pretzels and embrace the warm offerings of Asia Dog, Pizza Moto and the Red Hook Lobster Pound. A good thing just got better.

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Dan Auerbach Rocks Webster Hall

November 12th, 2009

Dan Auerbach – Webster Hall – November 11, 2009

Dan Auerbach - Webster Hall - November 11, 2009
Just as Jack White has done work outside of the White Stripes, first with the Raconteurs and now the Dead Weather, Dan Auerbach, one half of the power-blues machine that is the Black Keys, also fronts a second band with a bigger sound. His backing band, the Fast Five, is made up of the San Antonio rock group Hacienda—Antonio Abraham Villanueva on keys, Dante Schwebel on guitar, Jaime Villanueva on drums and Rene Villanueva on bass—plus My Morning Jacket drummer Patrick Hallahan on drums and percussion. (Hallahan, eyes closed and mouth open, played the maracas and the triangle with the unrestrained mirth of a small child.)

Last night at a crowded Webster Hall, Auerbach and Co. made their way through Auerbach’s solo album, Keep It Hid, released in February, plus a few other songs, including a cover of Rocking Horse’s “Oh Carol.” The show began with some relatively quiet harmonizing before kicking into a higher, louder gear. They played more than an hour of a winning combo of gritty blues and dirty rock and roll, including “My Last Mistake,” “Money and Trouble” and “When the Night Comes.”

The encore began with Rene Villanueva, whose bass thumped ferociously all night, laying down a dancing bassline. As the audience enthusiastically clapped along, the band shifted into a tight blues riff that blew up into raging mayhem. When the song ended, just Auerbach remained onstage. “Thank you for coming out tonight,” he said before launching into the last song, “Goin’ Home.” The line “be thankful for all you got” drew cheers and applause. And then he finished with “So long/ I’m going/ I’m going home,” and then the crowd went wild and the stage went dark. —R. Zizmor

Photos courtesy of Sean O’Kane | seanokanephoto.com