Tag Archives: The Bowery Ballroom

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From Your TV to the Lower East Side

June 17th, 2010

The Heavy – The Bowery Ballroom – June 16, 2010

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Sometimes you catch the buzz in time and sometimes it’s just too late. It was certainly the latter for me with the Heavy. The English quartet had a sold-out Bowery Ballroom crowd spilling out of the performance space Wednesday night. With a full suite of back-up singers and a horn section behind the band, frontman Kelvin Swaby powered a set that had one energy level, high, and one volume, loud. The weekly planner may have read Wednesday, but with a high-octane blend of soul, rock, ska and R&B, it certainly felt like Saturday night for all those inside.

Swaby was a force onstage, running the show like a rhetorical conversation with the audience, which he referred to lovingly as “NYC,” as if they were playing to the entire municipality. (“NYC, can we play some rock and roll?”) Those in the crowd obliged unconditionally: When asked to scream, they screamed. When asked to howl like wolves, they howled. When asked to throw their arms in the air, the arms went up. In turn they were rewarded with a full-fledged house party and, yes, even got to hear the Heavy’s as-seen-on-TV “that song” (“How You Like Me Now?”), which closed out the set. But midway through, when asked to jump up and down, to rage with the punk-soul hybrid pounding in the incense-tinged air and feed the band the same energy they were offering, the audience mostly waved their arms in a feigned jumping motion. I guess it was still Wednesday after all. —A. Stein

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A “Bizarro” Sunday

April 12th, 2010

The Wedding Present – The Bowery Ballroom – April 11, 2010

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The Wedding Present, the loud, jangly rock band that formed in the UK in the mid-’80s, took the stage last night at The Bowery Ballroom to perform their seminal 1989 album, Bizarro, in its entirety. Before launching into that material, the Wedding Present ran through a selection of more recent stuff, including some brand new songs, with the band’s good-humored frontman David Gedge almost apologetic in his assurance: “You will love them in three years.” Of course, the crowd was anything but uninterested, and songs like “Corduroy” and “I Lost the Monkey” were greeted with wild enthusiasm. That excitement later reached a fever pitch with the opening chords of “Brassneck,” Bizarro’s first track, while songs like “Kennedy,” “No” and “Take Me!” found many in the crowd manically pogo-ing and grinning at one another, seemingly under the spell of memories from the two decades since the album first came out.

At Bizarro’s halfway point, the band took a breather. As Gedge wiped the sweat from his face, he commented that Bizarro is “quite an intense LP.” Perhaps a bit of an understatement—it is a very intense LP, full of shifting dynamics and layers of lightening-fast guitar strumming. The Wedding Present did an admirable job of recreating the songs onstage, with Gedge’s pleading, heart-on-sleeve lyrics complemented by drummer Charlie Layton’s frenetic, powerful drumming. Though 20 years can feel like centuries in the ever-shifting world of popular music, the Wedding Present’s show was a testament to just how well Bizarro’s songs have endured, proving that this music sounds just as fresh and immediate as it was back in 1989. —Alena Kastin

Two Chances to See Sondre Lerche This Week

September 7th, 2009


Sondra Lerche’s major-label debut, Faces Down, came out seven years ago, when the Norwegian singer-songwriter-guitarist was just 19. Of course, by then, he’d already been playing the guitar for 11 years, so it wasn’t that much of a stretch. Nevertheless, he’s still pretty young. And as his musical interests have grown beyond the ’80s music he grew up on, like a-ha, to psychedelia, ’60s pop and other genres, Lerche’s albums have covered some surprising depth. His jazz-influenced Duper Sessions came out in 2006. And after touring with Elvis Costello and witnessing Costello’s energy and interaction with his band night after night, Lerche put out an album of quick-and-to-the-point, upbeat rock tunes, Phantom Punch, in 2007. (“These songs are cut to the bone, not a second longer than they have to be.”) Later that year, using a mix of old and new stuff, Lerche composed the soundtrack to the Steve Carell flick Dan in Real Life. His most recent album, Heartbeat Radio, comes out tomorrow. To celebrate, Sondre Lerche is playing tomorrow night at The Bowery Ballroom and on Wednesday at Music Hall of Williamsburg. Go see him live!

(Check out Sondre Lerche, above, performing “To Be Surprised,” from the Dan in Real Life soundtrack, on Late Show with David Letterman, and, below, doing a brief interview and an acoustic performance for The New Yorker.)