Tag Archives: the Dig

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Tramps Like Us

October 18th, 2010

The Henry Clay People – Mercury Lounge – October 16, 2010

(Photo: Jeff Koga)

(Photo: Jeff Koga)

The Henry Clay People’s lead singer, Joey Siara, yelled to the back of a packed Mercury Lounge, “Hey, anybody from the Dig got a guitar amp? This one is not really working.” The Dig, show-opener and New York City’s own attempt at throw-back rock, didn’t respond promptly enough, so Siara switched guitars while his keyboardist bought time with iconic and immediately recognizable Springsteen chord progressions. Equipment now sorted, the frontman earnestly indicated that because of the delay the band would take requests. Someone yelled back, “Born in the USA!” Siara responded yes, they would close with it, absolutely. It was a revealing moment from a band so intensely unpretentious—it would have seemed fake if it hadn’t been so true.

The group relied on material from 2010 release Somewhere on the Golden Coast, a name that must be a simultaneous reference to their West Coast roots and their desire to get lost in the wilderness of rock and roll. With tautological and instantly memorable lyrics like “You can’t fake the fireworks/ Do you remember how your fire works?” and “This ain’t a scene/ It’s just a place to be” delivered with barked laissez-faire attitude, the band aims for a bit of unremembered nostalgia from when rock was simple and people played guitars.

In the spirit of this simplicity and eruption, the Henry Clay People closed with “Working Part Time,” featuring the battle-ready anti-anthem lyric: “We were working part time all the time.” Then Siara sort of kept his promise, looking at the audience and saying, “Rock and roll wasn’t meant to be clean. Rock and roll was meant to be fucked and dirty.” This explanation for how rough the closing cover of “Born to Run” would be was unnecessary and it made clear that he had misheard the request anyhow. But it was fucked and dirty and brilliant. In the middle, Siara slowed the band to a stop and asked a friend who had been making out with a woman in the front row to “count us in.” He counted to four and the Henry Clay People exploded. —Geoff Nelson

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The Dig – Mercury Lounge – June 5, 2010

June 7th, 2010

The Dig - Mercury Lounge - June 5, 2010

Photos courtesy of Abi Hassen

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Dig on This: a Record-Release Party at Mercury Lounge

June 4th, 2010

David Baldwin and Emile Mosseri became fast friends in sixth grade and started playing in bands together. They met Erick Eiser at a high school summer music program, and three years ago, they all moved to New York City and began writing songs under the name the Dig. They did whatever it took to get their name out—playing wherever and whenever and blanketing the streets with a never-ending supply of posters. Soon the Dig (above, playing “Carry Me Home” for Fearless Music) released their debut EP, Good Luck and Games, and with a little perseverance they earned three month-long residencies at Piano’s. Somewhere along the way, a fourth member, Jamie Alegre, joined the group, and as their fan base increased, so did the size of the venues they played in while opening for others. And now the band has a full-length disc, Electric Toys, coming out next Tuesday. So before the Dig hits the road, they’re having a record-release party at Mercury Lounge on Saturday. Consider yourself invited.

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Editors Finally Return to NYC

February 22nd, 2010

Editors – Terminal 5 – February 19, 2010

Editors - Terminal 5 - February 19, 2010
After a two-year absence from playing in New York City, Editors returned to Terminal 5 on Friday night with a great set and a ton of passion. Following two stellar opening performances by the Dig and the Antlers, lead singer Tom Smith warmed the crowd with a sharp, nearly totally instrumental opening song. When moving to the second song, “Lights,” he laughed off how out of tune his guitar was, grabbing another from his tech. And as they jaunted through their set, it was easy to tell just how focused they were on pleasing the crowd, something that went over well with the packed house.

Their music, familiar to most New Yorkers, thanks to the presence of hometown rockers like Interpol, had the crowd’s attention for the entire hour-and-a-half set. Drummer Ed Lay mixed in heavy doses of a drum machine with his actual drumming, strengthening the band’s modern take on the ’80s Brit-rock sound that borrowed heavily from bands like Joy Division and the Cure. Smith never stayed static, even while at his piano, switching microphones and never giving the crowd the same look twice from song to song. Still doing all they could to please by the end, Editors finished their set with the hit “Smokers Outside the Hospital Doors,” and then taking their encore past the posted 11:00 p.m. curfew. —Sean O’Kane

Photos courtesy of Jennifer Macchiarelli | www.jennylow.com

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Win Tickets to Tomorrow Night’s Editors Show

February 18th, 2010


The post-punk UK band Editors—singer-guitarist Tom Smith, guitarist Chris Urbanowicz, bassist Russell Leetch and drummer Ed Lay—released their first album, The Back Room, in 2005. The buzz from that earned them appearances at Coachella and Lollapalooza the following year. The band’s second disc, An End Has a Start, released in 2007, went platinum in the UK the very day it was released. Not wanting to rest on their laurels, the guys in Editors (above, playing “Papillon” on Later…with Jools Holland) opted to take their sound in a different direction in choosing to use synthesizers on 2009’s In This Light and on This Evening rather than sticking with the dark guitar rock they’d employed on their previous two albums. But you can judge which style you like best when Editors (with the Antlers and the Dig) play Terminal 5 tomorrow night.

Want to go but don’t have tickets? Then try to win two from The House List. Just fill out the form below, listing your name, e-mail address, which show you’re to win tickets to (Editors, 2/19) and a brief message explaining which Winter Olympic sport is your favorite and why. Eddie Bruiser, who does not care for figure skating, will notify the winner tomorrow. Good luck.

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Three Big Sounds at Mercury Lounge

November 20th, 2009

The Dig/Locksley/SAADI – Mercury Lounge – November 19, 2009

The Dig - Mercury Lounge - November 19, 2009

Ever hear someone boast about how they once saw a now-great band in a small venue? Last night’s show at Mercury Lounge was one of those shows on three different levels. One of the opening bands, SAADI, which had only played a handful of shows together, stunned the early crowd with a tightly executed mix of poppy vocals and ambient guitar. A great rhythm section in Marcus Farrar on drums and AJ Lambert on bass backed lead singer Boshra AlSaadi’s quirky stage presence. SAADI’s exceptionally well-written music showed promise that will certainly pay off for them as an up-and-coming band.

Locksley, heavily featured on MTV, played second. With a sound that straddled the border of the Strokes and the Beatles, they traded lead vocals and executed perfect harmonies. (They even already have an established throng of female fans swooning in the crowd). That they were in the middle of a billing at Mercury Lounge was a bit of a surprise, but they played like it was Shea Stadium, somehow fitting 13 songs into a 40-minute set.

The Dig, a New York City group that is far less known than Locksley but carries just as much promise, however, stole the show. The band was the most powerful of the night, using heavy bass from Emile Mosseri in every song. David Baldwin’s guitar contributed to the strange mix of straight rock sound and fuzzy shoegaze, the latter complemented by Erick Eiser’s wickedly sweet keyboards. Baldwin and Mosseri traded lead vocals from song to song, but Mosseri’s voice was the standout, uniquely sharp and incredibly magnetic (at it’s best on “Penitentiary,” a song so catchy it begs to be licensed and heard everywhere). The Dig wrapped their set with “She’s Going to Kill That Boy,” a brash rocker akin to Cold War Kids, leaving the crowd listening to a band that sounded like they’d already made it big. —Sean O’Kane

Photos courtesy of Sean O’Kane | seanokanephoto.com