Tag Archives: the Head and the Heart

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Houndmouth Are a Band on the Rise

April 10th, 2013

Houndmouth—Zak Appleby, Shane Cody, Matt Myers and Katie Toupin—from the farmlands of Kentuckiana, formed by chance in late 2011. Their influences include the Band (“Levon Helm is my hero,” says Cody), David Bowie, Randy Newman and the Faces. And as such, they make a kind of music perhaps best categorized as y’alternative (the Venn diagram overlap of Americana, blues, folk and rock). The quartet’s debut full-length, From the Hills Below the City, arrives in June, but if their self-titled EP (stream it below) is any indication, Houndmouth (above, doing “Penitentiary” for Close Shave Music at last year’s Forecastle Festival) just might follow the path of such like-minded bands as the Lumineers and the Head and the Heart. See them tonight at Mercury Lounge.

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Powerful, Rocking Music at The Bowery Ballroom

July 18th, 2012

Delta Rae/Aunt Martha – The Bowery Ballroom – July 17, 2012

It was an evening of deceptively simple pleasures at The Bowery Ballroom last night. In the middle slot, Aunt Martha, presently of Brooklyn and an all-male quartet despite the name, began their set with an ambient, dissonant chord but quickly turned into an alt-country affair, with the band trying to bring the genre back to its roots from wherever Wilco has taken it. Still, this was country music dominated by keyboards and drums for the better half of the set. Songs started simply and continued to increase in complexity—like they’d been penned on an acoustic guitar and grown into a dense mosaic of loops and melody. The guitarist and bassist began “Wherever You Want to Go” with their instruments slung over their neck, both playing atmospheric keyboards. Halfway through they both stood up, literally and figuratively, churning out the most rocking part of the set.

The headliner, Delta Rae, got right down to it with a blast of harmonized vocals coming at you like a pipe organ in church. The opening number, “Morning Comes,” had the sextet singing, “The devil’s in the details,” which was true for this band using a simple Americana formula and a well-oiled live show to keep the audience enraptured for the duration. Its was powerful, rocking music that had no electric guitar, no solos, but plenty of energy. Delta Rae joins the New Wave of uplifting Americana marked by the likes of the Avett Brothers and the Head and the Heart, and judging by the crowd’s reaction, they’ll be right there with them soon enough.

The strength of Delta Rae’s set was undoubtedly right in the middle, first playing the dark gospel-esque “Bottom of the River” in a gloriously choreographed, hand-clap and foot-stomp a cappella. Then the band hopped into the middle of the crowd and played and sang without amplification, which they mostly made superfluous all night anyway. The trifecta was hit with a pitch-perfect cover of Fleetwood Mac’s “The Chain.” From there, the rest of the show was gravy: high-energy folk songs, co-ed harmonies, occasional anecdotes to add a personal touch to the songwriting and plenty of percussion to go around. The set closed with “Dance in the Graveyard,” which, in between the vocals and tambourines, summed up Delta Rae’s ethos perfectly. —A. Stein

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The Head and the Heart Quiet Terminal 5

March 19th, 2012

The Head and the Heart – Terminal 5 – March 18, 2012


People say, “A for effort” like it’s a bad thing, but “A for effort and A for execution” can be something very special. Take the Head and the Heart, playing a sold-out show at Terminal 5 last night. This was a band putting the effort in, starting with the stage itself, filled with small trees beneath strings of lights and Chinese lanterns like someone’s backyard had been decorated for a Sunday-afternoon garden party. Walking out to the strains of My Morning Jacket (tourmates from last fall) over the PA, the band wasted no time digging into their revelatory self-titled debut album.

While the Head and the Heart occasionally cover the morose or fully morbid—like the early “Ghosts,” as in “Someday we’ll all be,” or “Honey Come Home,” with “Just want to die with the one I love”—the Seattle sextet gave every song that little extra something. And despite the subject matter, the feeling was always one of jubilant energy, which peaked with “Lost in My Mind” midset, when every member of both opening bands joined in on vocals, clapping and percussion, rendering the band itself almost entirely redundant. The 75-minute set included several nice new songs as well, one that asked “Are you a lion?” had a tinge of a Latin feel, while “Grandfather’s Wisdom” began solo acoustic and then built into a rather epic piece.

The penultimate song of the set started with a long rumble of noise and had a big, almost orchestral majesty to it, like something out of Broken Social Scene’s repertoire. Suffice it to say, there seems to be a lot more to be heard from the Head and the Heart. The story of the night, though, was the resonance between the band and the crowd. Those in the audience somehow always knew, collectively, when to quietly listen and when to sing along full-throated, when to take out their phones to take a quick snapshot and when to just take in the music. At the softer moments, it was as quiet as I’ve ever heard Terminal 5. The band seems to have leapfrogged the usual arc, instead of saying, “I can’t believe they sold out The Bowery Ballroom,” we’re left marveling that they sold out T5, and with the ecstatic crowd yelping for more, it’s clear that the Head and the Heart have more than earned that A. —A. Stein

Photos courtesy of Mike Benigno | mikebenigno.wordpress.com

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The Head and the Heart Dazzles The Bowery Ballroom

September 28th, 2011

The Head and the Heart – The Bowery Ballroom – September 27, 2011


Out of the bands that make it, there are those that do so on a slow climb (read: the majority) and those that, for whatever reason, do it much faster. Barely more than half a year after their first-ever show in New York City (opening for Dr. Dog at Terminal 5, no less), the Head and the Heart shed even more light on how they’ve arrived so quickly with a passionate performance before a dazzled crowd last night at The Bowery Ballroom.

In the middle of a sold-out, three-show run across two venues, the Seattle band started slowly, mirroring the first three tracks on their self-titled debut. It wasn’t until the bouncy piano brightened up at the end of “Ghosts” that the crowd finally began to buzz. As far as the sextet has come, this was no longer their first time through the city, and this crowd was clearly going to make them earn their applause. Funny enough, for a band with no more than a 15-song repertoire, it was the first of the new tracks that truly woke up the audience, and the band wisely threw another in for good measure before featuring the rest of the songs from their album.

By the time the Head and the Heart got to “Lost in My Mind,” the crowd had let loose, almost transforming a Manhattan music venue into a Mississippi honky-tonk. The band volleyed back with an increased energy of their own and promptly floored the audience with the vocal showcase that was “Rivers and Roads.” Their set was short, even including the encore, but judging from the Head and the Heart’s first year here, we all know for sure they’ll be back again. —Sean O’Kane

Photos courtesy of Sean O’Kane | seanokanephoto.com

(Tonight’s show at The Bowery Ballroom is sold out.)

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Win Two Tickets to DMB Caravan on 8/27

August 12th, 2011


Are you familiar with the Head and the Heart (above, performing “Rivers and Roads” live on KEXP FM)? They’re a folk-leaning six-piece out of Seattle—Josiah Johnson (vocals, guitar, percussion), Jonathan Russell (vocals, guitar, percussion), Charity Rose Thielen (violin, vocals), Chris Zasche (bass), Kenny Hensley (piano) and Tyler Williams (drums)—and they’ve got an amazing live show. They’ll be here for two sold-out dates in September, at Music Hall of Williamsburg on 9/26 and at The Bowery Ballroom on 9/27. But they’re also playing with some pretty heady company as part of the DMB Caravan on 8/27, huge acts like Dave Matthews Band, Dispatch, moe., Robert Randolph and the Family Band, Josh Ritter & the Royal City Band and others. It’s going to be an amazing three-day festival on South Island Field at Governors Island, and The House List is giving away two tickets to Saturday’s show. Fill out the form below to try to win and include your full name, e-mail address, which show you’re trying to win tickets to (DMB Caravan, 8/27) and a brief message explaining why you deserve to go. The winner will be notified next week.

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The Head and the Heart – Mercury Lounge – May 17, 2011

May 18th, 2011

The Head and the Heart - Mercury Lounge - May 17, 2011

Photos courtesy of Sean O’Kane | seanokanephoto.com

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Dr. Dog Delivers

February 21st, 2011

Dr. Dog – Terminal 5 – February 18, 2011

Dr. Dog - Terminal 5 - February 18, 2011
Playing before giant stained-glass panels, Dr. Dog put on a wild show on Friday night at Terminal 5, but not before an excellent opening set by the Head and the Heart, making their NYC debut. The new Seattle band has a sweet folk sound, balancing multiple vocals and sparse but effective piano and violin parts. With a sound akin to Margot & the Nuclear So and So’s, the young quintet showed incredible promise, prompting many in the crowd to ask, “The Head and the Who?”

Headliners Dr. Dog put on a nearly flawless 90-minute performance. They began with jam-oriented tracks like “Only Wear Blue” and “The Ark,” a bluesy tune with the same vibe as the Beatles’ “I Want You (She’s So Heavy).” The audience started grooving along during “The Breeze,” and that energy carried the band into “The Old Days,” a double-time jamfest.

Halfway through, the group moved into the more pop-oriented part of the night, which included a haunting version of “Fate.” Dr. Dog never stopped moving even during the slowest songs, constantly reflecting the energy of the crowd. And they returned to an incredible buzz to play a taut encore that ended with “Jackie Wants a Black Eye,” during which they were joined by the Head and the Heart for one more smile-filled jam session. —Sean O’Kane

Photos courtesy of Gregg Greenwood | www.gregggreenwood.com