Tag Archives: There Is a Bomb in Gilead


Kick Off Your Weekend with Lee Bains III & the Glory Fires

July 16th, 2014

Lee Bains III is no stranger to New York City. In fact, he studied literature at NYU. But four years was enough, and the lure of the South, specifically his hometown, Birmingham, Ala., was too strong. So he returned to his roots and four years ago teamed up with the Glory Fires—Eric Wallace (guitar), Adam Williamson (bass) and Blake Williamson (drums)—to make Southern rock with a punk ethos. Their first album, There Is a Bomb in Gilead (stream it below), was released in 2012. AllMusic said Bains “knows how to tell a good, compelling story with an interesting set of characters, and he successfully walks a fine line between letting his literate instincts have their day and keeping these stories unpretentious and realistic.” Additionally: “This is a band worth watching, and an album that deserves your attention.” Lee Bains III & the Glory Fires (above, performing “There Is a Bomb in Gilead” for BreakThru Radio) gained further attention thanks to an opening slot on tour with Alabama Shakes. And now the quartet has returned with a heady follow-up, Deconstructed (stream it below). According to NPR, “This isn’t a new space for Southern rock; in many ways, it is Southern rock, made by rebel sons who question that identity from the Allman Brothers through Skynyrd and on to Drive-By Truckers…. Lee Bains III & the Glory Fires are intense enough to fully refresh the legacy they’ve joined.” Out on the road in support of their excellent LP, they play Mercury Lounge on Friday night. Local five-piece Brooklyn What open the show.


Lee Bains III & the Glory Fires Turn Up the Heat

February 5th, 2013

Lee Bains III & the Glory Fires – Mercury Lounge – February 4, 2013

It was like something out of a TV show: Mercury Lounge, late on a Monday night, a few scattered folks lining the walls waiting for the headliner to take the stage, trying to stay awake, a distinct ho hum vibe in the room. Then the band hops onstage, guns a-blazin’ and takes the place from 0 to 60 in a couple of seconds, the room going from a blah, half-empty to a hyped-up where-did-these-people-come-from half-full, all caught in the thrall of Lee Bains III & the Glory Fires. Within the first few songs, Bains and the band went through the introductory chapters of the rock and roll book: Bains falling into the crowd mid-guitar riff, then getting into his lead guitarist’s face, then double solos back-to-back before climbing on the drum kit. Every rock band needs a great frontman, and the Glory Fires have Lee Bains III, who rocked the red-white-and-blue guitar strap embroidered with “LEB3” on it like few can.

The Glory Fires—two guitars, bass and drums—played a fireball set of Southern classic rock, channeling forefathers like the Allmans and Skynyrd with a healthy dose of the Black Crowes. After the first few numbers, they tweaked the sound in the monitors, as bands will do, asking for more guitar: The drummer petitioning the audience, “Hope y’all ain’t scared of a little guitar!” I hope not, too, because there was plenty of it as Bains rifled through songs off last year’s There Is a Bomb in Gilead and a whole slew of new ones, barely pausing in between. The running theme of the set was the band’s hometown of Birmingham, Ala., playing at least three songs about the city, stretching from general civic pride to missed sweethearts back home, all just another opportunity for Bains and his Glory Fires to crank up the volume and play some rock and roll. —A. Stein