Tag Archives: TLC

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An Eclectic Craig David Dance Party at Music Hall of Williamsburg

January 20th, 2017

Craig David Presents TS5 – Music Hall of Williamsburg – January 19, 2017

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It was the summer of 2000 and I was gallivanting in Copenhagen as an exchange student. What I distinctly remember was the insane amount of the Europop that year, and a unique voice, Craig David’s, rang out amongst those omnipresent groups. His blend of R&B mixed with dubstep anchored his first album, Born to Do It. He never fully translated in America to my dismay, but David sold out the Brooklyn debut of his TS5 party at Rough Trade NYC last October. TS5 began as a house party in his penthouse in Miami, Tower Suite 5, and it’s no surprise that it has blown up into a hot ticket. His beginnings on the decks to his top-charting songs set up David as the perfect hybrid of MC and singer.

Commanding a sold-out Music Hall of Williamsburg last night, David opened with oldies “Rewind” and “Fill Me In.” His hybrid skills were on full display as he seamlessly moved from his ballad “Walking Away” to TLC’s “No Scrubs.” David continued, proclaiming, “We getting rotten,” before dropping a series of old school anthems ranging from House of Pain’s “Jump Around” to Chaka Demus & Pliers “Murder She Wrote.” He moved everyone in the packed venue through decades of popular music daring to follow Destiny Child’s “Say My Name” with Ginuwine’s “Pony.”

The latter end of the set produced tracks largely from David’s latest release, Following My Intuition, including the Dave Tozer–produced “Warm It Up,” first single “One More Time,” and the Blonde collaboration, “Nothing Like This.” David expressed his gratitude to fans who have followed him for 16 years, rolling it back one more time for “7 days” before concluding the evening with a cover of Justin Bieber’s “Love Yourself” and his viral hit “Fill Me In/Where Are Ü Now,” a mashup of his classic blended with Diplo and Skrillex’s knotted beats. —Sharlene Chiu

 

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Caroline Smith Plays the Early Show Tomorrow at Mercury Lounge

October 14th, 2016

Singer-songwriter Caroline Smith makes the kind of soulful music that’s filled with soaring melodies, unabashedly honest lyrics and powerful, smoky vocals—earning comparisons to Aretha Franklin, Carole King and TLC in the process. Half About Being a Woman (stream it below), a breakup album for adults, came out three years ago. Bearded Gentle Music raved, “This is a bold album, full of opinions and blunt realizations about what happens when a relationship comes to an end. It is also a soft album: warm, flowing and somewhat depressing. This album is gold.” And with new music on the horizon, Smith (above, doing “Baby Goodbye” for WPR FM) has hit the road. See her tomorrow night at Mercury Lounge. L.A. producer-DJ Callie opens the show.

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Holly Miranda Doesn’t Need an Encore at the Late Show

September 21st, 2015

Holly Miranda – Mercury Lounge – September 18, 2015

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In a wide community of transplanted musicians to Brooklyn, Holly Miranda has carved her own storyline. As a fledgling 16 year old, Miranda moved from Detroit to Kings County and played cafes and coffeehouses throughout the city. In true indie fashion, she has recorded several albums through a variety of channels—self-releasing, crowd-sourced and eventually one worldwide release, The Magician’s Private Library. Five years since her global introduction, her latest, Days Are Shorter, Nights Are Longer, has the singer-songwriter returning in fine form following a successful writing trip in Joshua Tree. Pitchfork noted the album “feels both disarmingly intimate and broadly universal, and Miranda’s voice—fragile and fearless in equal measure—mesmerizes even when the lyrics veer toward nondescript platitudes.”

Donning pigtails and a cap, Miranda took the stage at Mercury Lounge just before midnight on Friday evening. Playing largely from her latest album, she began the set with “Mark My Words” and “Desert Call.” The singer asked the crowd, “Are you OK?” before admitting she was “pretty fucking drunk.” Despite her state, one could hear the haunting vocals and anguish in her lyrics, which have been noticed by the likes of Kanye West and Trent Reznor. The energy picked up on the rollicking “All I Want Is to Be Your Girl” as a group of fanboys feverishly danced up front. Switching to the piano, Miranda fussed with the chair before rebooting “Come On.” In an odd but playful moment, the performer explained that she’d received a bucket of garlic from a fan in D.C. and concluded that she had to toss the bulbs into the crowd.

After a few more song restarts, Miranda complained that this is what happens when you play a late show. The effects of too many preshow Negronis did not seem to take away from her lively cover of Morphine’s “Mary Won’t You Call My Name.”  She admitted that the set would not be her best show but could be good, which explains why she wanted to get songs right after false starts. It was especially telling on the torch ballad “Everlasting,” as Miranda achingly strained to a trickle, emoting the hills and valleys of heartbreak. The late evening was punctuated with an uplifting rendition of TLC’s “Waterfalls,” complete with the singer’s rapping skills on full display. No encore was needed. It was late and Miranda deserved a good sleep. —Sharlene Chiu