Tag Archives: Tokyo Police Club

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Tokyo Police Club Comes Full Circle

June 11th, 2012

Tokyo Police Club – The Bowery Ballroom – June 10, 2012


The indie-rock universe has taken on an especially mercurial quality when the guys in Tokyo Police Club, the veritable old guard, find themselves headlining a sold-out Bowery Ballroom show just one night before warming up for Foster the People in Central Park. But this was the landscape outside, the fickle cultural one—the very same one that in 2006 elevated TPC from obscure basement band to playing Mercury Lounge to signing with Saddle Creek and beyond. Inside, the band was back playing a New York City rock club, a bit of nostalgia for a well-established group that in some respects had transcended spaces like this one.

As their new record steadily creeps toward the finish line, this was Tokyo Police Club’s first show “in a long time,” according to singer Graham Wright. So, suitably, they opened with something new. The song, one of the few the audience knew none of the words to, featured the signature lyric “Don’t look back,” a winking self-admonishment from a band ripping between its past and its future. Diving to 2006, they followed with “Nature of the Experiment,” the type of song that makes you remember where you were when you first heard it. The set oscillated among old, recent and new, featuring “Favorite Colour,” “Tessellate” and a new song with the words “I want to travel to the future” lodged prominently in its chorus.

The band finished the set with the twosome of “Breakneck Speed,” one of the best songs of 2010, and “Wait Up (Boots of Danger),” the first bringing the house to its fullest voice on the lyric “It’s good to be back, good to be back” before an explosion of high-fret guitar and keyboard. It was, perhaps, this tension between returning and moving forward, the old becoming new and the new becoming familiar, that stuck the set together, a sort of past and future tense architecture. And so it was no joke when the band encored with a cover of Kelly Clarkson’s “Since U Been Gone” and then closed with their second-ever single, “Cheer It On.” Only a few people knew the words then but everyone knew them now, bringing the evening both back and full circle. —Geoff Nelson

Contest

Grow a Pair: Win Free Tickets to See Tokyo Police Club

June 5th, 2012

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Tokyo Police Club is coming down from Canada to play The Bowery Ballroom on Sunday. Since the show is already sold out and The House List is giving away two tickets, your best chance to go if you aren’t already is to try to Grow a Pair. So just fill out the form below, making sure to include your full name, e-mail address, which show you’re trying to win tickets to (Tokyo Police Club, 6/10) and a brief message explaining why you ought to be able to cap off Sunday Fun Day with a night of free music. Eddie Bruiser, who’s got a thing for Canadian bands named after Japanese cities, will notify the winner by Friday.

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Club Night at Terminal 5

January 23rd, 2011

Tokyo Police Club/Two Door Cinema Club – Terminal 5 – January 21, 2011

Tokyo Police Club - Terminal 5 - January 21, 2011
The theme music from The Empire Strikes Back echoed out toward the enormous disco ball hanging over what seemed like an especially sold-out Terminal 5. The lights cut out and the house music became applause as Tokyo Police Club took the stage in a stride combining sheepishness and magnanimity. Their introduction was no mistake; owing to a competition with coheadliner Two Door Cinema Club to see which band could have the more bizarre house music played before their set. This particular song was perfect since a different and more ebullient empire, Tokyo Police Club, was making a triumphant return of its own.

The band mixed recent material and older songs with aplomb, revealing how far they’ve come and how little they’ve changed. Tokyo Police Club opened with “Favourite Colour,” off 2010’s Champ, followed by the spasmodic “Nature of the Experiment,” from their debut EP. Mixing in material from Elephant Shell, TPC played “Graves,” “In a Cave” and a shuddering version of “Tessellate,” with the crowd clapping in perfect time throughout the verses.

The show was about marking milestones as much as it was about reviewing the jet trail of a band in liftoff. After playing recent single “Breakneck Speed,” featuring the central lyric “It’s good to be back,” frontman Dave Monks looked into the balconies and screamed, “This is for anyone who was at Mercury Lounge in 2006,” before playing the clapping “Citizens of Tomorrow” with its winking reference to the future of “2009.” Monks got it: He and his band were the heirs to some throne and they were now sitting on it. For the encore, they brought Two Door Cinema Club onstage to join them in covering the Strokes’ “Last Nite,” a song without which neither band would have been standing in front of 3,000 rock kids in New York City. It was good to be back. It was good to be here. —Geoff Nelson

Photos courtesy of Diana Wong | dianawongphoto.blogspot.com