Tag Archives: Torres

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Overcoats Sound Right at Home at Sold-Out Rough Trade NYC

April 21st, 2017

Overcoats – Rough Trade NYC – April 20, 2017

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Sisterhood runs deep between best friends Hana Elion and JJ Mitchell, a bond so strong it’s birthed a band, Overcoats. The New York City–based duo’s debut, Young, is a reverie of R&B soul folktronica coproduced by Nicolas Vernhes (Daughter, Torres, Dirty Projectors, Cass McCombs) and fellow singer-songwriter Autre Ne Veut. NPR’s Bob Boilen recently described the record as “driven by ambition and passion, not craft … the emotion in their harmonies and the space they give each other is filled with compassion.” Last night, the inseparable pair graced a sold-out Rough Trade NYC on the eve of their new EP’s release, donning white jumpsuits and silver platform boots. Microphone stands adorned with flowers and garlands of cameo silhouettes set the stage as their first headlining tour opened with the rhythmic “Smaller Than My Mother.” The crowd swayed to the lullaby of “Hold Me Close” before Elion exclaimed, “We are so fucking excited to be here.”

Covering the entirety of their album with the exception of one track (“Father”), the kindred spirits garnered much love from fans as the mutual admiration between each singer was palpable. They embraced often in between songs and danced side by side without a care in the world. When introducing the debut single “Little Memory,” Elion confessed it was the first one the girls had written together. The duo covered Hozier’s “Cherry Wine” midway through the set. Elion laid her head on Mitchell’s shoulder to preface “Siren,” as she proceeded to sing, “I feel many weights of many worlds on my shoulders.” In a speech that was carved out on the set list, Mitchell offered their gratitude to touring drummer Joao Gonzalez, Andy on sound and their agents. An overwhelming acknowledgement of the upcoming year ahead left the women truly humbled before an encore of the hymnal “Mother” and the rollicking “Leave the Light On” concluded the performance with a fever pitch of participatory claps. —Sharlene Chiu

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Tegan and Sara Play the Theater at Madison Square Garden on Friday

November 2nd, 2016

Calgary, Alta., twin Quin sisters Tegan and Sara have been making music together professionally for more than two decades. Their first full-length, Under Feet Like Ours (stream it below), came out in 1999 when they were still in their teens. “Tegan and Sara are the real deal, not another Ani Difranco pretender trying to be political by writing songs about freedom,” according to Exclaim. “The evidence in hand, their debut album, shows an emotional and musical progression quite remarkable for their age, as if they’ve managed in one go to shake out the cobwebs of their folk/rock roots, and their Lilith Fair/Indigo Girls tendencies, and are merging fully formed, ready to take the next step.” And in the ensuing years, Tegan and Sara (above, performing “Boyfriend” live in studio for KCMP FM the Current) have changed their sound and taken that next step from niche singer-songwriters to mainstream-pop success. Their eighth studio release, this year’s Love You to Death (stream it below), is “an album packed with shimmering highlights,” according to NME. “This is pop music that is all heart all the time, and for that, the sisters deserve every accolade that comes their way,” per AllMusic. It just so happens that they’re coming our way this week to play the Theater at Madison Square Garden on Friday. And as an added bonus, Brooklyn singer-songwriter Torres opens the show.

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Torres Celebrates Her Birthday Early at The Bowery Ballroom

January 22nd, 2016

Torres – The Bowery Ballroom – January21, 2016

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Mackenzie Scott, better known as Torres, was brought up in Georgia as a Baptist and attended a Christian university. During that time, she recorded her first album, Torres. Scott then traveled to England to compose her sophomore full-length, Sprinter, the lyrics drenched in her religious upbringing. It’s exactly this openness that entices listeners to Scott’s haunting yet powerful voice. Torres’s bare, emotional pang harkens to singers like Sharon Van Etten (whom she’s opened for) and Katie Crutchfield (Waxahatchee). She wrote on her Tumblr, “Playing my favorite room in NYC, The Bowery Ballroom, two days before I turn 25. I am, to borrow the colloquialism, pumped.” So last night, Scott took to the stage of her choice venue, which she sold out, for an early birthday party.

Clad in white, Torres and her band opened with “Mother Earth, Father God,” from her self-titled debut. Apart from a two-year difference, the lyrics “In January I will just be 23” rang especially true on “New Skin.” Scott proceeded to hit her most recent catalog of songs from the pulsating, bass-heavy “Cowboy Guilt” to the crowd favorite “Sprinter.” The singer-songwriter seamlessly moved from heavy rock to hushed lullabylike coos. After a quick guitar change, delicate strums for a solo on “Strange Hellos” quickly blossomed into some serious shredding, causing the audience to erupt in applause. Torres couldn’t help but note that this was her favorite show and a homecoming of sorts making the evening extra special. A few fans punctuated the occasion with birthday wishes. Scott closed her set with “The Harshest Light” before returning to encore with an oldie but goodie, “November Baby.” Here’s to a most happy birthday, Ms. Scott. —Sharlene Chiu