Tag Archives: Video

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Two Nights of Foster the People at United Palace This Weekend

October 22nd, 2014

Mark Foster (vocals, keys and guitar) had spent time in L.A. working on commercial jingles before he teamed up with Cubbie Fink (bass) and Mark Pontius (drums) to form Foster the People in 2009. A year later the trio found success when upon posting “Pumped Up Kicks” to their site it became an online sensation—and then a smash hit across the globe—which ultimately led to festival slots and eventually getting a record deal with the Columbia Records imprint Startime International. Their first full-length, Torches (stream it below), followed in 2011. BBC Music called it “a debut of MGMT-like magic to leave you pumped up for more.” Foster the People (above, performing “Best Friend” at this years’s Glastonbury) returned earlier this year with their follow-up LP, Supermodel (stream it below). According to PopMatters, it’s “a quantum leap forward.” And furthermore, the album “is a massive surprise. It is also achingly, devastatingly beautiful…. Forward isn’t always better. But for Foster the People, on Supermodel, it was the right direction.” The band’s world tour hits New York City this weekend for a pair of weekend shows at United Palace on Friday and Saturday. French singer-songwriter Soko opens both nights.

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The White Buffalo Headline The Bowery Ballroom on Sunday Night

October 17th, 2014

Passionate singer-songwriter Jake Smith (vocals and guitar) grew up listening to country music and then punk before he began writing his own songs and enthusiastically performing them live while in college in Northern California. He eventually made his way back to Southern California and began working under the name the White Buffalo, joined by the rhythm section of Tommy Andrews (bass) and Matt Lynott (drums). With songs about outsiders and rebels, plus Smith’s whiskey-tinged vocals, the L.A. trio’s own winning take on Americana has been compared to Waylon Jennings, Hank Williams Jr. and Townes Van Zandt. Following the release of several EPs, the White Buffalo (above, doing “The Whistler” on Jimmy Kimmel Live!) made waves amongst critics and fans alike with 2012’s Once Upon a Time in the West (stream it below)—about which American Songwriter opined, “The gravity of these tracks serve as somewhat of an announcement of Smith’s arrival, and it appears he doesn’t plan on going anywhere soon”—and 2013’s Shadows, Greys & Evil Ways (stream it below)—PopMatters said it’s “an album that always seems to find the perfect note. Is it a barrel of laughs? Nope. Is it worth listening to? Definitely.” Of course, you might also recognize some of the band’s tunes from Sons of Anarchy, which is perhaps why Paste labels their music a “biker-friendly brand of folk music.” But, regardless, you can experience the White Buffalo live and in person on Sunday night at The Bowery Ballroom. Local four-piece Swear and Shake open the show.

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Best Experienced Live, Fat White Family Play The Bowery Ballroom

October 17th, 2014

Following the dissolution of two other bands, Fat White Family—Lias Saudi (vocals), Saul Adamczewski (guitar and vocals), Adam Harmer (guitar), Dan Lyons (drums), Joseph Pancucci (bass) and Nathan Saudi (organ)—formed in South London in 2011, combining rock, blues and bits of country. Noisey has declared, “They’re British rock and roll’s final hurrah—not just a fuck you to everything that has become sanitized but a reminder that rock and roll can, even as the last embers fade, continue to mean something beyond an NME cover.” Speaking of which, NME calls them “the best new band in London.” The weekly publication also has kind words for the wildly entertaining six-piece’s debut full-length, Champagne Holocaust (stream it below), labeling it “a fantastic racket” and “political, satirical and downright perverse.” But make no mistake, Fat White Family (above, doing “Is It Raining in Your Mouth” at this year’s Glastonbury) are a band best experienced live, which works out great because not only are they currently touring North America, but you can also see them tomorrow night at The Bowery Ballroom. Comic book artist and local rocker Jeffrey Lewis opens the show.

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A Two-Night Anniversary Party with Citizen Cope at Terminal 5

October 15th, 2014

Singer-songwriter and multi-instrumentalist Clarence Greenwood has been doing business as Citizen Cope since the ’90s. But after his major-label debut on Dreamworks in 2002, Cope bought out of his contract and self-produced the follow-up, the eclectic The Clarence Greenwood Recordings (stream it below), filled with roots, rock, reggae, dub and hip-hop. Now a decade later, Citizen Cope (above, doing a solo rendition of “Sideways” live in the Bing Lounge) celebrates its 10th anniversary with full-band performances of the album in its entirety, plus a second set of favorites. And in New York city, it’s a two-night party, on Friday and Saturday at Terminal 5. (And it’s for a good cause with $1 of each ticket sold going to Turnaround Arts to purchase musical instruments for middle schoolers in Lame Deer, Mont.—a community on the Northern Cheyenne Indian Reservation. Lame Deer is part of Turnaround Arts, a President’s Committee on the Arts and the Humanities program that uses arts education to help students succeed.)

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A Friday Night Rock Show with Drive-By Truckers at Beacon Theatre

October 15th, 2014

Patterson Hood and Mike Cooley founded Drive-By Truckers in Athens, Ga., in 1996. Over the years the two musicians—plus nuanced lyrics and plenty of guitar—have been the constant while the lineup around them has changed. An early Internet presence allowed the band to gain new fans before they’d ever seen the Truckers live. But following several years of steadily touring, the group released the double album Southern Rock Opera (stream it below) and things really took off from there. Since gaining wider acclaim the Truckers (above, playing “Shit Shots Count”) have served as the backing band on albums by Bettye LaVette and Booker T. Jones in addition to putting out fine discs of their own, including 2011’s Go-Go Boots (stream it below) and this year’s English Oceans (stream it below). The Guardian, in a rave review, says it’s “full of their familiar Southern rock: soul and brass occasionally adorn storytelling songs, which attempt to right wrongs and champion the worker against the Man. However, sharing singer-songwriting duties equally between founders Patterson Hood and Mike Cooley for the first time has brought out the best in both.” Drive-By Truckers are now out on the road in support of their tenth album and, alongside the terrific Birmingham, Ala., seven-piece soul outfit St. Paul and the Broken Bones, they play the Beacon Theatre on Friday night.

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Kopecky Family Band Headline The Bowery Ballroom on Thursday

October 14th, 2014

Like-minded musicians Kelsey Kopecky (vocals, keys and bass) and Gabe Simon (vocals, guitar and horns) met while attending school in Nashville, and within months, the two encountered Steven Holmes (guitar and lap steel), David Krohn (drums), Markus Midkiff (cello, guitar and keys) and Corey Oxendine (bass, guitar and horns), and formed the melodic folk-pop six-piece the Kopecky Family Band in 2007. Because each band member plays multiple instruments, the group has a broad chamber-rock sound. After releasing several EPs, the Kopecky Family Band (above, performing “The Glow” for WFUV FM) put out their debut LP, Kids Raising Kids (stream it below), in 2012—although it’s since been rereleased on ATO Records. And American Songwriter was impressed: “There’s great excitement in the way the band can go from zero to 60, then back to zero in seconds flat. As the album rollicks along, there remains a sonic unpredictability that’s rare for bands that count on vocal harmonies to carry much of the heavy load…. Even when a big group shows off their many toys, a quality album still often comes down to whether they can handle the basics better than others can. In that sense, the Kopecky Family Band is a unit tied together not by blood, but by their harmonic creations.” Catch them live on Thursday at The Bowery Ballroom. Another Nashville band, the quartet Coin, opens the show.

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Priory Celebrate New Album Tomorrow Night at Mercury Lounge

October 14th, 2014

Brandon Rush and Kyle Sears had been working on a variety of music projects before finally starting their own band, Priory, three years ago in Portland, Ore. They put out a folk-tinged self-titled album (stream it below) in 2011, but it wasn’t quite what the two wanted. “We had fun,” said Rush, “but at the same time, we were touring on a record that we had outgrown. We felt like it was time to write more honest music.” So they pared down from a bigger sound to just the two of them, embraced more pop-oriented music and began to catch fire. Their new sound—combining electronic music, folk guitar and harmonies—is featured on their brand new EP, the anthemic Weekend (stream it below), out today. And Priory (above, their video for “Weekend”) celebrate its release tomorrow night at Mercury Lounge. Brooklyn three-piece Relations open the show.

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With a Brand New Album, Iceage Play The Bowery Ballroom

October 10th, 2014

Childhood friends Elias Bender Rønnenfelt (vocals and guitar), Dan Kjær Nielsen (drums), Jakob Tvilling Pless (bass) and Johan Surrballe Wieth (guitar) formed the punk band Iceage six years ago in Copenhagen while still in their teens. And with the release of their debut LP, New Brigade (stream it below), in 2011, the precocious band introduced themselves to the world, receiving plenty of acclaim in return. The A.V. Club rang in on the subject: “Iceage’s stunning debut, New Brigade, slaps vibrant new life into the worked-over corpse of post-punk, radiating a breathless, desperate, ramshackle charm that runs counter to the frigid gloom of the music.” Critics (and fans alike) were also impressed with the quartet’s second full-length, You’re Nothing (stream it below), which followed two years later. In a glowing review, NME declared, “If you were told an album had been recorded at a farmhouse on the Danish island of Møn, you’d expect an album of pastoral lovelorn twee wallowing. Not something as exhilarating and violent as being punched in the face mid-fuck.” Iceage (above, performing “Burning Hand”) just put out their third LP, Plowing Into the Field of Love (stream it below), this week, earning the “Best New Music” tag from Pitchfork: “A sense of steadiness, a measured approach to abandon, marks Iceage’s transformation from a very good band to a Great Band on Plowing.” See them play The Bowery Ballroom on Sunday night.

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Two Nights of BoomBox at The Bowery Ballroom This Weekend

October 8th, 2014

BoomBox, a Muscle Shoals, Ala., rock duo, formed when Zion Godchaux (guitar and vocals) and Russ Randolph (sequencers, groove boxes and turntables) met in 2004. They had each become interested in music at a young age. Godchaux—the son of the Grateful Dead’s Keith and Donna Jean Godchaux—began playing drums when he was just two, and he took up the guitar and writing songs in his teens. Randolph, too, picked up the drums early before taking a keen interest in engineering and producing. All of this comes through in the band’s electronic rock and blues soundscapes designed to make you move. But when it comes to playing live, the guys in BoomBox (above, doing “Mr. Boogie Man” for MoBoogie) don’t like to get tied down with set lists. Instead they let the crowd dictate a musical direction. (“On a really good night, it’s like people are almost telling us what to play,” said Randolph.) Touring behind their most recent album, the lively Filling in the Color (stream it below), BoomBox play The Bowery Ballroom on Friday and Saturday. Belgian beat-maker Ramona opens both shows.

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Kick Off Your Weekend with Buke and Gase in Williamsburg

October 8th, 2014

Not only are Arone Dyer and Aron Sanchez talented musicians, but they also created the instruments they play as part of their experimental duo, Buke and Gase (formerly Buke and Gass). Dyer, the singer, had “some form of carpel tunnel in my wrist that was aggravated by a normal-size instrument,” so she created her buke by taking “a crappy baritone ukulele” and turning it into a six-string. Not to be outdone, Sanchez’s gase “started out as an overachieving bass, desiring to move up out of the low end. Now it’s starting to find itself somewhere between a bass and a guitar without really being either.” Despite having just two members, they make a whole lot of noise, which you can discover on their full-length albums, 2010’s Riposte (stream it below)—about which AllMusic said the “folk-infused and punk-inspired sound is thrashing, yet jubilant”—and last year’s General Dome (stream it below)—per AllMusic, “they’ve achieved a more refined sense of balance, knowing exactly where and when to push the limits while still keeping the sound grounded enough that the listener is able to get lost in the song rather than the concept.” Watch Buke and Gase, above, playing “Hiccup” for Studio Q, and then kick off your weekend with them at Music Hall of Williamsburg on Friday night.

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Two Nights of the Fauntleroys and Their Rock and Roll Swagger

October 7th, 2014

Longtime friends Alejandro Escovedo (vocals and bass), Ivan Julian (guitar and vocals) and Nicholas Tremulis (guitar and vocals) had never done much together musically prior to coming together in Julian’s Lower East Side recording studio (just a block from The Bowery Presents’ office). Needing to round out the rhythm section, the trio added Linda Pitmon (drums) and became a quartet, the Fauntleroys. In a matter of days they’d written and recorded several songs, which are featured on the band’s debut EP, Below the Pink Pony (stream it below), out last month. AllMusic calls it a “quick, dirty and rewarding debut,” while mentioning that the Fauntleroys (above, doing “I’m in Love with Everything”) “have an appetite for serious rock swagger and big, dirty guitar riffs.” Experience that swagger for yourself live and in person tomorrow at Mercury Lounge and on Thursday at Rough Trade NYC.

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Allen Stone Headlines Terminal 5 on Thursday Night

October 7th, 2014

A self-described “hippie with a soul,” Allen Stone grew up outside Spokane, Wash., raised on gospel music. But once in his teens, he discovered secular music and took to soul, R&B and singer-songwriter fare, which should come as no surprise since as a musician he’s been compared to the heady likes of Stevie Wonder and Donny Hathaway. Stone’s breakthrough came with the 2011 self-release of his eponymous second album (stream it below)— rereleased the following year by ATO Records. AllMusic approved: “[O]ne would never expect to look at him that he possesses one of the most foul voices this side of Marvin Gaye, with a joyous, positive feel and energy to match…. There’s a bright future here. Soul is where you find it.” A follow-up album (stream a preview below) is due out later this year, and while Stone’s voice is terrific in its recorded form, the engaging, energetic performer (above, covering “Is This Love” at last year’s Bonnaroo) is best experienced live. And he just so happens to be playing Terminal 5 on Thursday night. Boston R&B five-piece Bad Rabbits and Los Angeles pop and soul singer Roméo Testa open the show.

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Bear Hands Stay Local to Play The Bowery Ballroom Tonight

October 6th, 2014

The Brooklyn quartet Bear Hands—Ted Feldman (guitar), Val Loper (bass), Dylan Rau (vocals and guitar) and TJ Orscher (drums)—got started when Feldman and Rau met in college. The duo then paired up with Loper and Orscher, who had been involved in hardcore-punk bands, and they suddenly had a post-punk experimental sound. Their first EP, Golden (stream it below), came out in 2007 and Bear Hands (above, playing “Giants” for KEXP FM) eventually got a plum gig opening for MGMT. (Rau had attended Wesleyan with that band’s Andrew VanWyngarden and Ben Goldwasser.) A proper LP, Burning Bush Supper Club (stream it below), came out in 2010, and even the noted cynics at Pitchfork were impressed: “Bear Hands excel at crafting songs that chug manically under a cloud of reverb or coax wallflowers out onto the dance floor with an infectious marriage of musical precision and experimental messiness.” The four-piece returned earlier this year with their sophomore LP, Distractions (stream it below). “By giving up some their raucous, more punk-inspired roots, Bear Hands have collectively grown as both songwriters and shapers of sounds,” said Consequence of Sound before declaring an “undying punk ethos still shines thanks to their insatiable sense of curiosity and utter creative fearlessness.” See them play The Bowery Ballroom tonight. Local quintet Ski Lodge open the show.

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La Roux Brings New Music to Terminal 5 Tomorrow Night

October 3rd, 2014

English Singer-songwriter Elly Jackson’s synth-pop act La Roux began when she was introduced to producer-keyboardist Ben Langmaid in 2006. Their self-titled debut (stream it below) arrived in 2009 to nearly universal acclaim. “A childhood spent listening to folk and rock and roll can be heard in the simultaneous appreciation of songcraft and rejection of traditionalism that is evidenced by the ferocious pace of the opening quartet of cut-glass chart-toppers,” said NME before declaring it “a nigh-on flawless album.” Eventually Jackson and Langmaid parted ways, but La Roux undoubtedly continues. Her follow-up album, Trouble in Paradise (stream it below), came out this past July—and despite the time off between releases, critics were again impressed. The Guardian said, “The end result was well worth the wait” and “Almost sickeningly overburdened with fantastic tunes, Trouble in Paradise may well be not just a triumph against the odds, but the best pop album we’ll hear this year.” Discover how it all sounds live when La Roux (above, performing “In for the Kill”) plays Terminal 5 tomorrow night.

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Barcelona Play the Late Show Tomorrow Night at Mercury Lounge

October 3rd, 2014

Brian Fennell (vocals and guitar), Branden Cate (keys and vocals) and Rhett Stonelake (drums and vocals)—have been making harmonious, melodic rock as Barcelona for nearly a decade. Their debut full-length, Absolutes, was released in 2007 and rereleased two years later. Per Absolute Punk, “Absolutes is a stunning movement of intelligent, atmospheric, and hey!, catchy pop music.” Their follow-up, Not Quite Yours (stream it below), out in 2012, involved more of the Seattle trio’s soulful, sultry rock. But Barcelona (above, performing “Fall in Love” for Audiotree Live) have moved in a different direction with the R&B-inflected Melodrama, three EPs released earlier this year “that explore the landscape of learning to love and be loved.” See them play the late show tomorrow night at Mercury Lounge. Arrive early to catch the Philly trio Bel Heir.