Tag Archives: Video

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My Morning Jacket Return to NYC to Play Forest Hills Stadium

July 12th, 2017

Louisville, Ky., road warriors My Morning Jacket are known for their wildly entertaining, energetic live performances deftly covering material from their seven studio albums, including 2015’s The Waterfall (stream it below), with a well-placed cover or two sprinkled throughout their set. They have a sum-of-their-parts sound—with each performer locked in unison—that still allows all five members room to shine. Frontman Jim James and guitarist Carl Broemel—perhaps the band’s secret weapon, at the very front of the stage, his hair furiously swaying in harmony with his slashing guitar—play in, at and around each other over the course of the entire two-plus-hours show, oftentimes face to face. But despite the fiery duo’s considerable presence, it’s Patrick Hallahan’s ferocious drumming, Tom Blankenship’s forward-thrusting bass (no more so than on “The Dark”) and Bo Koster’s subtle keys work that drive everything forward, one song into the next, often with an effortless-sounding segue. On Saturday at Forest Hills Stadium, My Morning Jacket (above, performing “Phone Went West” at Red Rocks), who have played New York City shows at rooms as small as Mercury Lounge and as big as Madison Square Garden, roll into Queens in mid-tour form. Guitar hero Gary Clark Jr. opens the show.

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A Double Dose of Pokey LaFarge in New York City This Week

July 11th, 2017

Pokey LaFarge, born Andrew Heissler, is what you might call an old soul. You could imagine him, plucking away with that whipcrack band, at the Cotton Club or some other bygone temple of ancient, potent music, stirring up impure thoughts and a hankering for more gin or whiskey. He’s on tour again, this time behind Manic Revelations (stream it below), which fleshes out his sepia-toned blues, rockabilly and Western swing with Memphis soul and gospel elements, complete with horns—and a framing of current political themes. The first place to start is “Riot in the Streets,” which the New York Times was right in calling “like an explanation of now, delivered in an ancient language.” A St. Louis native, LaFarge (above, performing “Bad Dreams” for KCMP FM) addresses the death of Michael Brown, police victimization and media bias. “What I wanted to convey was the desperation people feel when they have been pushed to brink,” he told the Huffington Post in May. “No more talking. No more waiting. No more silence. Sometimes you have to fight.” You get him twice this week: Wednesday at The Bowery Ballroom and Thursday at Rough Trade NYC. And you can expect a healthy focus on the 10 outstanding Manic tracks with a judicious sampling of material going back to his 2006 debut. His band is the South City Three, including bass, harmonica, electric guitar, drums, clarinet, sax and trumpet, with a few other variables as they see fit. Go from there and relish the retro flavor. —Chad Berndtson | @Cberndtson

 

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Catch the Cave Singers Tomorrow Night at Mercury Lounge

July 11th, 2017

When his previous band, Pretty Girls Make Graves, called it quits in 2007, guitarist Derek Fudesco teamed up with former Cobra High drummer Marty Lund and former Hint Hint singer Pete Quirk to start a new one, the Cave Singers, to make rock music with a folk bent (think: Bob Dylan and Woody Guthrie). The Seattle three-piece had enough material for their first album, Invitation Songs (stream it below), within months of forming. A second disc, Welcome Joy (stream it below), followed two years later, and after the third, the-more-electric-than-acoustic No Witch (stream it below), was released in 2011, the trio became a four-piece with the addition of Fleet Foxes multi-instrumentalist Morgan Henderson on bass. Their first album as a quartet, the terrific Naomi (stream it below)—perhaps heavier on the rock than the folk—came out in 2013, and the Cave Singers (above, performing “That’s Why” live in studio for KEXP FM) followed that with their fifth LP, last year’s Banshee (stream it below). “The finished product shows the group understands very well what works for them,” said AllMusic. “Banshee is a smart and impressive piece of work that speaks to the mind and the soul with similar clarity.” The Cave Singers kick off their new tour tomorrow night at Mercury Lounge. Brooklyn’s LAPêCHE open the show.

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Sir Sly Bring Brand-New Album to The Bowery Ballroom on Tuesday

July 10th, 2017

Singer Landon Jacobs, keyboardist Jason Suwito and drummer Hayden Coplen formed the alternative-rock trio Sir Sly (above, performing “You Haunt Me” on Conan) five years ago in Los Angeles. Their first full-length, You Haunt Me (stream it below), came out in 2014. The band “lays down a strong foundation, announcing their presence with 11 somber yet danceable earworms that are sure to set the hype machine on overload now that listeners actually know who is making the music and anticipate the follow-up,” according to Glide Magazine. That anticipated follow-up, Don’t You Worry, Honey (stream it below), arrived just a few weeks ago, and Atwood Magazine immediately named it one of the best albums of the year, noting that they’re “expanding their musical palette through a daringly diverse, yet surprisingly concise set of songs that stays faithful to, and builds upon, Sir Sly’s unique blend of electronic, gospel and hip-hop influence.” With a new album comes a new tour, and Sir Sly headline The Bowery Ballroom tomorrow night. The D.C. trio Shaed opens.

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Umphrey’s McGee to Light Up SummerStage on Friday Night

July 5th, 2017

“Leave it to an act who named their 1998 debut Greatest Hits, Vol. 3 to create this crazy quilt, innovative and unique mash-up of disparate songs, played live,” said American Songwriter of last year’s Zonkey (stream it below). “Taking a concept initially conceived during Umphrey’s McGee’s Halloween shows to the studio, the sextet displays their wildly diverse influences and inspirations by grabbing parts of two, three and sometimes four tunes, cutting and pasting them together, and performing the result with no overdubs, without a net, in the studio.” Summer’s here and the time is right for dancing in the park. The stalwart jamband plays a scintillating music that seeks out wide-open spaces and fills them with long-form improvisation. They’ll find plenty of room to jam in the middle of Central Park when they play SummerStage on Friday night. For the diehards there will sure to be set-list surprises and look-ma-no-hands acrobatics for next-day social media deconstructing. For the curious and uninitiated, Umphrey’s will be sure to impress with their two-guitar, part-heavy-metal/part jazz-prog-rock fusion. Up-and-comer jammers Aqueous will be grooving the park early, so bring your dancing shoes and be ready to rock. —A. Stein | @Neddyo

 

 

 

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A Bright Light Bright Light Dance Party at Music Hall of Williamsburg

July 5th, 2017

London-based Welsh singer-songwriter and multi-instrumentalist Rod Thomas has been combining electronics, disco, synth pop and house music into his own unique sound as Bright Light Bright Light since 2010, moving people to the dance floor on both sides of the Atlantic ever since. In the process, Thomas has garnered the attention of Elton John, Jake Shears (Scissor Sisters) and Alan Cumming, each of whom appeared on the most recent Bright Light Bright Light album, last year’s Choreography (stream it below), which AllMusic called “Thomas’s biggest, boldest and most personal statement to date, it was a bright, Technicolor pop record inspired by his love of the music and movies of the ’80s and ’90s.” Find out why the Rocket Man is such a fan when Bright Light Bright Light (above, performing “All in the Name” with Elton John on The Graham Norton Show) plays Music Hall of Williamsburg on Friday night. NYC’s Ariana and the Rose open the show.

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VHS Collection Play a Hometown Show at Music Hall of Williamsburg

June 28th, 2017

Influenced by rock, disco and electronic music, childhood friends James Bohannon (vocals), Conor Cook (guitar) and Nils Varnderlip (synths) began making music together as the indie act VHS Collection just a few years ago right here in NYC. Their sound is “a little dark, fun, dance-y,” Bohannon told DuJour. “We’re able to filter pop-nuance through the VHS sound, but we have a good combination between dark vocals, synth and guitar.” After releasing several singles on streaming sites, they started performing live, winning over increasingly larger crowds with their energetic stage performances. The group’s EP Stereo Hype (stream it below) arrived last year and VHS Collection (above, doing “Ghost” at The Bowery Ballroom) say a full-length is on the way. But in the meantime, they return to Music Hall of Williamsbur on Thursday night. And local duo Eighty Ninety open the show.

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Up-and-Coming Folkies Kacy & Clayton Play Mercury Lounge Friday

June 23rd, 2017

Canadian cousins singer-songwriter Kacy Anderson and Deep Dark Woods guitarist Clayton Linthicum grew up just a few miles apart in Saskatchewan with a keen interest in British folk music. Initially they began performing together in a local bar, but as the word got out, their stages grew larger. Their debut album, The Day Is Past & Gone (stream it below), arrived in 2013. “We can indeed be very glad for this disc. It’s remarkable to think that Kacy is just 16 and Clayton 19. Let’s hope they get to take this act on the road,” said Exclaim. That’s exactly what they did. And last year, Kacy & Clayton (above, doing “Brunswick Stew” for CKUA FM) returned with their sophomore release, Strange Country (stream it below). “On this set, Kacy & Clayton have melded the rootsy overtones of vintage North American folk-revival albums of the ’60s with the passionate traditionalism of British folk-rock,” offered AllMusic. “Strange Country is a mysteriously and profoundly pleasing piece of work, and if Kacy & Clayton can create a few more albums this strong, they have the potential to be the new heroes of the North American folk community.” Jeff Tweedy was such a fan of the LP that he produced the duo’s upcoming release, The Siren’s Song, out in August. Catch them live tonight at Mercury Lounge. As an added bonus, Nashville singer-songwriter Andrew Combs opens the show.

 

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Evan Dando Celebrates Album Reissue at The Bowery Ballroom

June 23rd, 2017

Evan Dando first burst into the mainstream fronting the Boston band the Lemonheads as the ’90s stalwarts’ singer, songwriter and guitarist—and occasionally as their drummer. Landing in the sweet spot between indie rock and melodic punk, the prolific group put out seven full-length albums between 1987 and 1996 before going on an extended hiatus two years later. Eventually they’d get back together, but before doing so, Dando (above, performing “Hard Drive” live in New York City), mixing power pop and country-rock, put out his solo debut LP, Baby I’m Bored (stream it below), in 2003. “Lots of low-key, three-chord songs, sung in his achingly lovely voice and lasting not a second more than need be,” according to AllMusic. “Even if it seems unassuming and underwhelming upon its first listen, Baby I’m Bored with each spin reveals the uniform strength of the songs and the sweet, understated charms of Dando as a performer.” Earlier this year, on Record Store Day, the album was reissued with the addition of outtakes, covers and B-sides. “The songs on Baby I’m Bored show an artist venturing deeper into himself than ever before to produce some of his most magnetic, vulnerable work,” says Paste. “Once the needle hits the record, it’s hard to imagine any committed listener turning away.” And to celebrate the album’s reissue, Dando plays The Bowery Ballroom on Saturday night. Another Boston singer-songwriter, Jason Lowenstein, opens the show.

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Pissed Jeans Bring New Music to Mercury Lounge Tomorrow Night

June 22nd, 2017

The first thing I learned about Pissed Jeans was that you apparently can’t write the word “pissed” in The New York Times. The second thing I learned about Pissed Jeans, going to see them for the first time in 2008 after reading the Times review calling them “***** Jeans,” was that they can raise quite a ruckus: wrathful, spike-edged, hilarious, somehow charming in a wet-smack-to-the-head way. These guys are ferocious—you’d call them a Pennsylvania-based sludge punk band and be technically accurate but only that—and they await the kind of amped-up, late-night crowd they’ll no doubt receive Friday night (late!) at Mercury Lounge (alongside San Francisco trio Feral Ohms, with Philly duo Pinkwash opening). Pissed Jeans’ fifth album, Why Love Now (stream it below), is just about perfect for these fraught, fractious times: taut yet messy, rampaging yet focused, full of swagger and the Jeans’ typically potent blend of acidic humor and forceful frankness. There are songs called “(Won’t Tell You) My Sign,” “The Bar Is Low” (watch its official video, above) “I’m a Man” and “Worldwide Marine Asset Financial Analyst,” because of course there are. They’re meant to unsettle you a bit and land some punk angst not in a neat package but in kind of a rumpled heap. Some of it’s dirge-y, some of it’s ferocious, and all of it’s direct, knowing and self-assessing. Coproducers are Arthur Rizk, well-known to fans of thrash metal and of Philadelphia music that likes to surf the big waves out on the edges of sanity, and the one and only Lydia Lunch, icon of no wave. Shirts will come off at the Merc. Beer will be spilled. There’ll be some scary-funny laughter, surely. “What I’ve always gotten from punk rock is to question the status quo,” said singer Matt Korvette. “Just being kind of self-aware. Don’t take accepted answers as gospel.… I think I’ve maybe got some more immature things squared away. I’m not an insecure 24-year-old anymore.” He’s actually a 35-year-old insurance adjuster. And we’re betting that he’s a good one. —Chad Berndtson | @Cberndtson

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Magic Giant Headline The Bowery Ballroom Tomorrow Night

June 19th, 2017

Austin Bisnow (vocals and guitar), Zambricki Li (banjo, mandolin and fiddle) and Brian Zaghi (bass and guitar) formed the folk-revival outfit Magic Giant three years years ago in Los Angeles. Mixing acoustic instruments with electronics into a sort of folk-rave sound, the engaging trio has won over crowds with their hook-laden anthemic songs, inspiring sing-alongs wherever they play—their energetic live shows usually turning into a foot-stomping dance party, earning comparisons to Mumford & Sons and the Lumineers in the process. Magic Giant’s debut full-length, In the Wind (stream it below), dropped last month. “The band blends folk and pop in equal doses, creating killer harmonies, intriguing instrumental accompaniment, literally using any instrument they happen to find, including drums, banjo, trumpet, saxophone, harmonica, synthesizers, electric bass, cello, viola, violin, dobro, lap steel, mandolin and more,” says PopMatters. “Their sound is huge and features melodies that soar to majestic heights, and the way the album was created has a lot to do with that.” Making their way across America in support of the new tunes, Magic Giant (above, performing “Set on Fire” in studio for JBTV) headline The Bowery Ballroom tomorrow night. Local six-piece the Ludlow Thieves open the show.

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Great Good Fine OK Play Two Hometown Shows This Weekend

June 15th, 2017

Influenced by the likes of Prince, Michael Jackson and Chaka Khan, Jon Sandler and Luke Moellman—who met through a friend in common—have been deftly mixing disco, pop and synths as the Brooklyn electronic duo Great Good Fine OK (above, performing “Always” live for Baeble Music) since forming in 2013. Their newest EP, III (stream it below), arrived just after the start of the New Year. And they’re finally back in their hometown this week for a pair of shows, tomorrow at Rough Trade NYC and then at The Bowery Ballroom on Saturday night. Soulful singer-songwriter Morgxn opens each performance.

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Los Colognes Play the Early Show at Mercury Lounge Tomorrow Night

June 14th, 2017

Nashville, Tenn., five-piece Los Colognes—Jay Rutherford (vocals and guitar), Aaron Mortenson (drums and vocals), Gordon Persha (bass), Micah Hulscher (keys) and Chuck Foster (keys)—released their third studio full-length, The Wave, (stream it below), about a month ago. The album comes on the heels of a pair of well-received long-players—by fans and critics alike—2013’s Working Together (stream it below) and 2015’s aptly titled Dos (stream it below). After recording live to tape in studios on their previous efforts, Los Colognes (above, their video for the single “Unspoken”) primarily worked from their garage practice space this time around, earning comparisons to JJ Cale to Dire Straits to the Grateful Dead to Pink Floyd in the process. And out on the road, they play the early show tomorrow night at Mercury Lounge.

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James Vincent McMorrow Brings Brand-New Tunes to Brooklyn Steel

June 13th, 2017

There’s something about Ireland that breeds singer-songwriters, like Damien Rice, Villagers and Hozier. Enter James Vincent McMorrow. Having only picked up a guitar at the age of 19, the late boomer quickly tried to master other instruments in order to create richer layers of composition. Like a Celtic Bon Iver, he trapped himself in a house on an Irish coast to produce his 2010 debut, Early in the Morning (stream it below). McMorrow didn’t return with the follow-up, Post Tropical (stream it below), which shined more on his R&B and soul influences rather than folk music, for nearly four years. But he’s been downright prolific ever since. In fact McMorrow’s fourth full-length—and third in four years—True Care (stream it below), suddenly arrived just a few weeks ago. The Irish Times says, “McMorrow presents 15 new tunes that further consolidate his position as a songwriter of meaningful, depth-charged soul music.” While the Irish Examiner calls the album “a sublime, abstracted gift that keeps on giving.” And having just kicked off a North American tour in support of the new LP, McMorrow (above, performing “Get Low,” on Jimmy Kimmel Live!, and, below, covering “Purple Rain”) returns to NYC to play Brooklyn Steel on Thursday night. —Sharlene Chiu

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Kick Off Your Weekend with the Specials at Brooklyn Steel on Friday

June 8th, 2017

There’s so much that can be said about the legendary U.K. band the Specials that it’s almost unfair to simply credit them as forefathers of the second wave of ska. Formed in 1977, the band fused together Jamaican reggae and ska rhythms with a punk sneer, adding highly political lyrics tackling both racism and class issues. Their self-titled Elvis Costello–produced debut (stream it below) is a stone-cold classic of the era with hits like “Nite Klub,” “Gangsters” and a cover of Dandy Livingstone’s “A Message to You Rudy” that all transcend the 2 Tone genre and still sound visceral and full of life today. With many lineup changes over the years and a lengthy hiatus, the Specials got back together as a touring unit in 2008 and have been moving crowds ever since. Back in America, the Specials (above, performing “Ghost Town” for BBC Radio 6) bring their joyous sound to Brooklyn Steel this Friday for what is bound to be an epic party. Kings County five-piece the Far East open the show. —Patrick King | @MrPatKing