The Bowery Presents

Posts Tagged ‘Video’

Two Nights of Mission of Burma at The Bowery Ballroom

Friday, January 29th, 2010

Mission of Burma began in 1979, but existed for just four years before intense hearing damage to lead guitarist Roger Miller gave them no choice but to call it quits. They left behind a few singles, an EP and their seminal album—Vs., a legacy of visceral guitar—to secure their legendary status, with bands like Sonic Youth to Nirvana citing them as an important influence on their own sound. Mission of Burma eluded a lot of rock and punk classifications in their early incarnation, taking an abrasive and extremely loud approach to experimental post-punk rock. They had no allegiances to any scene, and they were considered too punk for the New Wavers but too experimental for the faster hardcore set.

The most surprising and distinctive element of Mission of Burma’s sound was Martin Swope’s tape manipulations. It’s hard to imagine the physical effort it took in the early ’80s to sample the band’s own sound as it was being played live to a reel-to-reel recorder and then fed back into amps. He was the wizard behind the curtain who literally never appeared onstage, which was unheard of for a rock band. But Mission of Burma was this kind of amazing contradiction of esoteric arty garage rock. They were at the post-punk frontier. Fast forward to 2010: It’s not news that Burma has reunited to perform their groundbreaking material again, but rather that this reunion has resulted in three new albums, ONoffON (2004), The Obliterati (2006) and The Sound the Speed the Light (2009), proving that the band’s early brilliance was no accident.

With the help of Bob Weston, indie-rock engineer extraordinaire, in Swope’s role, Mission of Burma’s new material has shown that rock life after 40 can be more than greatest-hits compilations and benefit shows—experience and wisdom can bring innovation. It’s why October 4th was recently declared Mission of Burma day in Boston. This unlikely feat of endurance is on display at The Bowery Ballroom this Friday and Saturday. It’s more than a comeback, and please don’t forget to bring your own firing-range ear protection. —Jason Dean

(“1,2,3, Party!!” is the first single off The Sound the Speed the Light.)

State Radio at The Wellmont Theatre This Friday

Tuesday, January 26th, 2010


Singer-songwriter Chad Urmston was previously in Dispatch. But he disbanded that group when he wanted to focus more on singing and the guitar rather than jamming and switching instruments. The new band he started, State Radio, combines socially conscious songwriting with roots-reggae rhythms. The Boston trio put out their fourth full-length (and first available on vinyl) album, Let It Go, last September and is currently touring the country. And while the music has an upbeat injection of punk sound, the guys in State Radio are about more than just having a good time. They’ve done work with Oxfam International and have founded their own organization, Calling All Crows, to mobilize “musicians and their fans to promote human rights.” But don’t worry, when you see them on Friday at The Wellmont Theatre, you’ll still have a blast.

(State Radio, above, plays “People to People.”)

Japanese Hip-Hop Comes to Delancey St.

Friday, January 22nd, 2010


Hideaki Ishi was born in Tokyo in 1962. He discovered hip-hop upon seeing Wild Style in the early ’80s. The next day he decided to become a DJ and—under the name DJ Krush—he became one of the pioneers of Japanese hip-hop. He formed the group Krush Posse in 1987 and then went solo when they disbanded in 1992. Soon enough, he earned his reputation as an artist, producer and turntablist on the international club scene, and he’s put out 12 albums since ’94, often dabbling in ambient music and trip-hop. DJ Krush continues to work as a producer, remixer and DJ, and he does plenty of music for TV shows, movies and commercials. But you can appreciate his multiple talents in person when he plays The Bowery Ballroom next Tuesday.

Go Bowling with Heloise & the Savoir Faire Tomorrow Night

Friday, January 22nd, 2010


What began as Heloise Williams singing over prerecorded music with Sara Sweet Rabidoux and Joe Shepard dancing behind her in crazy costumes has turned into something bigger…and better. Heloise & the Savoir Faire, based out of Brooklyn, has blossomed into a full-on band, complete with James Bellizia on guitar, Jason Diamond on bass and Luke Hughett on drums. The band gained attention with the help of Elijah Wood’s Simian Records, and with their choreographed dance routines and debut album, Trash, Rats and Microphones, they continue to attract a wider audience. See for yourself when they play Brooklyn Bowl tomorrow night.

(Heloise & the Savoir Faire, above, plays “Odyle.”)

Cut Loose with Free Energy

Wednesday, January 20th, 2010


From the city that brought you blunts and booed Santa Claus—Philadelphia—comes the rock quintet Free Energy. Two of its five members, frontman Paul Sprangers and guitarist Scott Wells, were formerly part of the group Hockey Night. Following that band’s demise, they recorded some demos and found themselves in a studio with DFA Records cofounder and LCD Soundsystem frontman James Murphy. After adding Geoff Bucknam, Nick Shuminksy and Evan Wells to the mix, they had a whole new band with a hook-laden sound reminiscent of ’70s standouts Cheap Trick and Thin Lizzy. “Dream City” earned a Pitchfork designation as one of the Best New Tracks of 2009, and Free Energy’s debut album is due out some time this year (you can stream three songs here). But you don’t need to wait for their disc to check out their sure-to-make-you-move music because they’re playing Brooklyn Bowl in just two days. So check out Free Energy, above, playing “Free Energy” and then go see them play live on Friday night.

People Under the Stairs Play The Bowery Ballroom on Saturday

Tuesday, January 19th, 2010

People Under the Stairs came together when Mike Turner (Double K) and Chris Portugal (Thes One) met in mid-’90s Los Angeles and formed one of underground hip-hop’s most preeminent groups. Their relaxed sense of humor and a reliance on jazzy beats set them apart from their contemporaries. They’ve become well known for their live performances, and they continue to release new material, putting out seven full-length albums—beginning with their debut, The Next Step—since 1998. People Under the Stairs are currently amidst a U.S. tour, which brings them to The Bowery Ballroom on Saturday night (with Grieves with Budo and Kenan Bell opening). See them, above, playing “Acid Raindrops” and then head to the Lower East Side this weekend to find out why their tagline is “we make people dance.”

A Music Icon Comes to Terminal 5

Wednesday, January 6th, 2010


Levon Helm is a member of rock royalty. He grew up in Arkansas but headed to Canada after high school to join rockabilly-star Ronnie Hawkins’ backing band, the Hawks. Eventually he played alongside Rick Danko, Garth Hudson, Richard Manuel and Robbie Robertson before those five struck out on their own. By the mid-’60s, Bob Dylan was looking to go electric and he decided the Hawks were the perfect musicians to accompany him. While Dylan’s plugged-in takes on his folk classics would eventually gain widespread acclaim, it certainly didn’t happen overnight. As the audience’s booing and catcalls intensified, Helm decided to leave the band rather than face that negativity night after night.

In the meantime, Dylan and the Hawks headed to Europe and then to Woodstock after Dylan had a disastrous motorcycle accident there. While they were in upstate New York, they recorded a slew of material—eventually released as The Basement Tapes—at Danko, Hudson and Manuel’s house, affectionately known as Big Pink, in West Saugerties, N.Y. With things going so well musically, Danko invited Helm (playing “The Weight,” above, on PBS) to rejoin them and write their own music, and somewhere along the way the band became the Band. They toured and released seven studio albums—including their spectacular debut, Music from Big Pink, and their fantastic sophomore effort, The Band—and one of the greatest live albums ever, Rock of Ages.

With their supreme musicianship, vivid storytelling and three of the finest voices (Danko’s, Helm’s and Manuel’s) in the history of recorded music, the Band went on to influence countless musicians and songwriters, and their songs, including “The Weight,” “Ophelia,” “The Night They Drove Old Dixie Down” and “Up on Cripple Creek,” are an enduring part of the rock canon. But, alas, all good things must come to an end. And so the Band closed up shop at the Winterland Ballroom in San Francisco on Thanksgiving Day 1976. It was, quite literally, The Last Waltz.

Following the Band’s breakup, Helm toured and recorded music and dabbled in acting, appearing in Coal Miner’s Daughter, The Right Stuff and The Three Burials of Melquiades Estrada among others. And after a successful but costly bout with throat cancer, he began to stage monthly Midnight Rambles at his home studio in Woodstock. Helm sings, entertains and plays the drums and mandolin, accompanied by an all-world backing band of his own, led by sideman extraordinaire Larry Campbell and Helm’s daughter, Amy. And if that weren’t enough, Helm has even put out two new albums, the Grammy-winning Dirt Farmer and Electric Dirt, since 2007. But here’s the best part: Levon Helm is bringing his Ramble on the road—with special guest Donald Fagen of Steely Dan—to Terminal 5 this Thursday. Do your best to make it there. But be warned that your face will hurt on Friday from smiling so much the night before. —R. Zizmor

Try to Win Tickets to See Fanfarlo

Wednesday, December 16th, 2009

Their reputation preceded them. Fanfarlo has earned comparisons to Arcade Fire and Broken Social scene, probably because they employ overlooked instruments in the indie-rock world, like the mandolin, trumpet and violin, and because of their swelling anthems. Simon Balthazar (vocals), Leon Beckenham (trumpet), Justin Finch (bass), Cathy Lucas (violin), Amos Memon (drums) and Mark West (guitar) came together as Fanfarlo mid-decade in London. And through a series of singles, the Internet and their frenetic live shows, word of mouth got out. So people knew to see the band before they’d even heard the band. Since their debut full-length album, Reservoir, came out this year, it’s even easier to hear the band. And now you can see them because Fanfarlo (above, playing “The Walls Are Coming Down”) plays Webster Hall on Friday.

They’re definitely worth checking out. And to prove it, The House List is giving away two tickets. Fill out the form below, listing your name, e-mail address, which show you’re trying to win tickets to (Fanfarlo, 12/18) and a brief message explaining why you deserve to cut loose for free on Friday night. The winner will be notified by noon on Friday. Good luck.

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Spend Monday Night with Lissy Trullie

Friday, December 11th, 2009

Her path toward a music career has been an unusual one. Elizabeth McChesney was born in Washington, D.C. But she moved to New York City in her teens and attended a performing-arts boarding school outside Boston before studying graphic design at Parsons. Somewhere along the way, she took the name Lissy Trullie and became an It girl, DJing at the infamous Beatrice Inn and dabbling in modeling. Time Out New York even referred to her as “Patti Smith crossed with Edie Sedgwick: a paragon of downtown arty cool.” But, truthfully, that’s just an interesting backstory (or not, depending on your view). What really matters is her music. Her EP, Self-Taught Learner, came out in February and was recently rereleased with a few added songs. She’s even got some famous fans in Courtney Love and Adam Green of the Moldy Peaches, with whom she covered Biz Markie’s “Just a Friend.” Check out Lissy Trullie, above, playing “Self-Taught Learner” and then see what all the fuss is about on Monday at Mercury Lounge.

Two Chances to See the Fiery Furnaces

Thursday, December 10th, 2009


This is the time of the year when people spend time—too much, perhaps—with their families. Well, imagine working with your sibling every day. That’s what brother and sister Matthew and Eleanor Friedberger do under the name the Fiery Furnaces. They grew up in a musical family in the suburbs of Chicago, but they started their band in, you guessed it, Brooklyn. Matthew handles the majority of the songwriting and in-studio instrumentation, while Eleanor is in charge of the vocals—but the group performs as a foursome in concert. Their debut album, Gallowsbird’s Bark, came out in 2003, and, with their garage-blues sound, the Fiery Furnaces instantly earned comparisons to the White Stripes. They’ve since released a handful of singles, a live disc and seven more studio albums (one featuring their grandmother), the two most recent of which, I’m Going Away and Take Me Round Again, came out in July and November, respectively. With plenty of new material, the Fiery Furnaces are spending their weekend in New York City, tomorrow at Music Hall of Williamsburg and on Saturday at The Bowery Ballroom. See them, above, playing “Ex Guru” in studio for KCRW and then go see them in person.

See Rooney This Friday

Wednesday, December 9th, 2009


The L.A. pop-rock five-piece Rooney got started about a decade ago. Before ever releasing an album, they received plum spots opening for Weezer and the Strokes, in 2002. After more tours—with the Donnas and OK Go and then Pete Yorn and Grandaddy—Rooney’s self-titled debut disc finally came out in May of 2003. And, suddenly, the band that had previously been known for singer Robert Schwartzman’s famous lineage, was getting recognized for their fine music. They garnered even more attention when they performed on The O.C. in early 2004. A second album, Calling the World, followed the next year. And now Rooney is back with a new EP, Wild One. (Stream it here.) The album is only available for purchase at their shows, which works out well because they play Webster Hall on Friday.

(Check out Rooney, above, covering CCR’s “Lookin’ Out My Back Door” and the Band’s “The Weight” in a hotel room.)

See AA Bondy Tomorrow Night

Tuesday, December 8th, 2009


Scott Bondy was a member of the early-’90s Birmingham, Ala., band Verbena. When they broke up several years ago, Bondy emerged through Verbena’s distorted-guitar, Southern-grunge sound with a new first name—AA—and a different musical focus—blues, folk and country but with his same smooth voice. He cut his first solo album, American Hearts, in home studios in Mississippi and upstate New York, and it was eventually released on Fat Possum Records. Pleased with the results, Bondy recorded another album of taut storytelling, When the Devil’s Loose, which came out in September. He’s been touring in support of the album ever since. And that tour closes tomorrow night at The Bowery Ballroom. Check out AA Bondy, above, playing “I Can See the Pines Are Coming” for the Trip Wire and then do yourself a favor and go see him play live.

Win Tickets to See Jeff the Brotherhood on 12/7

Friday, December 4th, 2009


Performing as Jeff the Brotherhood, brothers Jake (vocals and guitar) and Jamin (drums) Orrall began playing shows in Nashville in 2006. Their lo-fi “psychedelic-grunge” sound found them playing basements, bars, galleries and pretty much any other place that would have them. But pretty soon, that we’ll-play-anywhere work ethic and their take-no-prisoners attitude won the Orrall boys a loyal following. They’ve since released a full-length album, Heavy Days, on their family-run record label, Infinity Cat.

Jeff the Brotherhood, above, playing “Heavy Days,” opens for Ted Leo and the Pharmacists at The Bowery Ballroom on Sunday, which is sold out. But have no fear ’cause they also play Mercury Lounge on Monday, and it just so happens that The House List is giving away a free pair of tickets. Want to go? Just fill out the form below, listing your name, e-mail address, which show you’re trying to win tickets to (Jeff the Brotherhood, 12/7) and a brief message telling us why you deserve a free Monday night out on us. The winner will be notified by noon on Monday.

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The XX Marks the Spot

Wednesday, December 2nd, 2009


In 2005, four schoolmates—Romy Madley Croft (vocals and guitar), Baria Qureshi (keyboards and guitar), Oliver Sim (vocals and bass) and Jamie Smith (beats and samples)—who shared a similar taste in music, from the Cure to the Pixies to Missy Elliott, joined together to form the XX. The band’s self-titled debut, marked by quiet vocal duets and an efficient use of samples, came out earlier this year to much acclaim. Last month, Qureshi left the band, citing exhaustion. But the show must go on, so the XX continues as a trio. They open for Friendly Fires this Saturday at Webster Hall, but that show is sold out (although you can try to Grow a Pair of free tickets). Fortunately, the XX will be back on April 22nd at Terminal 5. Check them out, above, playing “Night Time” on Later…with Jools Holland.

Elvis Perkins in New York City

Wednesday, December 2nd, 2009


Last time Elvis Perkins in Dearland was in town, back in March, the show somehow ended literally underground in the JMZ subway station across the street from Bowery Ballroom. A small group of musicians—members of Dearland and opener Himalayas (who also open Saturday’s show)—played unplugged with an equally small crowd clapping, dancing and singing along as the late-night MTA platform power washers gawked. It was a show that didn’t want to end.

Since then, I’ve seen Perkins and Co. play a surprising, pitch-perfect cover of Del Shannon’s “Runaway” in the early-afternoon Tennessee sun at Bonnaroo and invite the 20-plus choir of the Shape Note Singers to join them onstage in a powerful moment at the Newport Folk Festival in August. Which is all a way of saying that it might be hard to predict what you’ll see when the band returns this weekend for gigs at Bowery Ballroom and Music Hall of Williamsburg.

I can predict music that transcends Perkins’ unique backstory, plenty of material off of the terrific Elvis Perkins in Dearland, and the just-as-strong follow-up Doomsday EP, and, if we’re lucky, another chills-inducing version of one of the best songs ever written about 9/11, “While You Were Sleeping.” Check out Elvis Perkins in Dearland, above, playing “Shampoo” for Rolling Stone. And then see them live on Saturday at Music Hall of Williamsburg. (Friday’s show is sold out.) —A. Stein

See Lotus This Saturday

Wednesday, November 25th, 2009

In 1999, four college friends—two brothers, Jesse (bass) and Luke (guitar and keys) Miller, and two others, Steve Clemens (percussion) and Mike Rempel (guitar)—united forces to mine their rock, funk and jazz influences, thereby becoming an effective jam band in the process. But two years later, when Lotus added drummer Chuck Morris to the mix, they moved in a different direction. They were still guided by the same musical interests, but they began playing instrumental electronica. Or as Jesse Miller said: “I truly believe Lotus’s sound comes from the roots of rock and roll mixed with electronic beats that are popular today. It took a long time for us to finally find a sound we all agreed on. But believe me, we experimented plenty before deciding what sound we were looking for.”

The band has garnered a good deal of public interest recently, having put out two EPs, Oil on Glass and Feather on Wood. Plus, their recently finished West Coast run featured eight shows allowing ticket buyers to choose their price, between $1 and $15. But the most enticing thing is that this band never plays the same show twice. Backed by a vivid light show, they constantly change their set lists and frequently improvise as a group. But don’t take our word for it. Find out for yourself when Lotus plays Terminal 5 on Saturday.

(Check out live footage of Lotus, above, playing the Fillmore in Denver.)

Two Nights of Stephen Kellogg and the Sixers

Tuesday, November 24th, 2009

Stephen Kellogg’s childhood interests in music included singer-songwriter fare, like that of Jim Croce and Cat Stevens, alongside hair-metal bands, like Bon Jovi and Mötley Crüe, which probably explains why his songs are intimate and personal while his live shows with the Sixers are energetic and passionate. Although just one band member’s name is featured in Stephen Kellogg and the Sixers, the group is definitely the sum of its parts. Like their heroes the Band (they even have a live DVD called The First Waltz), the SK6ers play a wide range of instruments: Kellogg covers guitar, harmonica and kazoo, Kit “Goose” Karlson handles keys, bass, tuba and accordion, Brian “Boots” Factor plays drums, mandolin and banjo, while Sam Getz is a guitarist, but a really good one. See Stephen Kellogg and the Sixers, above, playing “Shady Esperanto” in studio for KINK FM in Portland, Ore., and then do yourself a favor and see them play live on Friday and Saturday at The Bowery Ballroom.

© 2009

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