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A Top Five Look Back at 2013

January 10th, 2014


Ten days into the New Year, The House List looks back at 2013 with some Top Five lists.

My Top Five Favorite Shows
1.
The Postal Service, Barclay Center, June 14
My decade-belated live date with the Postal Service finally culminated at Barclays Center, where rabid fans, like myself, roared as Ben Gibbard and Jimmy Tamborello hit the stage. As if acting out lyrics from “Nothing Better,” Gibbard and Jenny Lewis shimmied close for the duet. Old friends reunited onstage never felt so good.

2. Haim, Webster Hall, September 3
I was late to this bandwagon, as fellow House List contributor Alex Kapelman shortlisted Haim last year for his Top Five Bowery Presents Shows of the Year. I knew I was in for a good one when I could barely find a spot in the rafters to catch the three sisters, who charmed with their onstage banter and wicked musicianship

3. Jessie Ware, The Bowery Ballroom, January 17
Straight off her Jimmy Fallon taping backed by the Roots, the British songstress elated the crowd with her effortless, down-to-earth stage demeanor. Her star quickly rose with American audiences, as she sold out shows at Webster Hall, Music Hall of Williamsburg and Irving Plaza throughout the year. I was glad to have caught her earlier in the more intimate venue.

4. Basia Bulat, Bowery Ballroom, November 23
I’ve been a fan of Basia Bulat since I heard her cover Sam Cooke’s “Touch the Hem of His Garment.” This show on a cold night wasn’t sold out, which made me a little sad since she’s quite the talent. But those who were there were enraptured by her prowess on autoharp to the point that you could hear a pin drop during her solos.

5. Daughter, Bowery Ballroom, April 30
Somehow Elena Tonra manages to disguise heartbreak behind soulful lyrics and melody. She has a knack for turning happy dance songs into somber endeavors. The band mashed-up Bon Iver and Hot Chip’s “Perth/Ready for the Floor” that evening. Check out Tonra’s somber retake of Daft Punk’s hit “Get Lucky” for further proof. —Sharlene Chiu

My Top Five Shows I Never Thought I Would See
1. Desaparecidos, Webster Hall, February 26

Desaparecidos (and really any Conor Oberst project) were my bread and butter back in the early aughts, and for a while they seemed to be a one-off, a politically minded side project firmly planted in the past. Fortunately (and unfortunately) the global state of affairs remains messed up enough for the band to regroup to write protest songs for a new decade. It was a nostalgic, sweaty and inspired performance.

2. Shuggie Otis, Music Hall of Williamsburg, April 19
Shuggie Otis began putting out music in the mid-’70s, followed by a long period of laying low. Content to groove along to songs like “Ice Cold Daydream” at home, I never really thought about the possibility of a Shuggie Otis tour in 2013. But when I found out, I was there. And “Ice Cold Daydream” is even better in person.

3. The Flamin’ Groovies, The Bowery Ballroom, July 6
Instead of discovering the Flamin’ Groovies in a smoky San Fran club in the ’60s, I was introduced to their catchy psychedelia on a Nuggets compilation more than 30 years later. Who’d have thought they’d still be going strong in 2013 and that I’d be dancing right alongside some old school fans at this fun summer show.

4.  John Prine, Beacon Theatre, September 26
John Prine has been active since the early ’70s, but unlike Shuggie Otis, he never really went away, writing and recording songs at a steady pace throughout the years. But I still always thought of him as an artist too legendary for me to see in person—or that tickets would be too out of reach. But John Prine put on an amazing show, highlighting his singular skills as a songwriter and storyteller.

5. The Julie Ruin, Music Hall of Williamsburg, October 25
I was late to the party for the original riot-grrl movement, but I became an admirer of Bikini Kill frontwoman Kathleen Hanna during her time in Le Tigre. She’s dealt with some debilitating health issues in the past few years, but I had no doubt she’d continue to make art and music. So I was happy to learn of her latest project, the Julie Ruin, and her energetic show did not disappoint. —Alena Kastin

My Top Five Shows
1. Yo La Tengo, Town Hall, February 16

I don’t like to pick a favorite, but my last.fm account tells me I’ve listened to Yo La Tengo more than any other band since 2007. At Town Hall, they performed an acoustic set and an electronic one, doing two versions of “Ohm,” my favorite song of the year. And then I ran into Tim Heidecker from Tim & Eric’s Awesome Show, Great Job! Had the Red Sox not won the World Series, this would’ve been my favorite night of the year.

2. Killer Mike/El-P, Webster Hall, August 14
I don’t care what anyone says: The best two rap albums of 2012 came from Killer Mike and El-P. And in 2013 they topped them, coming together as one entity, Run the Jewels. The night included a set from El-P, a set from Killer Mike and a combined set with both. El-P’s ingenious production plus Killer “I bleed charisma” Mike equals one concert I will never forget.

3. Foxygen, The Bowery Ballroom, October 21
With Foxygen it occasionally feels like shit could fall apart at any moment. And sometimes it does. But when their shows don’t come unhinged they deliver that sweet thrill of relief, like narrowly avoiding a car crash. And on this Halloween-themed night, the band made a weird show even weirder with homemade costumes and pseudo spooky vibes.

4. Steve Earle, Music Hall of Williamsburg, May 8
You can just tell some people are genuine, and Steve Earle is certainly one of them. Forever wearing his heart on his sleeve, that same energy bleeds right into his music, which he played alongside what he’s calling “the best band he’s ever had.”

5. Meat Puppets, Mercury Lounge, April 4
Not only are the Meat Puppets still kicking (after living through some serious shit), but also they’re thriving. And as much as I respect their legacy, seeing them play for more than two hours with the intensity you’d expect of a band 20 years their junior makes me respect them that much more. Long live the puppets of meat! —Dan Rickershauser

My Top Five Shows
1. Dessa, Union Hall, May 5

There are few performers I feel can move mountains with their vocal chords, and Dessa is one of them. This performance was an eruption of defiant lyrics and bold beats. A sizable crowd of young girls knew all of her lyrics, giving the show a chant-like feel. The only female member of Minnesota’s Doomtree collective practically vibrates with energy, and it’s completely contagious.

2. Kishi Bashi, Irving Plaza, September 12
Kishi Bashi sounds even better live than he does recorded. And he delivered a dazzling set with profuse vocal looping and an excellent backing band. Kauro Ishibashi has a supercharged, effusive aura, and his music embodies that persona. This set took a rowdy turn that involved crowd surfing, strobe lights and an outright jam session.

3. Panama Wedding, CMJ Music Marathon
I happened upon newcomers Panama Wedding three different times during CMJ: Initially, opening for NONONO at Mercury Lounge on the first night. Since the band had only released one song, “All of the People,” I was eager to see what would unfold onstage. Their set was so tight that I caught the fantastical pop group the following night at Pianos and then again at a showcase at Santos Party House.

4. You Won’t, Rockwood Music Hall, October 30
The live iteration of You Won’t is a spectacle to behold. I watched eagerly as Josh Arnoudse and Raky Sastri wielded a slew of instruments with ease, quickly fascinating the audience. The duo took their jaunty music into the audience a couple of times to break the barrier and enlisted some extra vocal support by encouraging us to all to sing along.

5. James Blake, Terminal 5, November 6
In this spellbinding live performance, complete with plenty of vocal looping and haunting electronica, James Blake made a cavernous room filled with people feel intimate. And that he’s such a dapper-looking fellow only helps boost his appeal. I’m still transfixed by this performance nearly two months later. James Blake’s music has some serious lasting effects. —Schuyler Rooth

My Top Five Shows with Regard to Lights, Visuals and Production
1. Umphrey’s McGee, Brooklyn Bowl, January 20

Kick-ass creative lighting
and Brooklyn Bowl don’t usually go hand in hand, but Umphrey’s McGee lighting guru Jefferson Waful turned the room into a thing of beauty.

2. Föllakzoid/Holydrug Couple, Mercury Lounge, March 21
What better way to enjoy some old school psychedelic music than with some old school liquid projections courtesy of Drippy Eye.

3. Plaza: Portugal. The Man, Irving Plaza, May 20
Freakin’ lasers!

4. The Flaming Lips/Tame Impala, Terminal 5, October 1
It was almost as fascinating to watch the Lips’ spectacle getting set up as it was to see it in action—confetti, strobes, LEDs and, well, pretty much everything. And Tame Impala’s projections were no slouch either.

5. Phish, Atlantic City Boardwalk, October 31, November 2
Phish’s fall tour found lighting director Chris Kuroda playing the Willy Wonka of eye candy all over the East Coast. —A. Stein

My Top Five Albums
1. Phosphorescent, Muchacho
I’d only seen Phosphorescent once before listening to Muchacho for the first time. And while much of Matthew Houck’s previous work is country-tinged (not that there’s anything wrong with that), this album, ostensibly about a breakup, covers more territory, from the meditative sounds of “Sun, Arise (An Invocation, an Introduction)” and “Sun’s Arising (A Koan, an Exit)” to the jammy, driving “Ride On/Right On” to softer fare, like “Muchacho’s Tune,” all centered on Houck’s evocative voice. I still can’t stop listening to it.

2. Foxygen, We Are the 21st Century Ambassadors of Peace & Magic
Foxygen’s third full-length, We Are the 21st Century Ambassadors of Peace & Magic, comes off as a loving mash note to ’70s rock. You’ll hear bits of the Rolling Stones, Velvet Underground and David Bowie, but the album expertly manages to sound like something whole and new rather than something derivative.

3. White Denim, Corsicana Lemonade
Upon the first couple of listens, I found White Denim’s latest, Corsicana Lemonade, to be too singer-songwriter-y, but I continued to give it a chance, and it opened up to something much bigger, with genre-hopping songs like “Let It Feel Good (My Eagles)” and “Pretty Green”—not to mention some searing guitar parts—grabbing me by the throat.

4. Futurebirds, Baba Yaga
Admittedly, I didn’t know anything about Futurebirds, out of Athens, Ga., before writing a preview of their late-May show at The Bowery Ballroom. But while listening to their second LP, Baba Yaga, as I wrote, I became totally enamored of the album—half twangy Southern rock and half spacey reverb.

 5. Kurt Vile, Wakin on a Pretty Daze
I love Kurt Vile’s Wakin on a Pretty Daze so much, that I can’t believe it’s only No. 5. Labeling it stoner rock, as many have done, is lazy. Although I supposed me calling it laid-back rock isn’t any better. But the fact of the matter is there might not ever be a better album to listen to while walking the streets of New York City with headphones in your ears. —R. Zizmor

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From Quiet to Loud and Everywhere in Between

February 19th, 2013

Yo La Tengo – Town Hall – February 16, 2013


There’s something wonderfully peculiar about a Yo La Tengo concert split between two sets, one quieter and one louder. Taking the stage in front of cartoonish cutouts of three trees and before a sold-out audience, they kicked off their softer set with an acoustic version of “Ohm,” the first single off the recently released Fade. The song was played so softly that the audience’s excited “Oh, shit, they’re finally onstage and playing this song” applause came to a uniform halt when everyone realized “Oh, shit, I can’t hear this amazing song through our applause because they’re playing it so quietly.”

As soft as it was, Ira Kaplan, Georgia Hubley and James McNew’s voices blended together so well that it was nearly impossible to tell them apart. Kaplan’s singing on the acoustic rendition of “The Point of It” had dynamics turned upside down, singing so softly at times that it was barely there at all, as if to showcase the intensity of the expression through its own fragility. If the first half of the show demanded everyone listen closely, the second half was the payoff. Yo La Tengo brought out on an array of electric guitars, switching back and forth between new songs off Fade and older favorites. This old-song-new-song juxtaposition made it clear that the material off this latest album has already begun to sound as classic as old YLT favorites like “Tom Courtenay” and “Deeper Into Movies.”

The second set reached its pinnacle with a much louder version of “Ohm.” Hearing the song twice in such different variations made it seem the theme song of the night. Despite Kaplan wailing away on his guitar, at times looking like he was trying to strangle the instrument to death, the feedback screams that came out of it never felt abrasive. It was like all that noise needed to be there, a deliberately dissonant reaction to the song’s irresistible melody that felt missing when it was played the first time around. There may be no better band at forcing the harsh rock noise against timelessly gorgeous pop melodies. They’re usually blended together so well by the band that it takes splitting these two worlds to make them noticeable at all. —Dan Rickershauser

Photos courtesy of Stephanie F. Black | www.flickr.com/photos/blackfrances

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M. Ward Plays for the Moment

August 8th, 2012

M. Ward – Celebrate Brooklyn – August 7, 2012


The nights are cooler now. After months of record-breaking heat, dusk is finally a time for relief. It makes evening activities tranquil and comfortable. It gives us opportunities to enjoy the outdoors. And if you sit under the cover of trees at the Prospect Park Bandshell, there are few better late-summer events than a Celebrate Brooklyn concert. They create a special environment by pairing live music with a beautiful setting. So last night, at the final ticketed show of the season, we got it all: the perfect scenery, weather and lineup of acts.

M. Ward, the night’s highly anticipated headliner, came on after some prompt stand-up by Wyatt Cenac and a hushed set by Yo La Tengo. Ward, a unique American musician, mixes elements of rock, folk and blues along with his melodic yet gravelly voice and creates something all his own. His guitar work is magnificent too. During “Rollercoaster” he evoked the namesake’s unbalanced feeling with an effective slippery riff. And in other places, he was simply the full package—masterful songwriter and spot-on performer.

“Chinese Translation,” from the album Post-War, is a clever piece of imaginative folklore concerning an inquisitive protagonist and a sagacious elder. It was also made all the better by Ward and his band’s light touch. They knew how to blow the lid off at times, like during “Primitive Girl,” but the quiet moments were my favorites. An encore violin-and-keyboard duo of Daniel Johnston’s “Story of an Artist” was beautiful and apropos. Ward slyly dedicated the song to “the artists in Brooklyn.” He surely knew his audience and played perfectly for the moment. —Jared Levy

Photos courtesy of Mike Benigno | mikebenigno.wordpress.com

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M. Ward Plays Celebrate Brooklyn and You Might Go for Free

August 3rd, 2012

The extremely talented singer-songwriter M. Ward—he of the raspy voice and evocative storytelling (and Him to Zooey Deschanel’s She)—has a terrific new album, A Wasteland Companion. And alongside Yo La Tengo and The Daily Show’s Wyatt Cenac, Ward (above, performing “Primitive Girl” for Conan) plays the Prospect Park Bandshell as part of Celebrate Brooklyn next Tuesday. And because we’re feeling generous, The House List is offering up a pair of tickets. Want to go? Fill out the form below, making sure to include your full name, e-mail address, which show you’re trying to win tickets to (M. Ward, 8/7) and a brief message explaining your favorite Summer Olympic sport. The winner will be notified by Tuesday. Good luck.

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