The Postal Service: Worth the WaitJune 17th, 2013
The Postal Service – Barclays Center – June 14, 2013
Ten years is a long time to wait, and regret burns deep. For this writer, not seeing the Postal Service back in 2003 at a small San Francisco venue still hurts—a lot. So I was psyched when rumblings of a tour were announced to celebrate the 10-year-anniversary reissue of Give Up. You might have heard the tale of Ben Gibbard (Death Cab for Cutie) meeting Jimmy Tamborello (Dntel) on a fateful night in Los Angeles. What coyly began as a request for Gibbard’s vocals on Dntel’s “(This Is) The Dream of Evan and Chan” blossomed into an exchange of musical ideas through the United States Postal Service. The two lead members never would have thought their fledgling project would amount to one of the most successful albums for the Sub Pop label, but that’s exactly what happened.
Fast-forward a decade as a choral prelude welcomed Gibbard, Tamborello, Jenny Lewis (Rilo Kiley) and Laura Burhenn (the Mynabirds) to the stage of a sold-out Barclays Center on a Friday night. Gibbard offered a hearty “Hiya, Brooklyn!” before diving into “The District Sleeps Alone Tonight.” Lewis, accessorized with a puffy white cap and saddle shoes, promptly threw the hat into the crowd on “We Will Become Silhouettes.” And in a rare turn from his mixers, Tamborello closed out “Sleeping In” echoing the chorus: “Don’t wake me, I plan on sleeping in.” Gibbard took a moment to thank the audience, jokingly, “for coming to this tiny venue to listen to us play music from 10 years ago.”
Having a great time together onstage, old friends Gibbard and Lewis shimmied close for the duet “Nothing Better,” which he introduced as “three sides to every story.” And fans cheered the whirlpool of sound twinkling with drumbeats during “Recycled Air.” But the show didn’t just consist of material from their lone LP. The Postal Service also did songs like “Be Still My Heart,” from the We Will Become Silhouettes EP, and a cover of Beat Happening’s “Our Secret” before the crowd erupted for the beloved “Such Great Heights.” All kidding aside, Gibbard plainly laid out Give Up’s success: “This record still means something to you.” And as I received texts like “this album takes me back” and “I had chills,” from friends scattered around the arena, his point was proved again and again. And then with a mellifluous crescendo, the Postal Service ended their main set with “Natural Anthem,” burying my decade-old regret. —Sharlene Chiu