The Bowery Ballroom as a Recital Hall for a Night

December 8th, 2014

Max Richter – The Bowery Ballroom – December 7, 2104

Max Richter – The Bowery Ballroom – December 7, 2104
Renowned composer-producer Max Richter graced New York City for a rare performance of his soundtrack for HBO’s The Leftovers, paired with his classic album, The Blue Notebooks, last night at The Bowery Ballroom. Richter’s music should resonate with cinephiles as his compositions have accompanied such films as Waltz with Bashir, Stranger Than Fiction, Prometheus and Shutter Island. It’s no wonder that HBO tapped the German-born British composer to score The Leftovers. The show’s producer Damon Lindelof (Lost) and director Peter Berg (Friday Night Lights) sought out Richter after hearing his score for a Broadway production of Macbeth.

Last night the esteemed Lower East Side venue was filled with melodious harmonies seeping into the crevasses that are normally reserved for rock and pop outfits. Clad in a black turtleneck, Richter took his place behind the piano as the American Contemporary Music Ensemble filed onstage. Opening the evening with “The Leftovers Piano Theme,” the band played the entire soundtrack. All in all the audience was rapt on the sumptuous notes. Through the set, uncertain applause was offered, as folks were not completely sure when pieces concluded. There was no doubt when the crescendo of strings came to a halting stop on “Afterimage 3” for an uproar of claps to follow. Richter confessed he never thought he’d perform the soundtrack live, but he was happy he had.

The performance of The Blue Notebooks was in honor of the album’s 10th anniversary. Tilda Swinton read the excerpts from Franz Kafka’s and Czeslaw Milosz’s works on the original recording. But at The Bowery Ballroom, Sarah Sutcliffe did the honors as Richter dabbled with sound effects on his iMac. Despite bows from the composer and ensemble upon the album’s conclusion, they returned to encore with “Autumn Music 2.” This unorthodox evening turned the venue into a concert recital hall, leaving fans with an indelible music memory. —Sharlene Chiu

Photos courtesy of Charles Steinberg