John Moreland Converts the Masses at The Bowery BallroomJune 8th, 2017
John Moreland – The Bowery Ballroom – June 7, 2017
John Moreland writes songs of redemption, songs written for the downtrodden that are so white hot with purpose they straddle the line between cautionary tales and gospel. Armed with a voice that conjures up how the Boss might sound after a bad night and the vindicated pessimism of Townes Van Zandt, Moreland doesn’t tug at your heartstrings as much as he eviscerates them. In his interview on the podcast Walking the Floor with Foo Fighters lead guitarist—and country music aficionado—Chris Shilett, Moreland explained that he had cut his teeth on punk and hardcore early in life, but everything had changed as soon as he heard the music of Steve Earle. After listening, Moreland quickly got it into his head that he could write songs that could equal Earle’s power and started recording and touring the country nonstop. After years of paying his dues, the Tulsa, Okla., singer-songwriter recently signed with 4AD for his third album, Big Bad Luv, and brought his tour to a packed Bowery Ballroom last night.
Will Johnson played solo to open the show. With a deep D-tuned guitar and a voice as rough as a tree trunk after a chainsaw exposed its bare wood, he mesmerized the audience with songs from his solo career as well as his criminally underrated band Centro-matic. The highlight was his meditation on loss, “Just to Know What You’ve Been Dreaming,” with the refrain “But when you’re not around, nothing makes a sound” landing like a slow moving haymaker. And then when John Moreland began, you could practically hear teardrops falling into beer glasses between the notes throughout the Bowery Ballroom. Accompanied by fellow singer-songwriter John Calvin Abney on lead guitar, harmonica and piano, Moreland ran through his songbook with efficiency, barely taking the time to address the crowd. Not that the audience needed anything more from him as everyone in the venue was completely captivated as soon as he sat down in his chair to play.
Moreland’s songs did the heavy lifting, and he showcased old favorites from In the Throes, High on Tulsa Heat as well as Luv. The best song of his main set was the new song “Lies I Chose to Believe,” which took on a new life live, stripping away the full-band arrangement and allowing his words to dig in deeper than they could on record. Moreland’s brief encore consisted of two songs from his breakthrough, In the Throes, “Break My Heart Sweetly” and “I Need You to Tell Me Who I Am,” which had the crowd clamoring for more. After the show, the audience quickly formed a massive line heading down to the merch table on the first floor. It was easy to see that if anyone had never heard of Moreland before this show, they had just been converted. —Patrick King | @MrPatKing
Tags: 4AD, Big Bad Luv, Bowery Ballroom, Bruce Springsteen, Centro-matic, Chris Shiflett, Foo Fighters, High on Tulsa Heat, In the Throes, John Calvin Abney, John Moreland, Live Music, Lower East Side, Music, New York City, Patrick King, Review, Steve Earle, Townes Van Zandt, Will Johnson
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