Tag Archives: Barclays Center

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The Killers Don’t Skip a Beat at Barclays Center on Tuesday Night

January 10th, 2018

The Killers – Barclays Center – January 9, 2018


Longevity in the music industry isn’t guaranteed, nor is a song that stays on the charts 13 years after its release. The Killers“Mr. Brightside” was the track that remained on the U.K. charts, and Noisy hypothesized a few theories why that might have been. It’s no surprise that frontman Brandon Flowers cited the U.K. as what broke their band during a time when the Strokes and the White Stripes ruled America. After more than 15 years of music together, the Las Vegas band released their fifth album, Wonderful Wonderful, last year to the glee of longtime fans. With guitarist Dave Keuning and bassist Mark Stoermer taking time off touring for family and to finish up college, longtime collaborators guitarist Ted Sablay and bassist Jake Blanton entered the lineup in their stead. Despite the change to the original quartet, the Killers didn’t skip a beat at a sold-out Barclay Center last night.

The stage converted into mirrored pyramid screens resembling an open shell perfectly displaying the band for the opener, the new LP’s title song. The staging played a big part in the performance with pink confetti showering the crowd during “The Man,” as old-timey neon Vegas signage projected in the backdrop. Flowers seamlessly weaved old favorites “Somebody Told Me” and “Smile Like You Mean It” among more recent hits “Run for Cover” and “Shot at the Night.” He reminisced on the passing of the 10th anniversary of Sam’s Town, in which the Killers played to 1,500 people at the hotel/casino that provided the album’s name. The quartet covered Dire Straits“Romeo and Juliet” as an interlude before the appropriately paired “Runaways.”

Throughout the show, I marveled at hit after hit, especially my favorite, “All These Things That I’ve Done,” which I dare anyone to not chime in on the infectious chorus, “I got soul, but I’m not a soldier.” Flowers returned to the stage having changed into a gold suit and matching boots, as if channeling Elvis himself. With a recorded opening monologue by Woody Harrelson, the ageless singer climbed the stairs encoring with the downtown romp “The Calling.” It would not end there, rather deep cut “Jenny Was a Friend of Mine” and the rousing “When You Were Young” were played before the closing song. You guessed it: the hit that managed to top the charts for over a decade. —Sharlene Chiu

 

 

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Odesza – Barclays Center – December 15, 2017

December 18th, 2017


Photos courtesy of DeShaun Craddock | dac.photography

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Roger Waters – Barclays Center – September 11, 2017

September 12th, 2017


(Roger Waters plays Barclays Center again tonight and then NYCB LIVE: Home of the Nassau Veterans Memorial Coliseum on Friday and Saturday.)

Photos courtesy of Gregg Greenwood | gregggreenwood.com

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Bastille – Barclays Center – March 30, 2017

March 31st, 2017

Bastille - Barclays Center - March 30, 2017

Photos courtesy of DeShaun Craddock | dac.photography

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Green Day/Against Me! – Barclays Center – March 15, 2017

March 16th, 2017

Green Day/Against Me! - Barclays Center - March 15, 2017

Photos courtesy of Joe Papeo | www.irocktheshot.com

Contest

Grow a Pair: Win Free Tickets to See Bastille on 12/5

November 29th, 2016

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Touring behind their second album, Wild World, Bastille return to New York City next week to play The Bowery Ballroom on Monday night. The show is sold out but The House List is giving away two tickets. Don’t have any of your own and still want to go? Try to Grow a Pair. It’s easy. Just fill out the form below, making sure to include your full name, e-mail address, which show you’re trying to win tickets to (Bastille, 12/5) and a brief message explaining why you’re so happy for December’s arrival. Eddie Bruiser, who’s in no rush to get to January and (even worse) February, will notify the winner by Friday. (And even if you don’t win, you can still see Bastille play Barclays Center on 3/30.)

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Bastille – Music Hall of Williamsburg – October 3, 2016

October 4th, 2016

Bastille - Music Hall of Williamsburg - October 3, 2016
(Bastille play Barclays Center on 3/30 and tickets go on sale Friday at 11 a.m.)

Photos courtesy of Pat Tabb | pattabb.com

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The 1975 – Barclays Center – May 17, 2016

May 18th, 2016

The 1975 - Barclays Center - May 17, 2016

Photos courtesy of Marc Millman Photography | www.marcmillmanphotos.com/music

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Summer’s Coming: Four Big Shows Next Week in New York City

May 13th, 2016

Summer doesn’t actually arrive for another five weeks or so, but the summer-music season gets kicked off next week in a very big way.

Bowling Green, Ky., quartet Cage the Elephant’s fourth studio album, Tell Me I’m Pretty (stream it below), produced by Dan Auerbach, came out last December, impressing Exclaim!: “If your sister were Anita Miller from Almost Famous, she might tell you to listen to Tell Me I’m Pretty with a candle burning. Matthew Shultz has hit the mark lyrically and vocally here, inviting listeners into the emotionally charged and honest world that Cage the Elephant inhabit. Although we still hear his lo-fi, distorted vocals throughout the record, many moments are left confidently unadorned and clear.” Known for their fiery live performances, Cage the Elephant play SummerStage, alongside Portugal. The Man and Broncho, on Monday and Tuesday.


From the land of Britpop, in Manchester, England, the 1975 (above, performing “Love Me” earlier this year on Saturday Night Live) have risen up as a band with global appeal. Their second LP, I Like It When You Sleep, for You Are So Beautiful Yet So Unaware of It (stream it below), arrived in February, topping the charts here and across the Atlantic. “When a band conquers the charts with a fun but inoffensive debut album, you don’t expect them to return with a 17-track follow-up that tempers pop tunes with swampy post-rock instrumentals and references mental health, religion, addiction, loneliness and fame. But the 1975, whose self-titled debut hit number one in 2013, aren’t concerned with playing it safe,” raves NME. They bring their arena-ready rock to Barclays Center on Tuesday night. Wolf Alice and the Japanese House open the show.


Another English band to hit No. 1, Rudimental, the London four-piece, have been making shake-it-don’t-break-it electronic music for just a few years, but that hasn’t stopped them from becoming wildly popular. Their sophomore studio album, We the Generation (stream it below), recorded in Jamaica, came out last fall. The Evening Standard noted its “positive vibes” and “their sunny reworking of dingy old drum and bass.” And on Wednesday at SummerStage, they kick off a short tour with the like-minded North London electronic duo Gorgon City. Brooklyn duo Walker & Royce open the show.

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Muse – Barclays Center – January 27, 2016

January 28th, 2016

Muse - Barclays Center - January 27, 2016(Muse play Prudential Center on Friday night.)

Photos courtesy of Joe Papeo | www.irocktheshot.com

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Muse Play Barclays Center and Prudential Center This Week

January 25th, 2016

Matt Bellamy (vocals, guitar and keys), Dominic Howard (drums and synths) and Chris Wolstenholme (bass and vocals) formed Muse (above, performing “Dead Inside”) more than two decades ago while attending college in South West England. Over the years, they’ve become known for their deft mix of rock and electronic sounds and a willingness to take experimental chances—winning them comparisons to Radiohead in the process—not to mention an incredible light show at their energetic performances. Plus, NME, Billboard and Rolling Stone have hailed them as one of the most exciting live bands today. Their seventh studio album, Drones (stream it below), came out last June. And according to Rolling Stone, “Muse get back to the fiery rock that they do best, laced with new passion and principle.” The North American leg of the virtuosic arena-rockers’ Drones world tour brings them to town this week for a pair of appearances, on Wednesday at Barclays Center and on Friday at Prudential Center. Brooklyn quartet X Ambassadors open both shows.

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The Avett Brothers – Barclays Center – March 7, 2014

March 10th, 2014

The Avett Brothers - Barclays Center - March 7, 2014

Photos courtesy of JC McIlwaine | jcmcilwaine.com

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The Avett Brothers Play Barclays Center Tomorrow Night

March 6th, 2014

Brothers Seth (vocals and guitar) and Scott (vocals, banjo and drums) Avett, and Bob Crawford (bass, violin and vocals) and Joe Kwon (cello, saw and vocals) are known for rowdy, authentic Americana roots, energetic alt-country music, and a healthy dose of bluegrass and folk music. Their eighth studio album, last year’s Magpie and the Dandelion (stream it below), produced by the legendary Rick Rubin, “is chock full of tracks that show the Avett Brothers are (very wisely) growing their sound, while remaining true to their core principles and what listeners like about them to begin with,” said American Songwriter. “It’s clear with this latest effort that the Avett Brothers don’t care much for recent trends and don’t chase after something they think their fans want them to be, but instead is a pure taste of raw musical expression, and the resulting effort is that each track is better than the next.” They hail from North Carolina, but the Avett Brothers (above, performing “Laundry Room” for Live on Letterman ) are coming to Brooklyn to rock Barclays Center tomorrow night. As an added bonus, the like-minded Old Crow Medicine Show kick off the night.

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A Top Five Look Back at 2013

January 10th, 2014


Ten days into the New Year, The House List looks back at 2013 with some Top Five lists.

My Top Five Favorite Shows
1.
The Postal Service, Barclay Center, June 14
My decade-belated live date with the Postal Service finally culminated at Barclays Center, where rabid fans, like myself, roared as Ben Gibbard and Jimmy Tamborello hit the stage. As if acting out lyrics from “Nothing Better,” Gibbard and Jenny Lewis shimmied close for the duet. Old friends reunited onstage never felt so good.

2. Haim, Webster Hall, September 3
I was late to this bandwagon, as fellow House List contributor Alex Kapelman shortlisted Haim last year for his Top Five Bowery Presents Shows of the Year. I knew I was in for a good one when I could barely find a spot in the rafters to catch the three sisters, who charmed with their onstage banter and wicked musicianship

3. Jessie Ware, The Bowery Ballroom, January 17
Straight off her Jimmy Fallon taping backed by the Roots, the British songstress elated the crowd with her effortless, down-to-earth stage demeanor. Her star quickly rose with American audiences, as she sold out shows at Webster Hall, Music Hall of Williamsburg and Irving Plaza throughout the year. I was glad to have caught her earlier in the more intimate venue.

4. Basia Bulat, Bowery Ballroom, November 23
I’ve been a fan of Basia Bulat since I heard her cover Sam Cooke’s “Touch the Hem of His Garment.” This show on a cold night wasn’t sold out, which made me a little sad since she’s quite the talent. But those who were there were enraptured by her prowess on autoharp to the point that you could hear a pin drop during her solos.

5. Daughter, Bowery Ballroom, April 30
Somehow Elena Tonra manages to disguise heartbreak behind soulful lyrics and melody. She has a knack for turning happy dance songs into somber endeavors. The band mashed-up Bon Iver and Hot Chip’s “Perth/Ready for the Floor” that evening. Check out Tonra’s somber retake of Daft Punk’s hit “Get Lucky” for further proof. —Sharlene Chiu

My Top Five Shows I Never Thought I Would See
1. Desaparecidos, Webster Hall, February 26

Desaparecidos (and really any Conor Oberst project) were my bread and butter back in the early aughts, and for a while they seemed to be a one-off, a politically minded side project firmly planted in the past. Fortunately (and unfortunately) the global state of affairs remains messed up enough for the band to regroup to write protest songs for a new decade. It was a nostalgic, sweaty and inspired performance.

2. Shuggie Otis, Music Hall of Williamsburg, April 19
Shuggie Otis began putting out music in the mid-’70s, followed by a long period of laying low. Content to groove along to songs like “Ice Cold Daydream” at home, I never really thought about the possibility of a Shuggie Otis tour in 2013. But when I found out, I was there. And “Ice Cold Daydream” is even better in person.

3. The Flamin’ Groovies, The Bowery Ballroom, July 6
Instead of discovering the Flamin’ Groovies in a smoky San Fran club in the ’60s, I was introduced to their catchy psychedelia on a Nuggets compilation more than 30 years later. Who’d have thought they’d still be going strong in 2013 and that I’d be dancing right alongside some old school fans at this fun summer show.

4.  John Prine, Beacon Theatre, September 26
John Prine has been active since the early ’70s, but unlike Shuggie Otis, he never really went away, writing and recording songs at a steady pace throughout the years. But I still always thought of him as an artist too legendary for me to see in person—or that tickets would be too out of reach. But John Prine put on an amazing show, highlighting his singular skills as a songwriter and storyteller.

5. The Julie Ruin, Music Hall of Williamsburg, October 25
I was late to the party for the original riot-grrl movement, but I became an admirer of Bikini Kill frontwoman Kathleen Hanna during her time in Le Tigre. She’s dealt with some debilitating health issues in the past few years, but I had no doubt she’d continue to make art and music. So I was happy to learn of her latest project, the Julie Ruin, and her energetic show did not disappoint. —Alena Kastin

My Top Five Shows
1. Yo La Tengo, Town Hall, February 16

I don’t like to pick a favorite, but my last.fm account tells me I’ve listened to Yo La Tengo more than any other band since 2007. At Town Hall, they performed an acoustic set and an electronic one, doing two versions of “Ohm,” my favorite song of the year. And then I ran into Tim Heidecker from Tim & Eric’s Awesome Show, Great Job! Had the Red Sox not won the World Series, this would’ve been my favorite night of the year.

2. Killer Mike/El-P, Webster Hall, August 14
I don’t care what anyone says: The best two rap albums of 2012 came from Killer Mike and El-P. And in 2013 they topped them, coming together as one entity, Run the Jewels. The night included a set from El-P, a set from Killer Mike and a combined set with both. El-P’s ingenious production plus Killer “I bleed charisma” Mike equals one concert I will never forget.

3. Foxygen, The Bowery Ballroom, October 21
With Foxygen it occasionally feels like shit could fall apart at any moment. And sometimes it does. But when their shows don’t come unhinged they deliver that sweet thrill of relief, like narrowly avoiding a car crash. And on this Halloween-themed night, the band made a weird show even weirder with homemade costumes and pseudo spooky vibes.

4. Steve Earle, Music Hall of Williamsburg, May 8
You can just tell some people are genuine, and Steve Earle is certainly one of them. Forever wearing his heart on his sleeve, that same energy bleeds right into his music, which he played alongside what he’s calling “the best band he’s ever had.”

5. Meat Puppets, Mercury Lounge, April 4
Not only are the Meat Puppets still kicking (after living through some serious shit), but also they’re thriving. And as much as I respect their legacy, seeing them play for more than two hours with the intensity you’d expect of a band 20 years their junior makes me respect them that much more. Long live the puppets of meat! —Dan Rickershauser

My Top Five Shows
1. Dessa, Union Hall, May 5

There are few performers I feel can move mountains with their vocal chords, and Dessa is one of them. This performance was an eruption of defiant lyrics and bold beats. A sizable crowd of young girls knew all of her lyrics, giving the show a chant-like feel. The only female member of Minnesota’s Doomtree collective practically vibrates with energy, and it’s completely contagious.

2. Kishi Bashi, Irving Plaza, September 12
Kishi Bashi sounds even better live than he does recorded. And he delivered a dazzling set with profuse vocal looping and an excellent backing band. Kauro Ishibashi has a supercharged, effusive aura, and his music embodies that persona. This set took a rowdy turn that involved crowd surfing, strobe lights and an outright jam session.

3. Panama Wedding, CMJ Music Marathon
I happened upon newcomers Panama Wedding three different times during CMJ: Initially, opening for NONONO at Mercury Lounge on the first night. Since the band had only released one song, “All of the People,” I was eager to see what would unfold onstage. Their set was so tight that I caught the fantastical pop group the following night at Pianos and then again at a showcase at Santos Party House.

4. You Won’t, Rockwood Music Hall, October 30
The live iteration of You Won’t is a spectacle to behold. I watched eagerly as Josh Arnoudse and Raky Sastri wielded a slew of instruments with ease, quickly fascinating the audience. The duo took their jaunty music into the audience a couple of times to break the barrier and enlisted some extra vocal support by encouraging us to all to sing along.

5. James Blake, Terminal 5, November 6
In this spellbinding live performance, complete with plenty of vocal looping and haunting electronica, James Blake made a cavernous room filled with people feel intimate. And that he’s such a dapper-looking fellow only helps boost his appeal. I’m still transfixed by this performance nearly two months later. James Blake’s music has some serious lasting effects. —Schuyler Rooth

My Top Five Shows with Regard to Lights, Visuals and Production
1. Umphrey’s McGee, Brooklyn Bowl, January 20

Kick-ass creative lighting
and Brooklyn Bowl don’t usually go hand in hand, but Umphrey’s McGee lighting guru Jefferson Waful turned the room into a thing of beauty.

2. Föllakzoid/Holydrug Couple, Mercury Lounge, March 21
What better way to enjoy some old school psychedelic music than with some old school liquid projections courtesy of Drippy Eye.

3. Plaza: Portugal. The Man, Irving Plaza, May 20
Freakin’ lasers!

4. The Flaming Lips/Tame Impala, Terminal 5, October 1
It was almost as fascinating to watch the Lips’ spectacle getting set up as it was to see it in action—confetti, strobes, LEDs and, well, pretty much everything. And Tame Impala’s projections were no slouch either.

5. Phish, Atlantic City Boardwalk, October 31, November 2
Phish’s fall tour found lighting director Chris Kuroda playing the Willy Wonka of eye candy all over the East Coast. —A. Stein

My Top Five Albums
1. Phosphorescent, Muchacho
I’d only seen Phosphorescent once before listening to Muchacho for the first time. And while much of Matthew Houck’s previous work is country-tinged (not that there’s anything wrong with that), this album, ostensibly about a breakup, covers more territory, from the meditative sounds of “Sun, Arise (An Invocation, an Introduction)” and “Sun’s Arising (A Koan, an Exit)” to the jammy, driving “Ride On/Right On” to softer fare, like “Muchacho’s Tune,” all centered on Houck’s evocative voice. I still can’t stop listening to it.

2. Foxygen, We Are the 21st Century Ambassadors of Peace & Magic
Foxygen’s third full-length, We Are the 21st Century Ambassadors of Peace & Magic, comes off as a loving mash note to ’70s rock. You’ll hear bits of the Rolling Stones, Velvet Underground and David Bowie, but the album expertly manages to sound like something whole and new rather than something derivative.

3. White Denim, Corsicana Lemonade
Upon the first couple of listens, I found White Denim’s latest, Corsicana Lemonade, to be too singer-songwriter-y, but I continued to give it a chance, and it opened up to something much bigger, with genre-hopping songs like “Let It Feel Good (My Eagles)” and “Pretty Green”—not to mention some searing guitar parts—grabbing me by the throat.

4. Futurebirds, Baba Yaga
Admittedly, I didn’t know anything about Futurebirds, out of Athens, Ga., before writing a preview of their late-May show at The Bowery Ballroom. But while listening to their second LP, Baba Yaga, as I wrote, I became totally enamored of the album—half twangy Southern rock and half spacey reverb.

 5. Kurt Vile, Wakin on a Pretty Daze
I love Kurt Vile’s Wakin on a Pretty Daze so much, that I can’t believe it’s only No. 5. Labeling it stoner rock, as many have done, is lazy. Although I supposed me calling it laid-back rock isn’t any better. But the fact of the matter is there might not ever be a better album to listen to while walking the streets of New York City with headphones in your ears. —R. Zizmor

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John Mayer Ends Tour at Barclays Center

December 18th, 2013

John Mayer/Phillip Phillips – Barclays Center – December 17, 2013


Barclays Center welcomed thousands last night for the final performance of John Mayer’s Born and Raised tour. Phillip Phillips kicked off the night with some standout numbers from his debut album, World from the Side of the Moon. It’s no wonder he took the title of American Idol in the show’s eleventh season. Phillips’ stage presence instantly won over the audience, as did his soulful warbling. “Home” and “Where We Came From,” two crowd favorites, highlighted the set. Phillips also gave a husky-voiced performance of the Beatles’ “Eleanor Rigby,” which got the crowd singing along before he did some serious justice to Eminem’s “Lose Yourself” by lending his throaty twang to the rapper’s anthem.

Mayer strode onstage flanked by some exceptionally talented musicians and supporting vocalists. The stage was backlit with a brilliant landscape depicting a desert at dusk, which morphed throughout the performance. The band launched into “Queen of California.” Mayer expressed that had created a set list that would take us on a journey, and he emphasized his gratitude for his talented bandmates. “Half of My Heart” and “I Don’t Trust Myself (With Loving You)” followed, punctuated by Mayer’s extensive guitar solos. “Why Georgia” brought on a wave of nostalgic cheers, and Mayer directed the song’s chorus to the audience, asking, “Are you living it right?” He then brandished a harmonica for the forlorn ballad “Whiskey, Whiskey, Whiskey.” “Who Says” and “Speak for Me” provided an optimistic upswing as the band hit their stride in the extensive set. “Slow Dancing in a Burning Room” briefly dipped back into melancholy before the cheerful melodies and earnest crooning in “Walt Grace’s Submarine Test, January 1967” and “Wildfire” swept us up once again. “Waiting on the World to Change” had the audience cheering instantly, to which Mayer gratefully responded, “I don’t know what I did to deserve you all.” An elongated “If I Ever Get Around to Living” ended with Mayer playing two guitars at once. And then the band closed the set with “The Age of Worry” and “Dear Marie.”

The crowd wasted no time cheering for an encore and voicing their enthusiasm for a certain special guest: Katy Perry. The pop songstress and Mayer had just released a music video for “Who You Love,” and the real-life couple have an easygoing kind of chemistry onstage that is much more relatable than their über-romantic onscreen version. Perry quickly kissed Mayer goodbye as he played a Christmas medley and rounded out the night with a triumphant rendition of “Gravity.” At the end of it all, Mayer was hunched over his guitar on the floor of the stage, beaming at the audience. And as someone who saw him perform more than a decade ago toward the beginning of his career, I can say without a doubt that he’s grown to be one of the best live performers out there. —Schuyler Rooth

Photos courtesy of Greg Pallante | gregpallante.com