Tag Archives: Brooklyn Steel

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Bleachers – Brooklyn Steel – November 21, 2017

November 22nd, 2017


Photos courtesy of DeShaun Craddock | dac.photography

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Pigeons Playing Ping Pong Headline Brooklyn Steel on Friday Night

November 22nd, 2017

Greg Ormont (vocals and guitar), Jeremy Schon (guitar and vocals) and Ben Carrey (bass and vocals) met eight years ago while at the University of Maryland—in 2015 Alex Petropulos replaced original drummer Dan Schwartz—and what began as a dorm project has become a full-time job, Pigeons Playing Ping Pong. Mixing psychedelic funk, fun-loving enthusiastic live performances, a healthy dose of improvisational jamming and a straight-up cool light show has earned the Baltimore band fans across the country, often appearing at bigger venues each time they return to a city. But they’re not only known for playing live. In fact, Pigeons Playing Ping Pong (above, doing “Sunny Day”) put out their fourth LP, Pizazz (stream it below), about a month ago, which has again prompted them to hit the road. Extend your Thanksgiving festivities and see them on Friday night at Brooklyn SteelFlamingosis opens the show with funky hip-hop beats.

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Silversun Pickups – Terminal 5 – November 15, 2017

November 16th, 2017

(Silversun Pickups and Minus the Bear play Brooklyn Steel on Friday night.)

Photos courtesy of Brian C. Reilly | www.briancreilly.com

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American Football Return to NYC to Play Brooklyn Steel on Sunday

November 16th, 2017

Mike Kinsella (vocals, bass and guitar), Steve Lamos (drums and trumpet) and Steve Holmes (guitar) were just three college kids enjoying the summer when they formed the emo/math-rock band American Football outside of Chicago in 1997. A self-titled EP (stream it below) arrived in 1998, with an acclaimed eponymous full-length (stream it below), filled with uncommon time signatures and jazz-influenced chords, released the following year. But then that was pretty much it, with each member going off to do his own thing afterward. And that’s where this story would end if the influential American Football (above, performing “Born to Lose” live in studio for WNYC FM) hadn’t reunited—with the addition of Mike’s cousin Nate Kinsella (bass)—in 2014 to celebrate the 15th anniversary of their LP, which was rereleased with bonus tracks and demo recordings. According to Paste magazine, “The album serves as what indie rock should be about, synthesizing the musical world around us, not dividing and separating,” and per the A.V. Club: “American Football proved that a brief existence doesn’t preclude a band from casting a long shadow.” Things went so well that the band put out another crowd-pleasing full-length named—you guessed it—American Football (stream it below) last fall. “While the record is rooted in nostalgia, so much so the cover features the same iconic house as their debut, it also manages to feel fresh and tentatively exciting, something that’s a result of the band exploring new ideas or looking at old ones from different perspectives,” said Drowned in Sound in a rave review. “Time has only strengthened the chemistry of the band, distilling its essence in to something much purer than its base product. In a year of excellent records, American Football have quite possibly made the best.” See them live at Brooklyn Steel on Sunday night. Land of Talk and Pure Bathing Culture open the show.

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The Drums Play a Hometown Show at Brooklyn Steel on Wednesday

November 14th, 2017

What began nearly 10 years ago as a duo and blossomed into a quartet has more recently become a one-man band with Jonny Pierce doing all of the writing and producing on Abysmal Thoughts (stream it below), the fourth studio album from the Brooklyn band the Drums, out earlier this summer. “The new sounds heighten the bittersweet flavor, as Pierce opens up about feeling lonely, stupid, betrayed, empty, and at times, hopeful. If his life hasn’t exactly gotten easier, his music has never been better,” said the A.V. Club. And Paste magazine was equally impressed: “Don’t let the title fool you. Abysmal Thoughts is a fun, lovely record, radiating sunshine in every melody and shadows in the lyrics. It’s whole and complex and captivating, a treasure chest of an album in which you’ll find something different and unique hiding within each listen.” Catch the Drums (above, doing “Days” live in concert for KEXP FM) when they return home on Wednesday at Brooklyn Steel. Australian four-piece Methyl Ethel open the show.

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Two Nights of Silversun Pickups in New York City This Week

November 14th, 2017

Brian Aubert (vocals and guitar), Chris Guanlao (drums), Joe Lester (keys and samples) and Nikki Monninger (bass and vocals) knew one another from playing in various bands before forming Silversun Pickups 15 years ago in Los Angeles. Their atmospheric sound, layered melodies and spellbinding dreamy pop immediately drew comparisons to My Bloody Valentine and the Smashing Pumpkins with the release of their 2005 debut EP, Pikul (stream it below), and 2006 debut LP, Carnavas (stream it below), “the sort of record that brings something new to discover with each listen,” according to AllMusic. “Thus, listen one is as enjoyable as listen five or 10, but probably for entirely different reasons, since unique bits continuously appear from the band’s dream haze of accessibly textured indie rock.” Their fourth studio album, the synths-filled Better Nature (stream it below), came out in 2015. Despite referring to it as a “transitional record,” Sputnik Music called the long-player “a gorgeous if slightly safe album that proves this band hasn’t lost their edge when it comes to making captivating music.” And live, Silversun Pickups (above, performing “Panic Switch”) are just as exceptional as ever. Catch them on Wednesday at Terminal 5 and on Friday at Brooklyn Steel. Seattle’s Minus the Bear open both shows.



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A Sunday Sing-Along with the Mountain Goats at Brooklyn Steel

November 13th, 2017

The Mountain Goats – Brooklyn Steel – November 12, 2017


John Darnielle might be the hardest-working man in indie rock. This is not to say he comes from the same school as Bruce Springsteen—playing epic four-hour shows every night with sweat soaking through his American flag bandanna. But as the singer-songwriter of the beloved band the Mountain Goats, he’s consistently churned out a thoughtful and varied body of work at such a dependable pace that you might take him for granted. While other prolific artists may have a high volume of toss-away moments in their catalogs, Darnielle’s lyrics have always seemed intensely labored over and essential. Once called “America’s best non-hip-hop lyricist” by The New Yorker, he’s able to cover an impossible amount of ground from verse to verse, all while releasing albums with the band and somehow also managing to write two critically acclaimed novels. How about that for work ethic?

The band’s latest album, Goths, was released this year, and the Mountain Goats’ tour brought them to town for a packed show at Brooklyn Steel on Sunday night. The LP explores Darnielle’s early ’80s teen fascination with this genre in the same way that 2015’s Beat the Champ paid tribute to his heroes of professional wrestling. In pure Mountain Goats fashion: always sincere and never with irony. Mothers, out of Athens, Ga., opened the show with a brief yet powerful set. Afterward, fans roared as Darnielle and Co. walked onstage. Backed by longtime bassist Peter Hughes, multi-instrumentalist Matt Douglas and indie-rock drum royalty (and half of the comedy duo Scharpling & Wurster) Jon Wurster, the band leaned heavily on Goths, pulling off the new songs’ complex instrumentation with finesse. As this material is much more layered than the Mountain Goats’ usual bare-bones acoustic-punk material, Darnielle mostly stuck to playing the tunes on a Rhodes keyboard while Douglas would fill in the space with reverbed-out flourishes on either tenor sax or flute, eliciting huge crowd reactions in response. It was a thrill to watch the band gracefully pull off these new tunes live.

Some of the best moments of the night, however, were when Darnielle picked up his acoustic guitar to dust off some of the old sing-alongs from the band’s long career. Songs like “This Year” and “Against Pollution” had everyone at Brooklyn Steel singing in unison with Darnielle as he marched back and forth across the stage like an unplugged Angus Young. For the final number of their second encore, the Mountain Goats played a full-band version of the All Hail West Texas masterpiece “Best Ever Death Metal Band out of Denton,” with its rallying cry of “Hail Satan” filling the rafters and the hearts of everyone in the room. —Pat King | @MrPatKing

 

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Make It a Funky Saturday Night with Turkuaz at Brooklyn Steel

November 9th, 2017

Dave Brandwein (vocals and guitar) and Taylor Shell (bass) formed the nine-piece funk orchestra Turkuaz—rounded out by Craig Brodhead (guitar and synths), Chris Brouwers (trumpet and keys), Greg Sanderson (sax), Joshua Schwartz (sax and vocals), Michelangelo Carubba (drums), Sammi Garett (tambourine and vocals) and Shira Elias (vocals)—in 2008. Mixing Funk, R&B and Motown with world-music flourishes, Turkuaz (above, performing “Chatte Lunatique” at this year’s Mountain Jam) take cues from bands like Parliament, Sly and the Family Stone and Talking Heads. Their most recent album, Digitonium (stream it below), which came out in 2015, “showcases the band’s deep playbook and versatility within the genre, dialing back the clock for a classic-sounding funk record,” according to Live for Live Music. It’s filled with the psychedelic funk and brassy soul that’s become one of the funk army’s calling cards. Another is their high-octane stage performances. See Turkuaz live when their fall tour brings them home to play Brooklyn Steel on Saturday night. Houston eight-piece the Suffers open the show with a dose of Gulf Coast soul. And then as an added bonus, Turkuaz return in two weeks with Tauksgiving at The Bowery Ballroom on 11/24.

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Flying Lotus – Brooklyn Steel – November 6, 2017

November 7th, 2017


Photos courtesy of Charles Steinberg | charlesosteinberg.com

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Grizzly Bear Dazzle Hometown Crowd at Brooklyn Steel on Saturday

November 6th, 2017

Grizzly Bear – Brooklyn Steel – November 4, 2017


The draw to go see Grizzly Bear in concert runs parallel to the argument to watch a film by Christopher Nolan or Quentin Tarantino on the big screen. In both cases you’re not only experiencing art in the form that conveys its native impact, but you’re also most fully absorbing the styles, angles and dimensions that gloriously distinguish the artist. Such opportunity was afforded on Saturday at Brooklyn Steel, where Grizzly Bear played the last of three sold-out shows marking their return home to the borough where they were born—and their symbolic return to the contemporary music landscape. While the current tour is no doubt in service of their first new album in five years, Painted Ruins, that focus was discreetly carried home by integrating the long-player’s songs into the rest of Grizzly Bear’s 13-year catalog. Outlined by the magical confines of translucent gauze like fabric that formed a celestial cave dwelling, band members Ed Droste, Daniel Rossen, Chris Tyler and Chris Bear expounded upon a career-spanning set list curated with the narrative and stylistic arc that distilled Grizzly Bear’s significance and contribution to a field of music they were responsible for expanding.

As such, the fantastic show was sort of like a retrospective exhibition. Songs like “Yet Again,” from 2012’s Shields, were played with defiant bluster, as if Grizzly Bear wanted to convince you of the album’s overlooked merit, while “Ready Able” and “While You Wait for the Others,” off their essential 2009 album, Veckatimest, pulsated through the room, heightening and transforming the atmosphere, one of the band’s instinctive abilities. It was clear that any rust that had developed over their individual detachments from playing music in the last five years has already disappeared. Rossen’s guitar strumming still had that irresistible surf-rock dissonance that sucked you into that familiar Grizzly Bear place, and Bear’s drumming still held rhythm and threw fills with jazzy soul. During the levitating rendition of “Fine for Now” the vocal interplay between Rossen and Droste effortlessly combined into two-note harmony. Even something like “Two Weeks,” which we’ve all heard countless times, became irresistible again, revived by a live thrust that had everyone bopping along. When new songs “Mourning Sound,” “Three Rings” and “Four Cypresses” were played, it was only then you realized there were glowing new colors that all blend seamlessly into the Grizzly Bear repertoire.

One thing the performance pushed through in myriad ways and with resonance was how integral this band has been in the past decade of alternative rock. And even though they have become universally respected recording artists, the members still carry themselves like your friends who are thrilled to put on a show at a local bar, which only adds to the warm enchanted feeling you get when seeing Grizzly Bear live. During the set, original founder of the band, Droste, expressed his gratitude for the turnout: “Thank you for welcoming us back to where we started.” Grizzly bear were quite welcome on a night when it became so clear how far they’ve come. —Charles Steinberg | @Challyolly

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Hamilton Leithauser Returns Home to Play Brooklyn Steel

November 2nd, 2017

Hamilton Leithauser – Brooklyn Steel – November 1, 2017


Out of all of the musicians who had made a splash in the turn-of-the-century New York City rock scene you could argue that Hamilton Leithauser has aged more gracefully than the rest of the pack. Once the fiery-eyed frontman of the beloved indie-rock band the Walkmen, he’s made the transition toward more of a classic crooner as a solo artist. After the band went on hiatus in 2013, he released his elegant debut solo album, Black Hours, which owed as much to balladeers from the early ’60s as it did to the Walkmen’s post-punk and garage-rock roots. Things really began to gel on his most recent release, a collaborative album written with former Vampire Weekend multi-instrumentalist Rostam Batmanglij called I Had a Dream That You Were Mine. Every song is a winner and mixes Hamilton’s influences with Rostam’s orchestration and production work effortlessly. Initially, Leithauser’s voice was one of the things that set apart the Walkmen from all of the other indie rock bands of their day. It was a force to reckon with at a packed Brooklyn Steel last night, with fans eager to hear him in all of his ragged power.

There’s a part in the documentary Who is Harry Nilsson (And Why Is Everybody Talkin’ About Him)? when Monty Python’s Eric Idle compares the late singer’s vocal stylings to the routine of trapeze artists. Nilsson would reach for these death-defying notes and you never knew if he was going to pull them off or fail miserably. When watching Leithauser sing, you can’t help but see him in a similar way. Only with Leithauser, a daredevil jumping a motorcycle over row of burning cars is a more fitting metaphor. When he’s about to belt out some of those death-defying notes, a part of you thinks it might go horribly wrong but he always seems to stick the landing.

Leithauser proved this over and over again on Wednesday. He and his band ran through all of I Had a Dream That You Were Mine and also treated the crowd to a few songs from Black Hours. On the majority of the material, Leithauser would bang out chords on his 12-string acoustic or delicately pick on his nylon-string guitar for the somber ballads. But he really shined when putting them aside in order to play the role of frontman, thanks to his distinct stage presence. Squeezing the microphone like the leader of a hardcore band, head tilted facing the sky, with his other hand either flung back or punching emphatically into the air. Opener Courtney Marie Andrews came out to duet on two songs, I Had a Dream’s beautiful fever dream of a closer, “1959,” and the newly released duet with Angel Olsen, “Heartstruck (Wild Hunger).” Their voices harmonized beautifully, and it was absolutely breathtaking when she took the lead on the latter number.

Leithauser was thankful to be back in Brooklyn and was conversational with the adoring hometown crowd. He treated the room to the piano ballad “Proud Irene,” off of a limited vinyl-only release, Dear God, which Leithauser would personally hand-deliver to people in the neighborhood. As he introduced the song and explained the release, you could tell there were a few people in the front row who had purchased it. For the encore, the band played through his first-ever collaboration with Rostam, “I Retired,” off of Black Hours, which Leithauser claimed was the best recording he’s ever been a part of. The performance ended with I Had a Dream’s “Peaceful Morning” and then a solo cover of Palace Music’s “Trudy Dies.” He then left the cheering crowd with a wave, joyfully exclaiming, “I’m Hamilton Leithauser. I live down the street.” —Pat King | @MrPatKing

 

 

 

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Primus – Brooklyn Steel – October 31, 2017

November 1st, 2017


Photos courtesy of Adela Loconte | adelaloconte.com

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Grow a Pair: Win Free Tickets to See Grizzly Bear on 11/4

October 31st, 2017

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Touring for the first time in four years—and following the release of their fifth studio album, Painted Ruins, this past summer—Grizzly Bear launch a brand-new American tour tomorrow, which brings them home to Brooklyn for appearances at Brooklyn Steel on Thursday, Friday and Saturday. Tickets still remain for the first date, but both weekend shows are already sold out. And to that end, The House List is giving away two tickets to see Grizzly Bear on Saturday night. Don’t have tickets and want to go? Try to Grow a Pair. It’s easy. Just fill out the form below, making sure to include your full name, email address, which show you’re trying to win tickets to (Grizzly Bear, 11/4) and a brief message explaining why you’re looking forward to daylight saving time ending this weekend. Eddie Bruiser, who’s not a huge fan of changing the clocks, will notify the winner by Friday afternoon. Good luck.

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Beach Fossils – Brooklyn Steel – October 28, 2017

October 30th, 2017

Photos courtesy of Mimi Hong | mimihongphotography.com

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Japandroids – Brooklyn Steel – October 26, 2017

October 27th, 2017


Photos courtesy of Pip Cowley | pipcowleyshoots.com