Tag Archives: Capitol Theatre

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Dan Auerbach – Brooklyn Steel – March 27, 2018

March 28th, 2018


(Dan Auerbach & the Easy Eye Sound Revue play the Capitol Theatre tonight.)

Photos courtesy of Gregg Greenwood | gregggreenwood.com

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Hear Some of the Bands You Can See This Week

March 19th, 2018

Hear some of the bands you can see this week.

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Elvis Costello & the Imposters – Brooklyn Steel – March 7, 2018

March 8th, 2018


(Elvis Costello & the Imposters play the Capitol Theatre tonight, tomorrow and Sunday.)

Photos courtesy of Adela Loconte | adelaloconte.com

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It’s the End of the Year as We Know It

December 28th, 2017

With 2018 fast approaching, The House List takes a look back at 2017.

Adela Loconte, Photographer @adelaloconte
Top Five Favorite Shows
1.
At the Drive-In, Terminal 5, March 22
2. Arca & Jesse Kanda Live, Brooklyn Steel, July 6
3. The Flaming Lips, Terminal 5, March 9
4. PJ Harvey, Brooklyn Steel, April 20
5. Yeah Yeah Yeahs, Kings Theatre, November 7

Chad Berndtson, Writer @cberndtson
Top Five Favorite Shows
No music fan sees everything, and so much depends on the time, the night, the conditions—my ephemeral joys might be your disappointments. That’s part of the fun, right? Among scores of shows I saw in 2017, here are five nights that stuck with me.
1. Drive By Truckers, The Space at Westbury, February 10
One of the great live bands of the last 20 years has gotten leaner and meaner, unafraid of political jabs or paint-peeler guitar solos.
2. Explosions in the Sky, Capitol Theatre, April 22
Ominous music, loaded with portent, staring into the abyss or looking with a smile at some triumph high in the sky. Heavy, cinematic and deep.
3. Jerry Joseph & the Jackmormons, Mercury Lounge, April 30
A master class in old-school, highly emotional rock energy. Still don’t understand why more people don’t know him, 30-plus years into a career of rough-scuffed folk rock delivered sometimes with tenderness and sometimes with Crazy Horse–like abandon.
4. The xx, Forest Hills Stadium, May 19
OK, I’m buying: Hipster as hell, but what they did was paint an outdoor venue in darkly beautiful soundscapes. The most fun I’ve had getting lost in a band in some time. They turn large, unforgiving venues into intimate listening rooms—and get you dancing.
5. Lukas Nelson & Promise of the Real, Music Hall of Williamsburg, November 20
Nelson has learned a lot from two musical dads: his actual dad, Willie, and also Neil Young, whom the Promise of the Real have backed on and off for years now. The type of show that defines the word swagger—a generous meal of rock, country, folk, blues and R&B by an old-school showman barely in his prime.

Dan Rickershauser, Writer @d4nricks
Top Five Favorite Albums
1.
Big Thief, Capacity
The one record I found myself returning to again and again. It was a shitty year, but something about this album soothed my sorrows. Adrianne Lenker’s songs feel personal yet completely pull you in. May she never let go.
2. Kendrick Lamar, Damn.
This may be my least favorite Kendrick Lamar record to date and yet it’s still the second best album that came out this year. The man’s a legend and the world seems to know it. It’s a good thing he’s so humble.
3. The War on Drugs, A Deeper Understanding
Adam Granduciel, the obsessive studio wizard, put out another beauty, this record even more gorgeous than the last. It’s the sound of rock perfection from a perfectionist.
4. Waxahatchee, Out in the Storm
Katie Crutchfield’s songwriting just keeps getting better. She comes out of the gates swinging with some dangerously catchy jams.
5. Grizzly Bear, Painted Ruins
Of all the great indie bands of the late Aughts returning with new albums this year, Grizzly Bear’s takes the cake. Way too many critics slept on this one!

Pat King, Writer @mrpatking
Top Five Favorite Albums
1. Jens Lekman, Life Will See You Now
I had never really given Jens Lekman a chance as a songwriter, but this year it finally clicked for me in a big way. I got laid off from a job that I thought I loved early on in 2017 and was feeling pretty lost and listless in life. I was taking the train from the city to upstate New York to help my dad with a few big projects and was feeling incredibly low sitting alone on Metro North. All of the sudden, I heard “To Know Your Mission” and was completely overcome with emotion. It was the perfect tune for me at that time and each song that followed helped me understand my situation a little more clearly. I couldn’t believe how wise and endearing Lekman is as a lyricist.
2. Mark Mulcahy, The Possum in the Driveway
Whenever the discussion veers toward musicians who have not been given their just dues, I always think of Mark Mulcahy. As the frontman of Miracle Legion and the Nickelodeon-sponsored Polaris (“ay-yay-yay-yi, Hey Sandy”), Mulcahy had been known for a certain type of feel-good college jangle pop that was certainly a product of the ’90s. What many people may not realize is that his solo releases have been more emotionally and musically rewarding than either of those old projects, and he’s been one of few artists who each album he releases is better than his last. Over the past couple of decades he has reinvented himself as one of the great American balladeers, with lyrics and a voice that can cut you down to the bone. This year’s the Possum in the Driveway is a brilliant testament to his powers as a songwriter and one that proves he is in a league of his own.
3. Pallbearer, Heartless
Pallbearer have always shown promise of being one the best doom-metal bands around. But with their self-titled third album, they’ve transcended the genre and gelled into one of today’s most exciting rock bands. The songs are slightly shorter (although still around eight minutes) but have somehow intensified their scope in a more epic way. With this LP, Brett Campbell has made his case for being one of the best singers in heavy music. His lines never reach the outrageous heights of some of his peers in metal but bring enough power to stop you in your tracks. The same goes for this record’s instrumentation. The songs never feel like they have too many parts or get played out to the point of metal parody. It’s just a front-to-back banger that finally cemented Pallbearer as one of the best around.
4. Björk, Utopia
There aren’t many artists who you could say are peerless in popular music. Björk is definitely one of those artists. Every time she releases a new album, fans wait with anticipation to see where she if she will be able to clear the bar she set for herself on the one before. Utopia is such a statement as a complete work as she tries to understand and find happiness in her life after exploring decimating heartbreak on her last release, Vulnicura. It’s amazing to hear her reach the same breathtaking heights as a visionary artist this far into her career. Bow down and give respect.
5. Robyn Hitchcock, Robyn Hitchcock
Robyn Hitchcock delivered the back-to-basics Soft Boys–style album that many of his fans had been longing for for years. Teaming up with producer (and ex-Raconteur) Brendan Benson, Hitchcock turned up the amps and delivered 10 near-flawless rock songs that reminded us why he is one of the most inventive songwriters around. His wit as a lyricist is still ever-present, but hearing him deliver guitar parts reminiscent of Underwater Moonlight on songs like “I Want to Tell You What I Want” and “Mad Shelley’s Letterbox” was one of the most welcome surprises of 2017 for me.
Pat King’s Top 20 Best of 2017 Playlist: https://open.spotify.com/user/126049064/playlist/2idgUHVCiGSJqKkwkfex8v?si=wewT–RFRfWWxEVV3rmWsQ.

Sharlene Chiu, Writer
Top Five Favorite Shows with “New” Artists
1. SZA, Brooklyn Steel, December 10

So if you haven’t yet heard of SZA, you won’t be able to escape her name anytime soon. Riding a debut album that has already produced two platinum singles, the singer played a very sold-out Brooklyn Steel the night after performing on SNL. Her vibrant stage presence was supported by the Sing Harlem Choir. Girl’s going places and you’ll see her next year at the Grammy’s, where she’s the most nominated woman with five nods.
2. Maggie Rogers, The Bowery Ballroom, April 11
When a video of Pharrell’s reaction to Ms. Rogers’ demo of “Alaska” went viral, she was on the up-and-up. Her performance at a sold-out Bowery Ballroom was not only a homecoming, but it was also a beginning of bigger stages and larger audiences. She became teary and confessional near the end of the set, reminiscing about the previous times she’d been to the venue as an audience member. After her pair of Bowery shows, she set off on a whirlwind international tour taking her to Europe, Australia and Japan.
3. The Cactus Blossoms, Mercury Lounge, July 12
The first time I caught the Cactus Blossoms’ noir-infused honky-tonk was at the Hardly Strictly Bluegrass Festival in San Francisco last year. When I saw they would be playing a late show at Mercury Lounge, I had to be there. Friends, I do not go out late on school nights, but for brothers Page Burkum and Jack Torrey, I made an exception. Their languid waltzes were the perfect soundtrack for steamy July.
4. Jay Som, Rough Trade NYC, June 6
A triad of Asian-American songwriters, including Mitski, Japanese Breakfast and Jay Som have been self-producing music since last year. The latter rolled into a sold-out Rough Trade NYC to charm the crowd with not only her skilled musicianship, but also with her charming wit. Som was recently shortlisted by NPR’s All Songs Considered in their year-end best of 2017.
5. Violents and Monica Martin, Rough Trade NYC, April 26
OK, this one isn’t technically new, but the pairing was. Monica Martin, best known as the frontwoman for the now-on-hiatus Phox, and producer Jeremy Larson aka Violents teamed up for this rare tour. Larson has collaborated with female vocalists before, but this one was special. Songs were paired with cinematic footage ranging from scenes from House Party to sweeping black-and-white scenery. What still sticks in my memory was a haunting cover of Frank Ocean’s “Self Control.”

 

 

 

 

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Contest: Win Free Tickets to See Ben Harper & the Innocent Criminals

August 21st, 2017

Road warriors and fiery performers, Ben Harper & the Innocent Criminals will be in the middle of a trip across the Northeast when they roll into the Capitol Theatre on Wednesday night. And The House List is giving away two tickets. To enter, fill in the form below, making sure to include your full name, email address, which show you’re trying to win tickets to (Ben Harper, 8/23) and a brief message explaining your favorite Ben Harper tune.

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Dawes – Brooklyn Steel – June 14, 2017

June 15th, 2017


(Dawes play the Capitol Theatre tomorrow night.)

Photos courtesy of Mike Benigno | mikebenigno.com

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Pixies – Brooklyn Steel – May 26, 2017

May 30th, 2017


(Pixies play the Westbury Theater on 9/22 and the Capitol Theatre on 9/24.)

Photos courtesy of DeShaun Craddock | dac.photography

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Two Rowdy Nights of Clutch, Lucero and the Sword This Week

May 15th, 2017

Neil Fallon (vocals, guitar and keys), Jean-Paul Gaster (drums), Dan Maines (bass and vocals) and Tim Sult (guitar and vocals) formed Clutch more than 25 years ago in Germantown, Md. They gained a loyal following and an interest from several indie labels early on, thanks to their high-energy live shows and their own unique sound (think: the Venn diagram overlap of Led Zeppelin and Faith No More with a little bit of that go-go swing). But despite putting so much emphasis on the fiery stage performances they’re known for, Clutch (above, performing “Firebirds”) still spend a considerable amount of time in the studio recording new material, including their 11th full-length album, Psychic Warfare (stream it below), which came out two Octobers ago. “As the band members have grown together, they deliver—almost effortlessly—a most well-oiled machine. Psychic Warfare includes super-tight interplay, madcap (and thematically heady) lyrics and high-octane riffs that often translate with face-melting power in their live shows,” according to AllMusic. And in naming the long-player one of the 20 Best Metal Albums of 2015, Rolling Stone called it “a danger-fueled but stoner-friendly gem that reminds the listener of days where the hippie and biker culture intermingled in psychotic harmony.” Clutch come our way this week, accompanied by a pair of equally raucous acts—Memphis, Tenn., country-punk rockers Lucero and Austin, Texas, metal revivalists the Sword—for two shows, tonight at Brooklyn Steel and on Wednesday at the Capitol Theatre.

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Grow a Pair: Win Free Tickets to See Father John Misty on 5/11

May 9th, 2017

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With another acclaimed LP under his belt, Father John Misty returns to New York City this week for three shows. Tickets still remain to see him tomorrow at Kings Theatre, but his Thursday and Friday appearances at Brooklyn Steel are already sold out. The House List is giving away two tickets to Thursday’s show. Want to go? Try to Grow a Pair. It’s easy. Just fill out the form below, making sure to include your full name, e-mail address, which show you’re trying to win tickets to (Father John Misty, 5/11) and a brief message explaining your favorite Pure Comedy tune. Eddie Bruiser, who’s been listening to the album on vinyl, will notify the winner by Thursday. Good luck.

(Father John Misty plays the Capitol Theatre on 9/14.)

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The Fab Faux Do Never-Before-Seen Tribute at the Capitol Theatre

May 3rd, 2017

Individually, former Late Show with David Letterman bassist Will Lee (vocals, bass and keys), Conan house-band leader and guitarist Jimmy Vivino (vocals, guitar and keys), in-demand Rich Pagano (vocals and drums), accomplished songwriter Frank Agnello (vocals and guitars) and multi-instrumentalist Jack Petruzzelli (vocals, keys and guitars) are each known as incredibly hard-working and fantastically talented musicians. And together, they combine to join forces as the Fab Faux, which Rolling Stone’s David Fricke calls “the greatest Beatles cover band—without the wigs.” Of course, the Fab Faux (above, performing “Tomorrow Never Knows”) are much more than a cover band. No, they don’t look like the Beatles, but thanks to their love of the Fab Four and their attention to every little detail, they sound remarkably like them. See them perform a never-before-seen tribute of The Beatles’ Second Album and Yesterday and Today on Saturday night at the Capitol Theatre. (The Fab Faux will return to play the Westbury Theater on 6/10 and then the Beacon Theatre on 11/4.)

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Contest: Win Free Tickets to Keller Williams’ Grateful Grass on 4/20

April 19th, 2017

“Take my fascination with Grateful Dead songs and mix it together with my love of psychedelic improvisational bluegrass music and out burps this project,” says Keller Williams. So he’s hit the road with Jeff Austin, Danton Boller, Andy Hall and Jeremy Garrett. And this projectKeller Williams’ Grateful Grass, loose bluegrass takes on Dead tunes—comes to the Capitol Theatre tomorrow night. To make things even better, we’re giving away two tickets. To enter, fill out the form below, making sure to include your full name, e-mail address, which show you’re trying to win tickets to (Keller Williams’ Grateful Grass, 4/20) and a brief message explaining why you’ve got to be there. The winner will be notified by tomorrow.

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Win Free Tickets to See Lotus on 4/8

April 5th, 2017

The guys in Lotus—now made up of Chuck Morris (percussion), Jesse Miller (bass and sampler), Luke Miller (guitar), Mike Greenfield (drums) and Mike Rempel (guitar)—united forces to mine their rock, funk and jazz influences as the eclectic instrumental electronic jam band while still in college back in ’99. Thanks to heavy touring and multiple festival appearances, they’ve since become known for their energetic live performances and cool light shows, in addition to their recorded work, like 2016’s Eat the Light (stream it below), dubbed “jaw-dropping” by Live for Live Music. The Philly band returns to New York to play the Capitol Theatre on Saturday night, and The House List is giving away two tickets. To enter, fill out the form below, making sure to include your full name, e-mail address, which show you’re trying to win tickets to (Lotus, 4/8) and a brief message explaining what you love the most about Lotus. The winner will be notified by Friday. Good luck.

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The Capitol Theatre Welcomes O.A.R. Tomorrow Night

December 27th, 2016

Marc Roberge (vocals and guitar), Benj Gershman (bass), Chris Culos (drums) and Richard On (guitar) became friends while attending high school in Rockville, Md. And then the four of them met Jerry DePizzo (sax, guitar and vocals) when they were all at Ohio State before forming the jammy, roots-rock outfit O.A.R. (Of a Revolution) in 1996. They’ve released eight studio albums over the years, including 2014’s The Rockville LP (stream it below). And over the summer, they put out XX (stream it below), which AllMusic calls “a celebration of the veteran alt-rockers’ 20th anniversary as a band, the aptly named XX offers up a career-spanning collection of their biggest hits and most vital live performances.” And, of course, playing live is what O.A.R. (above, doing “Shattered” live for KINK FM’s Skype Live Studio) are most known for—whether at a festival, club or arena, no stage is too big or too small for them. Don’t miss O.A.R. tomorrow night at the Capitol Theatre, when they will be playing material from across their entire catalog. Singer-songwriter and guitarist Taylor Carson opens the show.

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Bon Iver Close Out Epic New York Run at Music Hall of Williamsburg

December 15th, 2016

Bon Iver – Music Hall of Williamsburg – December 14, 2016

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During a cold winter in a Wisconsin cabin, the first Bon Iver album, For Emma, Forever Ago, was written out of heartbreak—and the indie folklore remains forever in perpetuity. Although raved about in music critics’ circles, the band wasn’t well-known until winning the Best New Artist Grammy in 2012 for the self-titled sophomore effort. Even then, the public was uncertain who was in the band with tweets throughout the telecast wondering exactly who Bonnie Bear was. After a three-year hiatus, Bon Iver returned to headline the inaugural Eaux Claires Music Festival in frontman Justin Vernon’s hometown. This fall, the latest release, 22, A Million, welcomed a new era in the band’s evolution, moving away from the melancholic, acoustic crooning to heavily Auto-Tuned vocals against grainy synths leaving little resemblance to that emotionally cracked man in the cabin.

Over the past two weeks, the once unknown folk band has played sold-out shows across the New York City area from Hammerstein Ballroom and Capitol Theatre to Pioneer Works and Kings Theatre. The residency ended last night at Music Hall of Williamsburg, blocks away from an in-store the band played almost a decade ago at the long-shuttered Sound Fix Records. The stage was set with gear trunks decorated with Eric Timothy Carlson’s artwork from the recent album and served as tables for laptops and synths.

Carlson’s graphics were projected throughout the entire set, offering a strange mix of numerology and lyrics. The opener, “22 (OVER S∞∞N),” echoed a familiar voice that sounded like Merrill Garbus (aka Tune-Yards), but Vernon’s foray into electronics has masked his vocal coherency. The frontman’s earlier work with the band Poliça can be heard in his delivery of “10 d E A T h b R E a s T,” where distorted percussions give way to shredding guitars. Midway through the show, Vernon confessed that it was great to be back “playing one of our favorite rooms.” In a charming moment, the sextet of backing horns, known lovingly as “Sad Sax of Shit,” accompanied the band on “8 (circle).” The evening was largely dedicated to the newer material, but Vernon offered a morsel of the past with an encore that included “Creature Fear.” —Sharlene Chiu

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Win Tickets (and a Signed Poster) to See moe. Play the Capitol Theatre

November 30th, 2016

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Progressive-rock stalwarts moe. hail from upstate, but they’ve got plenty of fans down here in the NYC metro area. This Friday at the Capitol Theatre, they kick off the holiday season with their Famoe.ly Holiday Concert, and we’re giving away two tickets and a signed poster. Want to have a good time and win something this week? Just enter below, making sure to include your full name, e-mail address, which show you’re trying to win tickets to (moe., 12/3) and a brief message explaining your favorite moe. song. Eddie Bruiser, who once listened to “Okayalright” every day for a year, will notify the winner by Friday.

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