Tag Archives: Doc Watson


Gillian Welch Digs Deep at the Beacon Theatre

August 3rd, 2017

Gillian Welch – Beacon Theatre – August 2, 2017

Recently NPR released an article on the Top 150 Albums Made by Women spanning all genres of music from folk, soul, rock, pop and more. Gillian Welch at No. 39 was a particular gem sandwiched between the Staples Singers and Odetta. Welch’s rise came after a resurgence of country-blues thanks to the film O Brother, Where Art Thou? and has stood the test of time with her continuous touring. It’s been more than five years since the release of The Harrow and the Harvest, and that milestone perpetuated the singer to tour in support of a special vinyl release. Welch and longtime musical partner David Rawlings rolled into the ornate Beacon Theatre Wednesday evening to regale fans by playing the album in full.

Literally going from the opening track, “Scarlet Town,” to the fittingly conclusive “The Way the Whole Thing Ends,” the pair apologized for the many minor-key songs, but no one in the audience seemed to mind in the least. The singer charmed with her footwork on “Six White Horses,” as her two-step served as percussion for the rollicking number. A short intermission followed the conclusion of the album’s completion, and the duo returned to serenade the room with more woeful ditties, including “Wayside/Back in Time” and the ultimate crowd-pleaser, “Revelator.” Welch’s magic is truly in her partnership with Rawlings, whose mastery of the guitar perfectly phrases her heartbreaking lyrics. The guitarist took center stage to debut a new track from his upcoming release, Poor David’s Almanack, which the two will be touring behind next.

Many of their recordings have been touched by greats like Johnny Cash, who inspired “Dry Town,” and Doc Watson, whom the songstress addressed before performing the traditional “Make Me a Pallet on the Floor” during the encore. Welch saved the best for last with the aching “Orphan Girl,” and Rawlings’s fluttering guitar showcased on “Look at Miss Ohio.” The pair dug deep into their musical roots for the hymnal “I’ll Fly Away” by Albert E. Brumley, which evoked handclaps all the way up to the balcony. To wrap the evening with a proper farewell, the two covered the famed June Carter Cash and Johnny Cash hit “Jackson.” From one timeless country union to another, Welch and Rawlings continue their more-than-two-decade partnership with no end in sight. —Sharlene Chiu




Willie Watson Sells Out Rough Trade NYC on Friday Night

January 12th, 2015

Willie Watson – Rough Trade NYC – January 9, 2015

Sellouts are always special, but there was something even more rewarding about the packed house for Friday’s Rough Trade NYC bill. That a guy like Willie Watson with a guitar and a banjo, playing a set of songs that had been around longer than everyone in attendance had been alive—numbers that felt older than dirt—could draw such a large, spirited crowd to Williamsburg was emblematic of something. It said something about the timelessness of the music, of course, the folk tradition that will outlive us all, but it was also indicative of the guy playing them: He looked the part and sounded the part. Watson doesn’t just play these songs, he breathes life into them.

Following a raucous, raunchy, keep-your-eye-out-for-this-one opening set from Elle King, Watson took the stage, banjo in hand, wearing a denim shirt and jeans and a hat that added the perfect look to the sounds he was about to make. He opened with a one-two hootenanny of “Georgia Buck” and “Free Little Bird,” which put him in league with Earl Scruggs and Doc Watson respectively. The audience was transported, stomping the floor in time, evoking a barn dance more than a rock club.

Watson pulled some of the songs from last year’s Folk Singer Vol. 1, but mostly he seemed to be reaching back in time, the entire Americana songbook at his disposal. Highlights included Blind Willie McTell’s “Rollin’ Mama Blues” with some nice hand-shucked guitar picking, and an excellent version of a “new one,” Reverend Gary Davis’s “I Belong to the Band, Hallelujah.” Wrapping up a stellar night of singing and dancing, Watson capped the set with Lead Belly’s “Midnight Special” before an encore of traditionals, “Good Old Mountain Dew” and “On the Road Again.” You get the impression that a campfire, a bottle of whiskey, Willie Watson and his guitar would be just about a perfect Friday night. Who knows? He might even be able to sell out a gig like that. —A. Stein | @Neddyo