Tag Archives: Evil Friends

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Portugal. The Man Are Well Worth the Wait at The Bowery Ballroom

November 8th, 2016

Portugal. The Man – The Bowery Ballroom – November 7, 2016

Portugal. The Man – The Bowery Ballroom – November 7, 2016
It’s been a while since New York City has gotten a proper headlining show from Portugal. The Man. While there have been some coheadlining bills to keep their fans (slightly) satisfied over the past couple of years, the packed house at The Bowery Ballroom last night was justifiably antsy awaiting the Portland, Ore., band. That wait was filled with a psychedelic variety show of openers from stand-up comedy to German rappers. PTM have filled their tour with an upside-down assortment of friends, giving the entire affair a family feel that extended to the sold-out audience. Indeed, to be a fan of the group has a part-of-the-club feel and the room felt filled with diehards hoping their heroes would deliver.

Not to worry: Portugal. The Man’s set was well worth the wait. They opened with the title track to their 2007 album, Church Mouth, which hasn’t been in their repertoire for many years but still sizzled with up-to-date energy. The even older “Chicago”—its frenetic blasts of punk-prog, frontman John Gourley singing, “Burn this motherfucker down”—followed, and it was clear that this was a PTM that NYC hadn’t seen for quite some time. The rest of the set list was an expertly designed back and forth through the Portugal. The Man songbook, old and new, alternating from beautiful to cathartic to pure evil accompanied by unique bulbous lights, spheres of colors giving the effect of a sci-fi rock show. The crowd reveled in the invigorated set, the band artfully stringing together multiple songs, finding new places to insert extra guitar excursions and strobe-light climaxes.

“All Your Light” has long been a set centerpiece, but last night it seemed to realize its full potential as a triumphant suite with multiple bass-drum-guitar-keys rock-outs, eventually peaking with the outro to the Beatles’ “I Want You (She’s So Heavy)” feeling very much like it could have been a PTM original. Along the way, they still managed to hit all the beloved sing-alongs and pretty much all of their most recent Evil Friends album, although with plenty of impressive reinvention throughout, stretching the set well past the 100-minute mark. They finally finished with an expert pairing of Pink Floyd’s “Another Brick in the Wall” with their own “Purple Yellow Red and Blue,” everyone in the crowd triumphantly singing, dancing and waving their hands in the air, hoping it won’t be too long before the next one. —A. Stein | @Neddyo

Photos courtesy of Pip Cowley | pipcowleyshoots.com

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Cage the Elephant and Portugal. The Man Provide a Glimpse of Summer

May 17th, 2016

Cage the Elephant/Portugal. The Man – SummerStage – May 16, 2016

Cage the Elephant

Cage the Elephant

Those waking up on Monday morning in the NYC area probably had a tough time believing that summer was almost here. With temperatures in the unseasonably low 40s, seeing music outdoors wasn’t an obvious activity for later that evening. But when showtime rolled around, the wind had died down, and Central Park’s SummerStage was packed with people who were more than comfortable as they kicked off the summer-concert season with plenty of temperature-raising rock and roll from the stage.

As far as double bills go, the pairing of Cage the Elephant and Portugal. The Man was relatively inspired. In fact, at times the two sets seemed to echo each other, as if the bands were two sides of the same sheet of paper, each providing answers to the questions posed by the other. Portugal. The Man got things rolling: In contrast to the last time they performed at SummerStage, with lasers and clouds of smoke, they played mostly in daylight, but their set was anything but sunshine. Delving deep into a set list built largely from their Evil Friends and In the Mountain in the Cloud albums, frontman John Gourley and the band found new life in the tour-tested material, adding pockets of serrated guitar to songs like “Holy Roller (Hallelujah)” and extraterrestrial synth to “Head Is a Flame (Cool with It).” The crowd sang along and everyone found their mid-July dancing form, truly enjoying the band’s first NYC appearance in more than a year and a half. A new song was synth-psych Motown, Gourley singing about “coming in hot like it’s summer in the city we’re living in.” The sound dialed in about halfway through their hour-long set, building to a crescendo that peaked as the sun set with “All Your Light,” a fireworks display that opened into four distinct well-choreographed jams of varying intensity that eventually returned to a completely redesigned final verse leading to a blistering take on the outro riff from the Beatles’ “I Want You (She’s So Heavy).”

With the sun fully set, Cage the Elephant began to build the energy even higher. Their opening number, “Cry Baby,” was like a distorted-guitar so-heavy Beatles, lead singer Matthew Shultz bounding and thrashing across the stage. By the second song, “In One Ear,” the audience was ready to clap, sing and dance along as the this-is-a-rock-show lights were in full bloom of the purple, yellow, reds and blues of Portugal. The Man’s set closer. At some point, someone in the crowd threw a phone onstage and got a unique-vantage photo, the summer’s-almost-here party vibe making its annual pilgrimage into the hearts and minds of young rockers everywhere. From there, the show was a dark and smoky dance party, shades of solstice sunshine in “Trouble” with its central core of “ooowoowoo.” Instead of singing about “evil friends,” Shultz warned that there “Ain’t No Rest for the Wicked.” The sold-out audience basked in the reds and blues and white strobe lights as the band worked through material off Tell Me I’m Pretty and Melophobia, with occasional rock-out explosions to match the mood. When the show finally concluded and the lights came back on, it was merely mid-spring again, but as the intermingling music of Cage. The Man still buzzed in the Central Park air, it was clear that summer is almost here.
—A. Stein | @Neddyo

Photos courtesy of Gregg Greenwood | gregggreenwood.com

(Cage the Elephant and Portugal. The Man play SummerStage again tonight.)

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Summer’s Coming: Four Big Shows Next Week in New York City

May 13th, 2016

Summer doesn’t actually arrive for another five weeks or so, but the summer-music season gets kicked off next week in a very big way.

Bowling Green, Ky., quartet Cage the Elephant’s fourth studio album, Tell Me I’m Pretty (stream it below), produced by Dan Auerbach, came out last December, impressing Exclaim!: “If your sister were Anita Miller from Almost Famous, she might tell you to listen to Tell Me I’m Pretty with a candle burning. Matthew Shultz has hit the mark lyrically and vocally here, inviting listeners into the emotionally charged and honest world that Cage the Elephant inhabit. Although we still hear his lo-fi, distorted vocals throughout the record, many moments are left confidently unadorned and clear.” Known for their fiery live performances, Cage the Elephant play SummerStage, alongside Portugal. The Man and Broncho, on Monday and Tuesday.


From the land of Britpop, in Manchester, England, the 1975 (above, performing “Love Me” earlier this year on Saturday Night Live) have risen up as a band with global appeal. Their second LP, I Like It When You Sleep, for You Are So Beautiful Yet So Unaware of It (stream it below), arrived in February, topping the charts here and across the Atlantic. “When a band conquers the charts with a fun but inoffensive debut album, you don’t expect them to return with a 17-track follow-up that tempers pop tunes with swampy post-rock instrumentals and references mental health, religion, addiction, loneliness and fame. But the 1975, whose self-titled debut hit number one in 2013, aren’t concerned with playing it safe,” raves NME. They bring their arena-ready rock to Barclays Center on Tuesday night. Wolf Alice and the Japanese House open the show.


Another English band to hit No. 1, Rudimental, the London four-piece, have been making shake-it-don’t-break-it electronic music for just a few years, but that hasn’t stopped them from becoming wildly popular. Their sophomore studio album, We the Generation (stream it below), recorded in Jamaica, came out last fall. The Evening Standard noted its “positive vibes” and “their sunny reworking of dingy old drum and bass.” And on Wednesday at SummerStage, they kick off a short tour with the like-minded North London electronic duo Gorgon City. Brooklyn duo Walker & Royce open the show.

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A Big Band on a Big Stage

September 30th, 2013

Portugal. The Man – Terminal 5 – September 27, 2013


Usually fans bemoan the growth of their favorite bands, thinking back to the “good old days” when they still performed in small clubs and were a special secret. But groups like Portugal. The Man always seem to play beyond their size, overstuffing smaller rooms like Mercury Lounge and The Bowery Ballroom with enough energy for an arena and a half. And playing a very sold-out Terminal 5 on Friday night, they proved that for them, bigger is absolutely better.

After the audience sang along with the Righteous Brothers’ “Unchained Melody” at full volume over the PA—the energy already tilting the meter into the red—Portugal. The Man took the stage in a swirl of smoke. The backdrop, in the shape of a mountain range, was an apt visual for the set they were about to play, which was one music peak after another after another. Portugal. The Man opened with “Purple Yellow Red and Blue,” off their new album, Evil Friends, the backdrop absorbing green lasers and geometric shapes as the crowd pumped fists, sang along and danced as one collective unit. The set slalomed through the band’s catalog with multiple songs strung together or mashed up or stretched out in mind-blurring jams. All the while that mountain range transformed, flickering through psychedelic animation (blinking fluorescent eyeballs, anyone?) in perfect accompaniment to the music. Covers and teases were abound, like their take on “Day Man” from It’s Always Sunny in Philadelphia sprouting up organically from the Evil Friends title track. Frontman John Gourley was in top form, singing and holding down lead-guitar duties. His performance of Etta James’s “I’d Rather Go Blind”—a rare standalone moment in a show that otherwise didn’t let up—was a highlight.

The end of the set somehow found its way back to where it began with a full-throttle reprise of “Purple Yellow Red and Blue.” It was the same song, but somehow different, better, bigger, like the band had put on 20 lbs. of well-toned muscle over the course of the night. Those in the crowd had spent the better part of 90 minutes bouncing and sweating and bumping into one another but they still had enough for an over-the-top, Beatles-flavored encore that began with the long, manic drum-and-guitar-jams of “The Devil,” which metamorphosed into their very own take on “Helter Skelter.” Then they launched into perhaps their longest, most triumphant piece, “Sleep Forever,” the audience climbing one last Day-Glo peak as the climax naturally gave way to a snippet of “Someday Believers” before giving everyone a chance to use up their last bit of energy on a glorious sing-along of the “Hey Jude” coda. It was a big ending for a big show and surely not a soul in the room would have had it any other way. —A. Stein

Photos courtesy of Jeremy Ross | jeremypross.com

Contest

Grow a Pair: Win Free Tickets to See Portugal. The Man on 9/27

September 24th, 2013

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Portugal. The Man released their seventh album, the acclaimed Danger Mouse–produced Evil Friends in June, and their tour in support of it brings them to Terminal 5 on Friday night. The show is sold out but The House List just so happens to be giving away two tickets. So if you’d like to go, try to Grow a Pair. Just fill out the form below, making sure to include your full name, e-mail address, which show you’re trying to win tickets to (Portugal. The Man, 9/27) and a brief message explaining your three favorite things about fall. Eddie Bruiser, an autumn fan, will notify the winner by Friday. Good luck.

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