Tag Archives: Forest Hills Stadium
Tags: Andreas Wild, Apollo Theater, Forest Hills Stadium, Joseph Pope III, Luke Mossman, Marc Millman, Mark Shusterman, Nathaniel Rateliff, Nathaniel Rateliff & the Night Sweats, New York City, Patrick Meese, Photos
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With 2018 fast approaching, The House List takes a look back at 2017.
Adela Loconte, Photographer @adelaloconte
Top Five Favorite Shows
1. At the Drive-In, Terminal 5, March 22
2. Arca & Jesse Kanda Live, Brooklyn Steel, July 6
3. The Flaming Lips, Terminal 5, March 9
4. PJ Harvey, Brooklyn Steel, April 20
5. Yeah Yeah Yeahs, Kings Theatre, November 7
Chad Berndtson, Writer @cberndtson
Top Five Favorite Shows
No music fan sees everything, and so much depends on the time, the night, the conditions—my ephemeral joys might be your disappointments. That’s part of the fun, right? Among scores of shows I saw in 2017, here are five nights that stuck with me.
1. Drive By Truckers, The Space at Westbury, February 10
One of the great live bands of the last 20 years has gotten leaner and meaner, unafraid of political jabs or paint-peeler guitar solos.
2. Explosions in the Sky, Capitol Theatre, April 22
Ominous music, loaded with portent, staring into the abyss or looking with a smile at some triumph high in the sky. Heavy, cinematic and deep.
3. Jerry Joseph & the Jackmormons, Mercury Lounge, April 30
A master class in old-school, highly emotional rock energy. Still don’t understand why more people don’t know him, 30-plus years into a career of rough-scuffed folk rock delivered sometimes with tenderness and sometimes with Crazy Horse–like abandon.
4. The xx, Forest Hills Stadium, May 19
OK, I’m buying: Hipster as hell, but what they did was paint an outdoor venue in darkly beautiful soundscapes. The most fun I’ve had getting lost in a band in some time. They turn large, unforgiving venues into intimate listening rooms—and get you dancing.
5. Lukas Nelson & Promise of the Real, Music Hall of Williamsburg, November 20
Nelson has learned a lot from two musical dads: his actual dad, Willie, and also Neil Young, whom the Promise of the Real have backed on and off for years now. The type of show that defines the word swagger—a generous meal of rock, country, folk, blues and R&B by an old-school showman barely in his prime.
Dan Rickershauser, Writer @d4nricks
Top Five Favorite Albums
1. Big Thief, Capacity
The one record I found myself returning to again and again. It was a shitty year, but something about this album soothed my sorrows. Adrianne Lenker’s songs feel personal yet completely pull you in. May she never let go.
2. Kendrick Lamar, Damn.
This may be my least favorite Kendrick Lamar record to date and yet it’s still the second best album that came out this year. The man’s a legend and the world seems to know it. It’s a good thing he’s so humble.
3. The War on Drugs, A Deeper Understanding
Adam Granduciel, the obsessive studio wizard, put out another beauty, this record even more gorgeous than the last. It’s the sound of rock perfection from a perfectionist.
4. Waxahatchee, Out in the Storm
Katie Crutchfield’s songwriting just keeps getting better. She comes out of the gates swinging with some dangerously catchy jams.
5. Grizzly Bear, Painted Ruins
Of all the great indie bands of the late Aughts returning with new albums this year, Grizzly Bear’s takes the cake. Way too many critics slept on this one!
Pat King, Writer @mrpatking
Top Five Favorite Albums
1. Jens Lekman, Life Will See You Now
I had never really given Jens Lekman a chance as a songwriter, but this year it finally clicked for me in a big way. I got laid off from a job that I thought I loved early on in 2017 and was feeling pretty lost and listless in life. I was taking the train from the city to upstate New York to help my dad with a few big projects and was feeling incredibly low sitting alone on Metro North. All of the sudden, I heard “To Know Your Mission” and was completely overcome with emotion. It was the perfect tune for me at that time and each song that followed helped me understand my situation a little more clearly. I couldn’t believe how wise and endearing Lekman is as a lyricist.
2. Mark Mulcahy, The Possum in the Driveway
Whenever the discussion veers toward musicians who have not been given their just dues, I always think of Mark Mulcahy. As the frontman of Miracle Legion and the Nickelodeon-sponsored Polaris (“ay-yay-yay-yi, Hey Sandy”), Mulcahy had been known for a certain type of feel-good college jangle pop that was certainly a product of the ’90s. What many people may not realize is that his solo releases have been more emotionally and musically rewarding than either of those old projects, and he’s been one of few artists who each album he releases is better than his last. Over the past couple of decades he has reinvented himself as one of the great American balladeers, with lyrics and a voice that can cut you down to the bone. This year’s the Possum in the Driveway is a brilliant testament to his powers as a songwriter and one that proves he is in a league of his own.
3. Pallbearer, Heartless
Pallbearer have always shown promise of being one the best doom-metal bands around. But with their self-titled third album, they’ve transcended the genre and gelled into one of today’s most exciting rock bands. The songs are slightly shorter (although still around eight minutes) but have somehow intensified their scope in a more epic way. With this LP, Brett Campbell has made his case for being one of the best singers in heavy music. His lines never reach the outrageous heights of some of his peers in metal but bring enough power to stop you in your tracks. The same goes for this record’s instrumentation. The songs never feel like they have too many parts or get played out to the point of metal parody. It’s just a front-to-back banger that finally cemented Pallbearer as one of the best around.
4. Björk, Utopia
There aren’t many artists who you could say are peerless in popular music. Björk is definitely one of those artists. Every time she releases a new album, fans wait with anticipation to see where she if she will be able to clear the bar she set for herself on the one before. Utopia is such a statement as a complete work as she tries to understand and find happiness in her life after exploring decimating heartbreak on her last release, Vulnicura. It’s amazing to hear her reach the same breathtaking heights as a visionary artist this far into her career. Bow down and give respect.
5. Robyn Hitchcock, Robyn Hitchcock
Robyn Hitchcock delivered the back-to-basics Soft Boys–style album that many of his fans had been longing for for years. Teaming up with producer (and ex-Raconteur) Brendan Benson, Hitchcock turned up the amps and delivered 10 near-flawless rock songs that reminded us why he is one of the most inventive songwriters around. His wit as a lyricist is still ever-present, but hearing him deliver guitar parts reminiscent of Underwater Moonlight on songs like “I Want to Tell You What I Want” and “Mad Shelley’s Letterbox” was one of the most welcome surprises of 2017 for me.
Pat King’s Top 20 Best of 2017 Playlist: https://open.spotify.com/user/126049064/playlist/2idgUHVCiGSJqKkwkfex8v?si=wewT–RFRfWWxEVV3rmWsQ.
Sharlene Chiu, Writer
Top Five Favorite Shows with “New” Artists
1. SZA, Brooklyn Steel, December 10
So if you haven’t yet heard of SZA, you won’t be able to escape her name anytime soon. Riding a debut album that has already produced two platinum singles, the singer played a very sold-out Brooklyn Steel the night after performing on SNL. Her vibrant stage presence was supported by the Sing Harlem Choir. Girl’s going places and you’ll see her next year at the Grammy’s, where she’s the most nominated woman with five nods.
2. Maggie Rogers, The Bowery Ballroom, April 11
When a video of Pharrell’s reaction to Ms. Rogers’ demo of “Alaska” went viral, she was on the up-and-up. Her performance at a sold-out Bowery Ballroom was not only a homecoming, but it was also a beginning of bigger stages and larger audiences. She became teary and confessional near the end of the set, reminiscing about the previous times she’d been to the venue as an audience member. After her pair of Bowery shows, she set off on a whirlwind international tour taking her to Europe, Australia and Japan.
3. The Cactus Blossoms, Mercury Lounge, July 12
The first time I caught the Cactus Blossoms’ noir-infused honky-tonk was at the Hardly Strictly Bluegrass Festival in San Francisco last year. When I saw they would be playing a late show at Mercury Lounge, I had to be there. Friends, I do not go out late on school nights, but for brothers Page Burkum and Jack Torrey, I made an exception. Their languid waltzes were the perfect soundtrack for steamy July.
4. Jay Som, Rough Trade NYC, June 6
A triad of Asian-American songwriters, including Mitski, Japanese Breakfast and Jay Som have been self-producing music since last year. The latter rolled into a sold-out Rough Trade NYC to charm the crowd with not only her skilled musicianship, but also with her charming wit. Som was recently shortlisted by NPR’s All Songs Considered in their year-end best of 2017.
5. Violents and Monica Martin, Rough Trade NYC, April 26
OK, this one isn’t technically new, but the pairing was. Monica Martin, best known as the frontwoman for the now-on-hiatus Phox, and producer Jeremy Larson aka Violents teamed up for this rare tour. Larson has collaborated with female vocalists before, but this one was special. Songs were paired with cinematic footage ranging from scenes from House Party to sweeping black-and-white scenery. What still sticks in my memory was a haunting cover of Frank Ocean’s “Self Control.”
Tags: A Deeper Understanding, Adela Loconte, Arca, At the Drive-In, Big Thief, Björk, Bowery Ballroom, Brendan Benson, Brett Campbell, Brooklyn, Brooklyn Steel, Cactus Blossoms, Cage the Elephant, Capacity, Capitol Theatre, Chad Berndtson, Cntrl, Damn, Dan Rickershauser, Drive-By Truckers, Explosions in the Sky, Flaming Lips, Forest Hills, Forest Hills Stadium, Frank Ocean, Grizzly Bear, Hardly Strictly Bluegrass Festival, Heartless, House Party, Jack Torrey, Jackmormons, Japanese Breakfast, Jay Som, Jens Lekman, Jerry Joseph, Kendrick Lamar, Kills, Kings Theatre, Life Will See You Now, Live Music, Lower East Side, Lukas Nelson, Maggie Rogers, Mark Mulcahy, Mercury Lounge, Miracle Legion, Mitski, Monica Martin, Music, Music Hall of Williamsburg, Neil Young, New York City, Out in the Storm, Page Burkum, Painted Ruins, Pallbearer, Pat King, Pharrell, Phox, PJ Harvey, Polaris, Queens, Raconteurs, Robyn Hitchcock, Rough Trade NYC, Sharlene Chiu, Sing Harlem Choir, Soft Boys, Space at Westbury, Spoon, St. Vincent, SZA, The Possum in the Driveway, Underwater Moonlight, Unpeeled, Utopia, Violents!, Vulnicura, War on Drugs, Waxahatchee, Williamsburg, Willie Nelson, XX, Yeah Yeah Yeahs
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Louisville, Ky., road warriors My Morning Jacket are known for their wildly entertaining, energetic live performances deftly covering material from their seven studio albums, including 2015’s The Waterfall (stream it below), with a well-placed cover or two sprinkled throughout their set. They have a sum-of-their-parts sound—with each performer locked in unison—that still allows all five members room to shine. Frontman Jim James and guitarist Carl Broemel—perhaps the band’s secret weapon, at the very front of the stage, his hair furiously swaying in harmony with his slashing guitar—play in, at and around each other over the course of the entire two-plus-hours show, oftentimes face to face. But despite the fiery duo’s considerable presence, it’s Patrick Hallahan’s ferocious drumming, Tom Blankenship’s forward-thrusting bass (no more so than on “The Dark”) and Bo Koster’s subtle keys work that drive everything forward, one song into the next, often with an effortless-sounding segue. On Saturday at Forest Hills Stadium, My Morning Jacket (above, performing “Phone Went West” at Red Rocks), who have played New York City shows at rooms as small as Mercury Lounge and as big as Madison Square Garden, roll into Queens in mid-tour form. Guitar hero Gary Clark Jr. opens the show.
Tags: Bo Koster, Carl Broemel, Forest Hills, Forest Hills Stadium, Gary Clark Jr., Jim James, Live Music, Music, My Morning Jacket, New York City, Patrick Hallahan, Preview, Queens, The Waterfall, Tom Blankenship, Video
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Bob Stinson (guitar), his brother Tommy Stinson (bass) and Chris Mars (drums) were already in a garage-punk outfit when Paul Westerberg (guitar and vocals) joined the band in 1979. The quartet changed their name to the Replacements since under the previous name, the Impediments, they’d been banned from some local Minneapolis clubs, thanks to rowdy behavior. Initially they were compared to another Twin Cities band, Hüsker Dü. But as the Replacements became increasingly known for their wild (drunken?) live performances— and as their sound drifted from punk to jangly alternative rock, including elements of pop and folk—they made a name for themselves, unquestionably emerging as one of the most influential, trailblazing bands of the ’80s, thanks in large part to their energetic live shows and the seven terrific albums they released between 1981 and 1990: Sorry Ma, Forgot to Take Out the Trash (stream it below), Hootenanny (stream it below), Let It Be (stream it below), Tim (stream it below), Pleased to Meet You (stream it below), Don’t Tell a Soul (stream it below) and All Shook Down (stream it below). But eventually things began to go off the rails. They were banned from Saturday Night Live in 1986, and Bob Stinson left the group later that year (and died in 1995). Mars departed in 1990, and then the Replacements closed up shop in the summer of 1991. And that’s where the story would have ended, except that seemingly out of nowhere, Westerberg and Tommy Stinson, joined by other musicians, played six shows last year. Buoyed by the response, they’ve teamed up with drummer Josh Freese and guitarist Dave Minehan to play several shows this year, including Coachella and Boston Calling. And on the heels of triumphantly playing their first hometown show in 23 years, which Billboard called “an absolutely stellar performance from start to finish,” they Replacements (above, performing “Alex Chilton” on The Tonight Show Starring Jimmy Fallon) are coming to New York City to play Forest Hills Stadium on Friday night with a pair of like-minded, don’t-miss bands, the Hold Steady and Deer Tick. It’s the last Friday of summer, and this is one not to skip.
Tags: All Shook Down, Bob Stinson, Chris Mars, Dave Minehan, Deer Tick, Don’t Tell a Soul, Forest Hills Stadium, Hootenanny, Josh Freese, Let It Be, Paul Westerberg, Pleased to Meet You, Preview, Sorry Ma. Forgot to Take Out the Trash, the Hold Steady, the Replacements, Tim, Tommy Stinson, Video
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Mumford & Sons – Forest Hills Stadium – August 28, 2013
Clouds sat heavily over Forest Hills Stadium last night as thousands of concertgoers filled the seats and standing room of the historic venue to see Mumford & Sons, the Vaccines and Bear’s Den for the venue’s first concert since 1997. We couldn’t have cared less about the raindrops falling throughout the night, as this inaugural show since the stadium’s reopening was going down in music history. Excitedly, the crowd settled in for lively sets from Bear’s Den and the Vaccines. “I can’t tell you how excited we are to be here,” said Vaccines frontman Justin Young, beaming between songs. Highlights from their set included “Blow It Up,” “Wetsuit,” “All in White” and “I Always Knew.”
As night fell, the crowd jockeyed for the best possible stage view. It seemed as if not a single seat or patch of standing room was empty. Fog filled the stage and the lights dimmed as we heard Mumford & Sons tuning in the dark. Uproarious applause and cheering ensued as the lights came up on the band playing “Lovers’ Eyes,” followed by “Babel.” Marcus Mumford greeted the sold-out stadium: “We just can’t believe you all came—17,000 people on a tennis court? That hasn’t happened for a long time!” The set moved along swiftly, and additional string and brass instruments joined the mix to create an orchestral vibrancy that escalated Mumford & Sons’ anthemic music.
“We’re going to play a song that’s extremely inappropriate considering the humidity,” said Mumford with a chuckle before the band played “Winter Winds.” The foggy low light suited the band well during their subdued numbers, and gleaming spotlights electrified the up-tempo moments. “Timshel,” “Little Lion Man” and “Hopeless Wanderer” had the crowd singing along, entranced. For their encore, the band covered Bruce Springsteen’s “I’m on Fire,” which had many singing along. Mumford & Sons took a break between songs to hit some tennis balls into the crowd using their instruments as tennis racquets. Paying tribute to their initial success, the band played closed the show with “The Cave” and bid the audience a cheerful adieu, cheering on the team that worked so hard to restore the stadium. Judging by the success of last night’s show, Forest Hills Stadium will be home to more sold-out shows in the years to come and reclaim its reputation as a famed music venue. —Schuyler Rooth