Tag Archives: Gregg Greenwood

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LCD Soundsystem – Brooklyn Steel – December 11, 2017

December 12th, 2017


(There are a few tickets left for tonight’s LCD Soundsystem show at Brooklyn Steel.)

Photos courtesy of Gregg Greenwood | gregggreenwood.com

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Morrissey – Theater at Madison Square Garden – December 2, 2017

December 4th, 2017


Photos courtesy of Gregg Greenwood | gregggreenwood.com

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Elbow – Terminal 5 – November 2, 2017

November 3rd, 2017


Photos courtesy of Gregg Greenwood | gregggreenwood.com

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Broken Social Scene to the Rescue at Brooklyn Steel on Wednesday

October 5th, 2017

Broken Social Scene – Brooklyn Steel – October 4, 2017

In “getting the band back together,” the siblings in The Blues Brothers are compelled to get all of the original members, no less will do, in order to rekindle the old magic. I imagine Kevin Drew and Brendan Canning going through similar adventures every few years as they search Toronto to round up Andrew Whiteman, Charles Spearin, Justin Peroff and the rest of Broken Social Scene. In the movie, the reunion is to save an orphanage, and while now there’s no orphanage to save, per se, it does lately feel like our collective national psyche has been orphaned—and who better to save it than these guys? Or, as Drew put it midway through their sold-out show at Brooklyn Steel last night: “When your country gets fucked up, Broken Social Scene shows up … that’s what we do.” And show up they did, delivering a powerful, jubilant, cathartic set, the band, indeed back together.

The healing vibes were flowing from the beginning with a punchy opening one-two of “KC Accidental” and “7/4 Shoreline,” guitars layered upon guitars and then, at just the right moment, a blast of horns materializing to provide the exclamatory oomph. “We’re not a rock band, we’re a family!” proclaimed Drew later in the night, putting to words the unique, sibling-love energy coming from the stage. Even when squeezing two, three and sometimes four guitar parts into their songs, the sound was big and loving without getting too messy. A mid-set pairing of “Stars and Sons” and “World Sick” showed off the ensemble’s range: joyous, raucous bounce followed by more subtle, heartfelt rocking, the latter lingering with beautiful cascades of guitar in both the intro and outro.

While it’s been a few years since Broken Social Scene’s last proper tour—and the band and crowd were both filled with nostalgia last night—plenty of new material still seamlessly fit into the set. “Skyline,” dedicated to Tom Petty, felt especially purposeful and charged, quietly building to another horn-led climax. The new record is titled Hug of Thunder, and that’s exactly what the show felt like, an emotional release in voluminous guitars, bass, drums and more. During the encore, the hugs became literal, Drew dropping down into the crowd to sing “Lover’s Spit” and giving a genuine embrace to as many people as he could along the way as he sang, sincerely, if not reassuringly, “Making it work takes a little time.” —A. Stein | @Neddyo

Photos courtesy of Gregg Greenwood | gregggreenwood.com

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The War on Drugs – Terminal 5 – September 19, 2017

September 20th, 2017


(Try to Grow a Pair of tickets to Friday’s sold-out War on Drugs show at SummerStage.)

Photos courtesy of Gregg Greenwood | gregggreenwood.com

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Roger Waters – Barclays Center – September 11, 2017

September 12th, 2017


(Roger Waters plays Barclays Center again tonight and then NYCB LIVE: Home of the Nassau Veterans Memorial Coliseum on Friday and Saturday.)

Photos courtesy of Gregg Greenwood | gregggreenwood.com

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J. Roddy Walston and the Business – Music Hall – August 22, 2017

August 23rd, 2017


Photos courtesy of Gregg Greenwood | gregggreenwood.com

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Regina Spektor – SummerStage – July 27, 2017

July 28th, 2017


Photos courtesy of Gregg Greenwood | gregggreenwood.com

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The Kills – Brooklyn Steel – July 21, 2017

July 24th, 2017


Photos courtesy of Gregg Greenwood | gregggreenwood.com

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Portugal. The Man – Terminal 5 – June 6, 2017

June 7th, 2017


(Portugal. The Man play Terminal 5 again tonight.)

Photos courtesy of Gregg Greenwood | gregggreenwood.com

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The Afghan Whigs – Apollo Theater – May 23, 2017

May 24th, 2017


(The Afghan Whigs return to New York City to play Brooklyn Steel on 9/16.)

Photos courtesy of Gregg Greenwood | gregggreenwood.com

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Sylvan Esso – Brooklyn Steel – May 18, 2017

May 19th, 2017


Photos courtesy of Gregg Greenwood | gregggreenwood.com

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PJ Harvey – Brooklyn Steel – April 20, 2017

April 21st, 2017

PJ Harvey - Brooklyn Steel - April 20, 2017

Photos courtesy of Gregg Greenwood | gregggreenwood.com

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Lambchop Paint a Pretty Picture at The Bowery Ballroom

March 31st, 2017

Lambchop – The Bowery Ballroom – March 30, 2017

Lambchop – The Bowery Ballroom – March 30, 2017
There’s a deep reverence fans have for Lambchop—you can hear it in the silence that takes over the audience right before the band begins to play. Last night at The Bowery Ballroom, this silence left nothing but the sounds of Delancey Street traffic and bartenders shaking up cocktails in the few seconds Lambchop’s music began to fill the void. Frontman Kurt Wagner treats his music the way a painter would: Each album is a chance for reinvention, with different media opening up the possibilities of what fills the canvas. For the latest Lambchop album, FLOTUS, the new medium is electronic beats and vocal effects, splintering Wagner’s gentle yet husky baritone voice into a full landscape of melody.

On the set-opening “NIV,” Wagner’s voice sounded almost alien, grounded only by the song’s gentle arpeggios. Taking a page out of the book of their friends in Yo La Tengo, Wagner knew that if he could milk the power out of a song’s quieter moments, it would only feel more powerful as the song grew louder. On “The Hustle,” this slow build from powerful soft to powerful loud happened slowly yet still managed to somehow catch concertgoers off guard. These new sounds they’re playing with at this point in their long career blow sonic possibilities wide open. “Directions to the Can” was almost like trip-hop and had Wagner full-out dancing by the track’s conclusion. “In Care of 8675309” featured a refrain that sounded like it was trying to break free from the song after each verse.

“This next song Kurt wrote while we were playing the last one,” said the always-wisecracking keyboardist Tony Crow as he introduced “The New Cobweb of Summer.” Crow’s stage banter is the stuff of legend, itself worth the price of admission. “It’s not as hard as it looks, Kurt. A lot of things are harder,” he added after Wagner introduced him, going on to list a series of activities that included kayaking and cooking. Lambchop finished with the delicately acoustic “My Blue Wave” and a gorgeous rendition of Prince’s “When You Were Mine,” the song sounding next to nothing like the original. Consider it a painter’s take on the landscape before him with the supplies at hand. Lucky for Lambchop fans, Wagner’s art supplies seem endless. —Dan Rickershauser | @D4nRicks

Photos courtesy of Gregg Greenwood | gregggreenwood.com

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Richard Ashcroft – Terminal 5 – March 27, 2017

March 28th, 2017

Richard Ashcroft – Terminal 5 – March 27, 2017

Photos courtesy of Gregg Greenwood | gregggreenwood.com