Tag Archives: Just for a Day


Slowdive Are Back with Their First New Album in Twenty-Two Years

November 10th, 2017

Shoegaze pioneers Slowdive—now Rachel Goswell (vocals, guitar and keys), Neil Halstead (vocals, guitar and keys), Nick Chaplin (bass), Christian Savill (guitar) and Simon Scott (drums)—formed in Reading, in South East England, back in ’89. They’d go on to employ what AllMusic calls “atmospheric harmonies, rippling processed guitars and an ambient production sensibility” in releasing three beloved albums, Just for a Day (stream it below), Souvlaki (stream it below) and Pygmalion (stream it below), between 1991 and 1995. But afterward, with Britpop on the rise, Slowdive (above, performing “No Longer Making Time” live in studio for KCRW FM) took a break with members engaging in an assortment of musical endeavors. But a few years ago, a rumbling began: a world tour in 2014 followed by working on new material in 2016. And this May, the band put out a self-titled LP (stream it below) on Dead Oceans. “It’s strange to call Slowdive a comeback album, because it seems so sure of itself. Instead, it feels like a completely logical next step in their discography,” according to Consequence of Sound. “The record fits snugly inside the band’s canon, so much so that it makes the 22 years since Pygmalion all the more difficult to believe.” And per PopMatters, “Beneath all the stylish and escapist waves of sound and texture, there is a profoundly human core waiting to be sought out and unearthed.” Make your weekend last a little longer when Slowdive return to New York City to play Terminal 5 on Sunday night. L.A. noise-pop outfit Cherry Glazerr open the show.


Shoegaze Pioneers Slowdive Reunited and Sounding Fresh

October 27th, 2014

Slowdive – Terminal 5 – October 25, 2014

Slowdive – Terminal 5 – October 25, 2014
The first of many shoegaze moments occurred near the beginning of Slowdive’s sold-out Terminal 5 show on Saturday night. The group—pioneers of a sound that combines loud, fuzzy guitars and ethereal vocals, now emulated by a plethora of contemporary bands—recently reunited after disbanding in the mid-’90s. While strobe lights flickered around them, Neil Halstead and Rachel Goswell began to sing “Catch the Breeze” from 1991’s Just for a Day. As the song progressed, all band members (minus the drummer) were focused intently on their guitars, bass and effects pedals, necks craned downward, rocking gently back and forth amid the dreamy chords—the classic shoegaze stance and sound.

As Slowdive played precise and lovely versions of crowd favorites like “Crazy for You,” “Machine Gun” and “Souvlaki Space Station,” they cycled through an impressive lineup of guitars, even taking a moment to give a nod of appreciation to their guitar tech, a constant onstage presence between songs, swapping and receiving and replacing armfuls of guitars. To their credit, for a band with such intricate guitar arrangements and dynamics, Slowdive’s songs sounded bright and clean, never muddy or muddled, often classic shoegaze stumbling blocks.

“This is a pop song, kind of,” proclaimed Halstead before the band played what may have been the night’s crowd favorite, “Alison.” Indeed, a catchy song on the surface with moderately morose lyrics, it’s a prime example of Slowdive’s signature subtle hypnotic power, a sound that was exhilarating to experience live. By giving us a taste of their classic shoegaze, Slowdive managed to also feel completely modern and fresh—a very successful reunion indeed. —Alena Kastin

Photos courtesy of Adela Loconte | adelaloconte.com