Tag Archives: Lower East Side

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Make It a Funky Saturday Night with Turkuaz at Brooklyn Steel

November 9th, 2017

Dave Brandwein (vocals and guitar) and Taylor Shell (bass) formed the nine-piece funk orchestra Turkuaz—rounded out by Craig Brodhead (guitar and synths), Chris Brouwers (trumpet and keys), Greg Sanderson (sax), Joshua Schwartz (sax and vocals), Michelangelo Carubba (drums), Sammi Garett (tambourine and vocals) and Shira Elias (vocals)—in 2008. Mixing Funk, R&B and Motown with world-music flourishes, Turkuaz (above, performing “Chatte Lunatique” at this year’s Mountain Jam) take cues from bands like Parliament, Sly and the Family Stone and Talking Heads. Their most recent album, Digitonium (stream it below), which came out in 2015, “showcases the band’s deep playbook and versatility within the genre, dialing back the clock for a classic-sounding funk record,” according to Live for Live Music. It’s filled with the psychedelic funk and brassy soul that’s become one of the funk army’s calling cards. Another is their high-octane stage performances. See Turkuaz live when their fall tour brings them home to play Brooklyn Steel on Saturday night. Houston eight-piece the Suffers open the show with a dose of Gulf Coast soul. And then as an added bonus, Turkuaz return in two weeks with Tauksgiving at The Bowery Ballroom on 11/24.

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Two Nights of the Shadowboxers in New York City This Weekend

November 9th, 2017

Layering pitch-perfect three-part harmonies over soulful pop, funky folk and stadium rock channeled through an R&B lens, the Shadowboxers—original members Adam Hoffman (vocals and guitar), Matt Lipkins (vocals and keys) and Scott Tyler (vocals and guitar) with Cole McSween (drums) and Carlos Enamorado (bass)—have been winning over fans with their fun-loving, captivating live performances since forming in college seven years ago in Atlanta. But first they won over Indigo GirlsEmily Saliers, who’d caught one of their shows at Emory University, which led to the Shadowboxers (above, playing “Build the Beat” for WRLT FM) touring and performing with Indigo Girls. Now based in Nashville, Tenn., the group’s Kickstarter-funded Red Room arrived in 2013. To thank donors, the band recorded several cover songs and posted them to their YouTube channel. Their version of “Pusher Love Girl” so impressed Justin Timberlake that he’s since taken them under his wing and signed them to Villa 40, his artist-development company. Following the release of several singles, including “Hot Damn,” and with a new album on the horizon, the Shadowboxers, who have been compared to the Temptations and Maroon 5, have hit the road. Their November tour brings them to Music Hall of Williamsburg on Friday (with Blonde Maze opening) and The Bowery Ballroom on Saturday (with the Rooks opening).

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The Rural Alberta Advantage Spend the Weekend in New York City

November 2nd, 2017

After forming in Toronto in 2005, the Rural Alberta AdvantageNils Edenloff (vocals and guitar) and Paul Banwatt (drums) now with Robin Hatch (keys, bass and vocals)—began releasing emotional folkish music, which led to a fair amount of Internet intrigue. Their debut full-length, Hometowns (stream it below), came out in 2008 (and was rereleased a year later). AllMusic rang in: “With a name like the Rural Alberta Advantage and a debut album called Hometowns, one would hope for an unpretentious collection of amiable indie pop tunes filtered through the wistful lens of a Wes Anderson film, and that’s exactly what you get.” The band followed that in 2011 with Departing (stream it below), and PopMatters was impressed: “The Rural Alberta Advantage have delivered a rarity: An album that remarkably stuns, even though its world view is largely seen from a car stuck in the middle of snow bank on the side of the road.” The trio returned in 2014 with their third album, the terrific Mended with Gold (stream it below), about which Consequence of Sound said, “The band is in a groove, churning out good to great songs with a distinguishable aesthetic.” Just a few weeks ago, the RAA (above, performing “White Lights” for CIND FM) dropped their fourth long-player, The Wild (stream it below), which “maintains a real sense of spontaneity, a sound in keeping with their manic folk impulses and the heady adrenaline rush that frequently drives their songs to euphoric highs,” per Paste magazine. “Consider this both edgy and essential.” Their new tour brings them to Rough Trade NYC on Friday and The Bowery Ballroom on Saturday. Five-piece Yukon Blonde open both shows.



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Two Chances to Catch Up-and-Comer Whethan This Week in NYC

October 24th, 2017

It was just a couple of years ago that Chicago DJ and producer Ethan Snoreck began using GarageBand on his iPad to create music as Whethan, and now at the ripe old age of 18, AllMusic already calls him an “electronic wunderkind.” Influenced by the likes of Skrillex, Whethan (above, his newest release, “Enemy”) has gained admirers of his recorded material with the release of several singles and remixes on Soundcloud, and he’s gotten fans enamored with his live performances thanks to an opening slot on the road with the Chainsmokers. Currently headlining his own Good Nights tour, the rising star comes to New York City this week to play The Bowery Ballroom tomorrow and Music Hall of Williamsburg on Thursday. Saint Wknd and Ashe open both shows.

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Daniel Norgren Ends U.S. Tour with Two Shows in NYC This Weekend

October 11th, 2017

Inspired by his dad’s local rock career—and by the romantic picture of America portrayed in movies—Swedish singer-songwriter Daniel Norgren (above, performing “People Are Good” at last year’s Pickathon) has been doing his own winning take on Southern-fried Americana, folk rock and bluesy country for more than a decade. (NPR Music says, “His rock-steady ragtime piano playing has a chooglin’ ease, and his voice would be right at home echoing off the walls of Levon Helm’s barn.”) Thanks to his engaging live performances and his recorded catalog, including 2015’s The Green Stone (stream it below) and Alabursy (stream it below), Norgren has already made a name for himself in Europe, and he’s currently out on the road doing the very same thing in the United States. His American tour closes out in New York City this weekend with two shows, on Friday at The Bowery Ballroom (with William Tyler Band doing a full-quartet appearance) and on Saturday at Rough Trade NYC (with Odetta Hartman).

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Two Nights of Metz and Their New Album This Week in New York City

October 3rd, 2017

Alex Edkins (vocals and guitar), Chris Slorach (bass) and Hayden Menzies (drums) formed the fuzz-laden noise-rock punk trio Metz almost 10 years ago in Toronto. Their self-titled debut album (stream it below) arrived on Sub Pop in 2012. Sure, it was loud, but the A.V. Club proclaimed, “For all it’s abrasion and denatured noise, Metz isn’t a statement of nihilism or finality; it’s a bright, exploratory scalpel making the first of hopefully many incisions.” Fortunately, Metz (above, their video for “Acetate”) have indeed made more incisions. Their sophomore LP, the aptly named II (stream it below), came out in 2015 and has a clearer sound. Per Drowned in Sound, “There’s more space, and a better sense of dynamics as well. It’s a subtle change (if anything about Metz can be said to be subtle) but there’s a greater feel of depth here, the songs have more interesting journeys….” And furthermore: “Beautifully brutal weirdo punk.”

Their third full-length, Stranger Peace (stream it below), recorded with acclaimed producer Steve Albini (Nirvana, Jimmy Page and Robert Plant, Pixies), came out just two weeks ago to some rave reviews. “The Toronto-based trio Metz have incorporated harmony into their heavy sound on their third full-length. They shift away from all-out abrasion, adding color to their eruptions,” according to Pitchfork. “To be clear, Metz haven’t turned into a pop band. They’ve actually done the opposite, incorporating harmony without going soft. The fact that so few heavy bands have been able to pull that off attests to how difficult it is. With Strange Peace, Metz make it sound easy.” Out on the road, they play Music Hall of Williamsburg on Wednesday and The Bowery Ballroom on Thursday. Two Brooklyn acts—a duo, Uniform, and a trio, Bambara—open both shows.


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Spend the Weekend with the Afghan Whigs in New York City

September 14th, 2017

The Afghan Whigs formed while still in college and launched out of Cincinnati in the mid-’80s, making the kind of amped-up garage rock that would earn them comparisons to the likes of the Replacements and Dinosaur Jr.—and gain them a cult following thanks to what AllMusic calls frontman “Greg Dulli’s tortured, angst-ridden tales of broken relationships and self-loathing.” They released six albums between 1988 and 1998 before amicably breaking up three years later. But you can’t keep a good band down, and so the Afghan Whigs (above, performing “Algiers” for KEXP FM) returned in 2012. Their seventh long-player, Do the Beast (stream it below), arrived two years later. “Do to the Beast leaves you emotionally wrought. Where Dulli had previously played the sleaze we reveled in living vicariously through, here he has us choking back tears for him, the violent aggressor,” said the Line of Best Fit. “The album has an air of closure, the Whigs pull out all their musical stops and Dulli seems to find an end, albeit not the happiest one.” And this past May, the band put out another well-received full-length, In Spades (stream it below). “Bolstered again by the louche and ravaged voice of singer Greg Dulli,” said Pitchfork, “the latest from the indie rock icons is delightfully stuffed with romance and rancor.” Having just launched a new tour, the Afghan Whigs come to The Bowery Ballroom on Friday to play In Spades in its entirety followed by a second set and then hit Brooklyn Steel on Saturday. Former New Yorker Har Mar Superstar opens both shows.

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A Double Shot of Soul with Durand Jones & the Indications Next Week

August 25th, 2017

Like someone out of a CCR song, soul singer Durand Jones was born on the bayou in New Orleans and raised in rural Louisiana. Influenced by the likes of Sam Cooke, Otis Redding and Al Green, he sang so much at home that his grandmother forced him to join their church’s choir. Eventually Durand decamped to Bloomington, Ind., for college and began collaborating with Aaron Frazer (drums) and Blake Rhein (guitar), writing and recording numbers about “the party, political and social consciousness, and love songs,” Durand told the Something Else. The first Durand Jones & the Indications album, a self-titled EP (stream it below), arrived in 2016. It hearkens “back to a time when soul was recorded, performed and (if possible) heard live. Their music is markedly different from most stuff of its ilk coming out today in that, if there is some electronic wizardry going on under the hood, it’s kept very far away from the musical performance—it’s the kind of thing which should be completely reproducible live, all performed and no sampling or remixing,” according to PopMatters. Winding down their summer tour, Durand Jones & the Indications (above doing “Smile” for Spectra Sonic Sound Sessions) stop in New York City next week to play Mercury Lounge on Monday and Rough Trade NYC on Tuesday.

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Two Nights of Dark Pop with In the Valley Below in NYC This Week

August 16th, 2017

As In the Valley Below, Jeffrey Jacob (vocals and guitar) and Angela Gail (vocals and keys) are what AllMusic calls “a Los Angeles–based duo with a penchant for crafting stylish, noir-kissed blasts of dark electro-pop.” Their debut full-length, The Belt (stream it below), arrived in 2014. “Belts can hurt you if used as a weapon, but they can also hold your pants up, and In the Valley Below do a deft job of exploring both polarities with their music,” said PopMatters. About a month ago, In the Valley Below (above, performing “Peaches” live for Wilcox Sessions) put out their fourth EP, Elephant (stream it below). “With so much going wrong in the world today, there are a plethora of songs inspired by the darker side of life. The uniqueness of In the Valley Below is that they do not phone in the music or the message when they create their art,” rang in Impose. “They believe that in order to have the most effect, they must reach the largest audience with genuinely good music, and it shows. This EP comes from a authentic mindset, raising awareness for important issues, and it doesn’t hurt that the songs are great to listen to.” They’re also great to experience live, which you can do on Thursday at Mercury Lounge and on Saturday at Rough Trade NYC. Electronic five-piece Flagship open both shows.

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A Night of Cool R&B with Amir Obè at The Bowery Ballroom

August 14th, 2017

Rapper, singer, songwriter and producer Amir Obeid—DBA Amir Obè—grew up in Detroit, heavily influenced by the likes of Pharrell Williams, Kanye West and Michael Jackson. He began making his own hip-hop and R&B in his teens before temporarily moving back to Brooklyn (his place of birth) after high school. Representing Detroit and Brooklyn, or Detrooklyn, he’s worked with others, like Drake, producing the If You’re Reading This It’s Too Late track “Star67,” and on his own, Obè (above, his video for “I Am Def Jam”) has released a slew of mixtapes, singles and EPs, including None of the Clocks Work (stream it below), which dropped this past spring. “Consisting of seven tracks, the set finds the enigmatic artist delving into a world where emotions trump material possessions,” according to Billboard. And Fader says “that it’s still possible to make icy, atmospheric R&B sound fresh.” Winding down an August tour, Obè plays The Bowery Ballroom tomorrow night. Seattle singer-songwriter EMI opens the show.

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Zeshan B Brings a Unique Take on Soul to Mercury Lounge on Friday

August 10th, 2017

Zeshan Bagewadi grew up in Chicago, the son of Indian immigrants, picking up blues, funk, rock and soul courtesy of his dad’s music collection. But he’s not only into the hard-driving rhythms and horn-heavy sounds of the ’60s and ’70s—he’s also equally interested in that period’s social activism. And as a result, the debut Zeshan B (above, performing “Ain’t No Love (In the Heart of the City)”) studio full-length, Vetted (stream it below), arrived earlier this year as “the full encompassment of Zeshan B’s vision for an album depicting his life as a Muslim and Indian-American in the Trump era,” according to PopMatters. “He does so with undeniable heart-rending soul. Vetted is an album for the awoken, as well as those who still need to be shaken by the shoulders a bit to wake up.” Don’t miss this unique, talented voice live at the late show on Friday at Mercury Lounge.

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Catch Future Thieves Early at Mercury Lounge on Tuesday Night

August 7th, 2017

Elliot Collett (vocals and guitar), Austin McCool (guitar), Nick Goss (drums) and Gianni Gibson (drums) have been making ethereal alternative rock—in the vein of Kings of Leon, My Morning Jacket and Delta Spirit—ever since forming Future Thieves four years ago in Nashville, Tenn. Their debut full-length, Horizon Line (stream it below), arrived in 2015. And earlier this year, Future Thieves (above, performing “Soon”) put out Live at Blue Rock (stream it below), which Guitar World calls a “collection of turbo-charged Americana tunes.” Now out on the road, they play Mercury Lounge tomorrow night. Funky Bronx four-piece Thelvnguage open the show.

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Grace Mitchell – Mercury Lounge – August 2, 2017

August 3rd, 2017

Photos courtesy of DeShaun Craddock | dac.photography

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Tweed and the McLovins Play Late at Mercury Lounge This Weekend

August 3rd, 2017

Philly four-piece Tweed—AJ DiBiase (guitar and vocals), Joe Vela (drums), Jon Tomczak (synths and vocals) and Dan McDonald (bass and vocals)—have been getting people to the dance floor with their infectious mash-up of funk, rock and electronics, not to mention their improvisation-filled high-energy live performances. And following Phish at the Garden, you can keep the good times going with Tweed (above, covering “You Can Call Me Al”) playing late night at Mercury Lounge on Friday night. Brooklyn progressive-funk quartet the Phryg open the show.

Another improvisational quartet, the McLovins (above, doing “Buildin’ It Up”)—Jake Huffman (drums and vocals), Jason Ott (bass and vocals), Justin Berger (guitar and vocals) and Atticus Kelly (keys and vocals)—also do late-night duty after Phish this weekend, playing Mercury Lounge on Saturday night. The Hartford band’s most recent album, a self-titled affair (stream it below), out in 2015, is filled with the progressive mix of rock, funk, jazz and soul you can expect to witness live on Saturday night.

 

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Mew Play The Bowery Ballroom and Music Hall of Williamsburg

August 2nd, 2017

Vocalist-keyboardist-guitarist Jonas Bjerre, bassist Johan Wohlert and drummer Silas Graae have been making their own brand of dreamy space rock since forming Mew more than two decades ago in the Danish suburbs outside of Copenhagen, ably employing what AllMusic calls “expansive pop dramatics, intricate passages and shimmering atmospheric sound.” Original guitarist Bo Madsen left the band two years ago, and Mew (above, performing “In a Better Place,” “85 Videos,” “Twist Quest,” “Satellites” and “Wake of Your Life” live for Low Four TV) put out their seventh studio release—and first without Madsen—Visuals (stream it below), this past spring to acclaim across the world. “The album captures just about everything that’s always made Mew special, so it also serves as a strong battle cry of a band that refuses to let a recent loss get in the way of their magic,” says PopMatters. “There’s still no other band quite like Mew, and this seventh studio outing is a victory not only within itself, but also as a declaration of how strong and special Mew remain.” The band kicks off an American tour this week in New York City, playing The Bowery Ballroom on Thursday and Music Hall of Williamsburg on Friday.