St. Vincent – Kings Theatre – December 3, 2017
It’s been a decade since Annie Clark, better known by her stage name St. Vincent, released her debut album, Marry Me. In the span of 10 years, she’s released four more albums, not including Love This Giant, the collaborative record with David Byrne. Her latest, Masseduction, has St. Vincent revealing what she’s admitted is her most personal work, “I told you more than I would tell my mother.” After a breakup with model Cara Delevingne, Clark confessed she is in “deep nun mode,” focusing her energies into work promoting the album and touring. The enigmatic artist played the second of two sold-out shows at Kings Theatre on Sunday night.
Clark’s short film, The Birthday Party, precluded the performance, as a breadcrumb to the evening’s unveiling. The cinematic piece is all about the reveal. Beginning with “Marry Me,” Clark took her position to the left of stage with the curtain drawn ever so to the right. With each passing song through her back catalog, the curtain slowly opened to fully showcase a V-shaped setup with the singer at its center. The audience rose to their feet on “Cruel,” and remained so for the entirety of the show. The singer really seems to have found a home in New York City, and offered “where all the freaks come to be alright” to the crowd before barreling into “Digital Witness.”
There was a brief interlude for a wardrobe change and for a platform to be added to the stage before the latest album was played in order. Clark traded in a hot pink patent-leather bodysuit with matching thigh-high boots for a silver dress and sea-foam green armbands. Recent singles “Pills,” “Los Ageless” and “New York” commanded the strongest response, especially for the latter. Clarke personalized lyrics for Brooklyn, singing “Brooklyn isn’t Brooklyn without you, love/ Too few of our old crew left on Flatbush/ And if I call you from Graham Avenue.” Imposing video footage largely curated by collaborator Willo Perron framed the guitarist throughout the evening, further highlighting her command of the stage as unparalleled. No band. Just her. On the evening of the supermoon, it was arguable what shown greatest. —Sharlene Chiu
Photos courtesy of DeShaun Craddock | dac.photography