Tag Archives: Matt Douglas


A Sunday Sing-Along with the Mountain Goats at Brooklyn Steel

November 13th, 2017

The Mountain Goats – Brooklyn Steel – November 12, 2017

John Darnielle might be the hardest-working man in indie rock. This is not to say he comes from the same school as Bruce Springsteen—playing epic four-hour shows every night with sweat soaking through his American flag bandanna. But as the singer-songwriter of the beloved band the Mountain Goats, he’s consistently churned out a thoughtful and varied body of work at such a dependable pace that you might take him for granted. While other prolific artists may have a high volume of toss-away moments in their catalogs, Darnielle’s lyrics have always seemed intensely labored over and essential. Once called “America’s best non-hip-hop lyricist” by The New Yorker, he’s able to cover an impossible amount of ground from verse to verse, all while releasing albums with the band and somehow also managing to write two critically acclaimed novels. How about that for work ethic?

The band’s latest album, Goths, was released this year, and the Mountain Goats’ tour brought them to town for a packed show at Brooklyn Steel on Sunday night. The LP explores Darnielle’s early ’80s teen fascination with this genre in the same way that 2015’s Beat the Champ paid tribute to his heroes of professional wrestling. In pure Mountain Goats fashion: always sincere and never with irony. Mothers, out of Athens, Ga., opened the show with a brief yet powerful set. Afterward, fans roared as Darnielle and Co. walked onstage. Backed by longtime bassist Peter Hughes, multi-instrumentalist Matt Douglas and indie-rock drum royalty (and half of the comedy duo Scharpling & Wurster) Jon Wurster, the band leaned heavily on Goths, pulling off the new songs’ complex instrumentation with finesse. As this material is much more layered than the Mountain Goats’ usual bare-bones acoustic-punk material, Darnielle mostly stuck to playing the tunes on a Rhodes keyboard while Douglas would fill in the space with reverbed-out flourishes on either tenor sax or flute, eliciting huge crowd reactions in response. It was a thrill to watch the band gracefully pull off these new tunes live.

Some of the best moments of the night, however, were when Darnielle picked up his acoustic guitar to dust off some of the old sing-alongs from the band’s long career. Songs like “This Year” and “Against Pollution” had everyone at Brooklyn Steel singing in unison with Darnielle as he marched back and forth across the stage like an unplugged Angus Young. For the final number of their second encore, the Mountain Goats played a full-band version of the All Hail West Texas masterpiece “Best Ever Death Metal Band out of Denton,” with its rallying cry of “Hail Satan” filling the rafters and the hearts of everyone in the room. —Pat King | @MrPatKing



Hiss Golden Messenger Make a Connection at Rough Trade NYC

September 19th, 2014

Hiss Golden Messenger – Rough Trade NYC – September 18, 2014

Hiss Golden Messenger - Rough Trade NYC - September 18, 2014
Raw seems to be everyone’s go-to word to describe music that’s innately soulful, so much so that it can sometimes seem a little overdone. I’ve always taken it to define the stuff of pure heart, feelings berthed there spilling right out, largely unfiltered by the brain, the great rationalization of our abstract and unruly emotions. There are few people who sing this stuff better than MC Taylor of Hiss Golden Messenger. It’s not just evident in his compositions’ great emotional landscapes, but also you can see physical evidence of it as he performs. When he sings loud, he leans back as if the feelings coming out cause recoil like when firing a gun. Sometimes he’ll squint a little, further proof of the cocktail of feelings that first berthed the music. And all of that was on display last night at Rough Trade NYC, a perfect setting for an intimate performer.

When Hiss Golden Messenger last came to town, it was just MC Taylor and an acoustic guitar. This time, though, he was backed by a full band, including longtime collaborator Scott Hirsch and talented Megafaun multi-instrumentalist Phil Cook. With projects largely the vision of one musician, backing bands can seem a little out of step or merely following the lead of the group’s visionary. But that’s not the case with Hiss Golden Messenger, which speaks both to the band’s pure talent and their ability to feel out Taylor’s vision. “We’re going to start the dancing portion of this set,” said the frontman, somewhat tongue in cheek as he introduced “Blue Country Mystic.” The song had an irresistible group sound to it fleshed out with a full band, complete with collective rhythmic pauses, swooning baritone saxophone lines from Matt Douglas and some Cook wizardry on the keyboards.

“Lucia,” off the latest release, Lateness of Dancers, showcased the Hiss Golden Messenger’s harmonizing prowess, including some backup vocals from guest Alexandra Sauser-Monnig. The band’s encore took them out into the audience to play an acoustic rendition of “Drum,” a song that first appeared on the lo-fi Bad Debt and again on their latest release. The audience was encouraged to sing along to the song’s chorus: “Take the good news and carry it away/ Take the good news and spirit it away.” And without much coaching, fans beautifully filled out the harmonies. As adeptly as this band fulfills Taylor’s vision, there just might be something about his music so fundamental that it’s felt by everyone—and damn easy to sing along to. After the show, in what now seems to be standard protocol at Rough Trade NYC, the band hung around to talk to concertogers. The band-fan connection is strong with Hiss Golden Messenger, and it’s a beautiful thing. —Dan Rickershauser

Photos courtesy of Peter Senzamici | petersenzamici.com