Tag Archives: Midtown

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DVSN – Terminal 5 – February 21, 2018

February 22nd, 2018


Photos courtesy of Jeremy Ross | jeremypross.com

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Awolnation Bring Brand-New Music to Terminal 5 Tomorrow Night

February 21st, 2018

Multi-instrumentalist and singer-songwriter Aaron Bruno has been fronting the genre-mixing electronic-pop outfit Awolnation since forming the band eight years ago in Los Angeles. The lineup has changed over the years, but thanks to the recently married Bruno’s presence, singular vision and deftly mixing electronic elements, live instrumentation and forward-thinking production, the band sounds as terrific as ever. Their third studio album, Here Come the Runts (stream it below), which AllMusic calls “a further exercise in toying with arena-filling vocal melodies, razor-sharp synths and invigorating electro-pop,” dropped just a couple of weeks ago. And now touring behind it, Awolnation (above, performing “Handyman” on Jimmy Kimmel Live!) play Terminal 5 on Thursday night. A pair of five-pieces—Nothing but Thieves and Irontom—open the show.

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Børns – Terminal 5 – February 16, 2018

February 20th, 2018


Photos courtesy of Joe Papeo | www.irocktheshot.com

Contest

Grow a Pair: Win Free Tickets to See Børns on 2/16

February 13th, 2018

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With the current tour behind his second studio full-length album, Blue Madonna, ending soon, Børns comes to New York City this week to play Brooklyn Steel on Thursday and Terminal 5 on Friday. And even though both dates sold out quickly, you’ve still got a chance to attend one by trying to Grow a Pair of tickets from The House List to see Børns on Friday night. Just fill out the form below, making sure to include your full name, email address, which show you’re trying to win tickets to (Børns, 2/16) and a brief message explaining your favorite Winter Olympics sport. Eddie Bruiser, who’s probably watching right now, will notify the winner by Friday. Good luck.

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Machine Head – PlayStation Theater – February 9, 2018

February 12th, 2018


Photos courtesy of Brian C. Reilly | www.briancreilly.com

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Black Label Society – PlayStation Theater – January 31, 2018

February 1st, 2018


Photos courtesy of Marc Millman Photography | www.marcmillmanphotos.com

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Greensky Bluegrass Headline PlayStation Theater Friday and Saturday

January 24th, 2018

We’re in another golden age of string bands: traditional, progressive, genre-smashing, fleet-fingered, young, old, awesome. In that vanguard is the Michigan-bred Greensky Bluegrass, who formed in 2000, broke out in 2006 after winning the Telluride Bluegrass Festival band competition and have spent much of the last decade shoring up a national fan base adoring of their ridiculously fun live shows. They’ve won their success the old-fashioned way—town by town, venue by venue, fan by fan. In New York City, especially, they’ve graduated to larger venues almost every year and are now fit enough to headline PlayStation Theater in Times Square for two weekend nights, this Friday and Saturday. By all accounts 2017 was another watershed year for the fivesome, for the first time selling out Red Rocks, outside Denver, and continuing to tour behind their best album to date, 2016’s Shouted, Written Down & Quoted (stream it below). Anders Beck (dobro), Mike Devol (upright bass), Paul Hoffman (mandolin), Dave Bruzza (guitar) and Michael Arlen Bont (banjo) collaborate with a level of simpatico obvious before they even pluck a note. They’ve created a formidable body of work by adhering to bluegrass, roots and string-band traditions while comfortably subverting them with no small amount of rock and roll mojo. “We just speak the same language, and it’s been that way since I started in the band,” Beck told JamBase last September. “A lot of it is how we all came to music. We weren’t raised bluegrass players.” What you’re guaranteed is a varied set list, from Greensky originals like “Living Over” (above, live) and “Wings for Wheels” to songs by everyone from Bruce Springsteen and the Grateful Dead to Peter Tosh and traditional railroad tunes like “Reuben’s Train.” They hold it all together with staggering improvisational chops tight as a constrictor knot but aggressively energetic. Don’t be surprised if you’re still dancing three hours later. —Chad Berndtson | @Cberndtson

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