Tag Archives: Mount Moriah

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Angel Olsen Displays Her Powers at Warsaw on Sunday Night

September 19th, 2016

Angel Olsen – Warsaw – September 18, 2016

(Photo: Andie Diemer)

(Photo: Andie Diemer)

Angel Olsen wields the superpower of having one of the most dynamic voices in music. Not only that, but her songwriting puts it all to damn good use. Her latest release, the much-acclaimed My Woman, further pushes her sound into every direction. Sometimes it’s poppier, sometimes more mellow, louder and/or softer. Call it her slow takeover of the entire musical canon. Olsen and Co. came to Brooklyn’s the Warsaw on Sunday night, her second of two local weekend shows. Olsen’s backing band, sporting adorable matching gray suits with bolo ties, featured some welcome new additions. Mount Moriah’s Heather McEntire may be one of the few voices out there with the chops to sing backing vocals for Olsen. Their Southern-inspired outfits seemed fitting for the barn-stomping, rockabilly-tinged set openers, “Never Be Mine” and “Hi-Five.” All three guitarists came out swinging as the slow-burning “Sister” worked toward its fiery crescendo.

At the opposite end of things, “Acrobat,” usually already a sparse song, was stripped bare even of its rhythm, making a brooding number sound all the more haunted. With its lurching momentum, the shape-shifting melody was left to wax and wane as Olsen saw fit, belting through lines like “I am alive” before lingering on “I thought I had died.” It remains one of her best songs, made all the better by her continual experimentation with its arrangement. She makes it all look easy to boot. “Windows” showcased vocals reminiscent of Stevie Nicks’ raspy warmth. The following song, “Not Gonna Kill You,” brought out the fever-pitch psychedelic sharpness that could be mistaken for Jefferson Airplane’s Grace Slick. The encore kicked off with the bright and moody “Intern.” And for all the range displayed within the main set, the song still felt like a counterpoint, replacing drums and guitars for keyboards and synths. Just when you thought she was done conquering the musical landscape, there was still more stones left unturned. You can call this rock and roll. —Dan Rickershauser | @D4nRicks

 

 

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Influential Label Showcases Talent

October 19th, 2012

Merge Records Showcase – Mercury Lounge – October 18, 2012

Mount Moriah (Photo: Dan Rickershauser)

One could argue that no other independent label from the past 20 years has released as many instant classics as Merge Records. After all, they gave the OK for the Magnetic Fields to put out a three-album collection of 69 love songs, they introduced bands like Neutral Milk Hotel and Arcade Fire to the world and they gave a rock act by the name of Spoon a second chance. So it’s safe to say that Merge is on a bit of a hot streak that might not be cooling off anytime soon. While any given day of the CMJ Music Marathon is a somewhat frantic race to absorb as much great music as possible, last night’s Merge showcase at Mercury Lounge, spanning almost seven hours and six different acts, was something of a cruel temptation and a great excuse for ruining the following workday by staying out past 2 a.m.

“It’s kind of hard to follow your label boss, though I’m sure he’d hate to be called that,” said Eleanor Friedberger, taking the stage after a set from Superchunk frontman and Merge Records cofounder Mac McCaughan. Friedberger played a solo acoustic set with some “in the works” new material that could come out early next year. She was followed by a searing set from Mount Moriah. “We’re Mount Moriah. We’re from Durham and Chapel Hill, North Carolina, and we’re really excited to put some records out on Merge,” said lead singer Heather McEntire. The set sampled songs off their self-titled debut, as well as some new tunes from their upcoming album. The band’s sound is familiar yet unique, a strange combination of all genres Americana (blues, rock, country, soul, gospel).

It makes sense that as of September they’re sharing a label with acts like Lambchop, self-proclaimed “Nashville’s most fuckedup country band.” Between Mount Moriah and another recent Merge signee (and show opener), William Tyler, it will be interesting to see if the label can continue to push the boundaries of country music, bringing this strange new iteration of the genre to music fans usually repulsed by the word country. “We’ve been listening to a lot of the Allman Brothers Band—I don’t know if you could tell,” said McEntire after firing through a particularly bluesy-rock new song. You could tell, but this was a very good thing. If the past is any indicator, 2013 should be a huge year for some or even all of these bands. And if the performances last night are any indicator, it probably will be. —Dan Rickershauser

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CMJ Music Marathon Starts Tomorrow

October 15th, 2012

Here in New York City, it’s the most musical time of the year because the CMJ Music Marathon, tomorrow through Saturday, is upon us (check out a selection of the bands you can see, above): five days and nights jam packed with bands playing in all sorts of places, including those you wouldn’t normally think would have a concert, plus plenty of the usual suspects. The Bowery Ballroom hosts CMJ lineups on Wednesday, Thursday, Friday and Saturday. Mercury Lounge welcomes the Aquarium Drunkard: No Jacket Required lineup tomorrow, the Windish Showcase on Wednesday, the Merge Records Showcase on Thursday, a FREE late-night show with Ratking on Friday and the MezzoForte Showcase on Saturday. And, of course, Music Hall of Williamsburg is on in this, too, with the Captured Tracks Showcase on Thursday and the Fat Wreck/Rocks Off Showcase on Friday. And once again we’re throwing our annual day party at Pianos with seven bands downstairs and six upstairs on Saturday. Get involved with a whole day of great tunes plus bloody marys and margaritas.