Tag Archives: NRBQ


At Brooklyn Steel Whitney Prove Why They Continue to Get Bigger

May 25th, 2017

Whitney – Brooklyn Steel – May 24, 2017

It’s been a whirlwind for Whitney ever since releasing their much-acclaimed debut album, Light Upon the Lake. They’ve visited New York City, crisscrossed the country, made their television debut, toured the rest of the world and returned to NYC—each time passing through an increasingly larger venue, having quickly outgrown almost all of them. For a group that began as a bedroom project, recording songs in the dead of a Chicago winter, the nonstop touring has made a good band even better: It’s been a hell of a first lap.

Last night, Whitney took over Brooklyn Steel, a venue even newer than the band. The show kicked off with a Dolly Parton cover, “Gonna Hurry (As Slow as I Can),” performed by guitarist Max Kakacek and singer Julien Ehrlich on the piano. And although the song takes some serious falsetto chops to sing, Ehrlich might be the only male singer in the world capable of nailing it. The remaining members of the six-piece then came out to perform “Dave’s Song,” It’s a glorious moment when the rest of the band kicks in alongside Ehrlich’s drums. There’s something to be said for singing drummers, and with the frontman’s tender voice, the sticks in his hand added punch to his pleas. The cheery “No Matter Where We Go” featured drum fills trading off with Kakacek’s guitar riffs. And the lovesick “Polly” finished with a piercing Will Miller trumpet solo. The performance streamed live and there were shout-outs to a pair of grandparents watching, including a grandfather, born in Brooklyn, celebrating his birthday.

The momentum shifting instrumental “Red Moon” made room for each instrument to shine, its slowdowns and buildups making way for guitar and trumpet solos. Next came the Lion cover “You’ve Got a Woman.” “It’s always a hard song to play, and we sweat a lot, so don’t take too many Instagram photos,” warned Ehrlich before jumping into it. Whitney played most of Light Upon the Lake before announcing that they’d return. The four-song encore kicked off with a brand-new tune: “It’s about partying too hard,” said Ehrlich by way of introduction. Next came what’s become a tour staple, their cover of NRBQ’s “Magnet,” followed by the theme to The Golden Girls. Ehrlich claimed that he’d have trouble with the lyrics, but the audience enthusiastically helped out, before Whitney closed with “No Woman,” pausing at the end to thank everyone before jumping back into the climactic finish. These songs have been perfected, poised yet again to be a soundtrack for those sunny golden days of summer. —Dan Rickershauser | @D4nRicks

Photos courtesy of Mike Benigno | mikebenigno.com


Whitney Sound Like Heaven at Music Hall of Williamsburg

October 11th, 2016

Whitney – Music Hall of Williamsburg – October 10, 2016

(Photo: Andie Diemer)

(Photo: Andie Diemer)

What’s a young band to do, touring behind their much-acclaimed debut album? Throw out to the world every song you have and play with everything you’ve got. In this instance, the band was Chicago’s Whitney and the world was Music Hall of Williamsburg: “I wanna say the biggest venue we ever sold out,” said frontman-drummer Julien Ehrlich. Whitney played through their entire LP (10 songs), plus two covers last night, with the chops and tightness of a band that has that many albums recorded to their name rather than songs.

Led by Ehrlich at center stage, Whitney kicked off the performance with “Dave’s Song,” a momentum-shifting number that exploded into its hook-y melodic bliss mid-song, only to keep on expanding from there. Next came the summery anthem  “No Matter Where We Go,” featuring the catchiest guitar riffs sprinkled in from guitarist Max Kakacek (former member of Smith Westerns), which evolved into a jaunty, song-stealing solo. The forlorn and lovesick “Polly,” flirted with a maximalist chorus, offering only hints of it before ending in a beautiful trumpet solo from Will Miller. It’s not too often that you see indie bands fucking around with a trumpet, but Whitney perfectly worked the instrument’s buttery crispness into their melodic assaults.

The extended instrumental “Red Moon” featured everyone trading solos, beginning with Miller on the trumpet. Next came the Bob Dylan cover “Tonight I’ll Be Staying Here with You,” sung wonderfully by Ehrlich—trading in Dylan’s Kermit the Frog–croon for his own gentle tenor. (Whitney also covered NRBQ’s “Magnet” in their encore.) The cheery “Golden Days” was introduced as a love song, “No Woman,” as a tune about having no girlfriend, and “Follow” as a song about death. But all three made for sing-alongs, carrying with each of them an optimistic, sunny feel in their own right, even the latter, which was inspired by the death of Ehrlich’s grandfather. With a band putting out music this strong, even tunes about death end up sounding like heaven. —Dan Rickershauser | @D4nRicks

(Whitney play The Bowery Ballroom tonight.)