Tag Archives: Oasis
Former Oasis frontman Liam Gallagher released his debut solo album, As You Were, last month. Still touring America in support of it this month, he comes to Terminal 5 next Monday night. The show sold out very quickly, but The House List is giving away two tickets. If you want ’em to be yours, try to Grow a Pair. It’s easy: Just fill out the form below, making sure to include your full name, email address, which show you’re trying to win tickets to (Liam Gallagher, 11/27) and a brief explanation of your favorite thing about Thanksgiving. Eddie Bruiser, who’s already eaten stuffing six days in a row just to be prepared, will notify the winner by next Monday. Good luck and happy Thanksgiving.
Tags: As You Were, Contest, Eddie Bruiser, Free Tickets, Grow a Pair, Liam Gallagher, Live Music, Music, New York City, Oasis, Terminal 5, Thanksgiving
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Liam Gallagher – Rough Trade NYC – July 30, 2017
It was Sunday afternoon in Williamsburg, and all Liam Gallagher wanted was to buy a pack of cigarettes. It should have been a seamless transaction, right? The most cocksure frontman in rock and roll slowly waddles into a deli, slams his money down and walks back out presumably with a limp smoke barely dangling out of the front of his mouth. But as his Twitter pointed out, things were not so easy for our boy. “I’ve just been told I can’t buy cigs unless I got ID im 4FUKIN4 has the world gone mad,” he proclaimed. Rallying against the world at large has pretty much defined Gallagher’s life after the demise of his once world-dominating band, Oasis.
As the main songwriter, his brother, Noel, was the brains behind the operation, as to where Liam had always personified an area a little farther down South in its figurative anatomy. Aside from getting carded at local bodegas, he was in town this week for two small shows to promote the release of his first ever-solo album, As You Were. The gig Friday night was a secret show at McKittrick Hotel in Manhattan, and his band headed across the river Sunday afternoon to play an in-store at Rough Trade NYC for a small group of fans who had preordered the new record. The tiny back room was packed tight for the 5:30 p.m. show and the air felt heavy with anticipation. The lights went down as the PA blasted the Oasis song “Fuckin’ in the Bushes” (a pretty bold move) and out waltzed Liam Gallagher and his band. Decked out in a parka and athletic shorts with a look of profoundly cool ambivalence, he greeted the hysteric crowd with the shake of his tambourine and launched right into the Oasis classic “Rock ’n’ Roll Star.” He followed that with “Morning Glory,” which had everyone in the room bouncing and shout-singing in unison.
In his age, Gallagher’s voice has become a strong yet weathered instrument—always raggedly on key. After the initial one-two punch, he and his band ripped through some As You Were tracks. Singles like “Wall of Glass” and “Chinatown” had dedicated fans singing along like they were hundreds of yards from the stage viewing the show on a JumboTron. In between new songs, he found time to treat the crowd to some A+ banter. After seeing a guy wearing a Manchester United scarf, Gallagher singled him out, asking, “You wanna hear a joke?” Answering immediately, “Man United. Funniest joke ever.” Fans also came to their hero’s rescue by throwing packs of cigarettes from the crowd. The gesture seemed to be greatly appreciated. To close it out, Gallagher and Co. bookended the set with two more Oasis songs: “Be Here Now” and “Wonderwall.” As he sang the final chorus, Gallagher advised the crowd to “take care of each other” and unplugged the microphone, handing it to a lucky fan in the front row. He then tossed his tambourine to a group of sweaty dudes and walked offstage with the swagger of a tough old rooster. Over at the merch table, they were proudly displaying some Oasis reissues along with the new record. The shirt on sale was one of those designs that was a play on the popular Cards Against Humanity font. You’ve probably seen them, those shirts that list the first names of each member of a band? Liam Gallagher had a few names listed on his shirt as well. But they were all his own:
As you were, Liam. —Pat King |@MrPatKing
Summer doesn’t actually arrive for another five weeks or so, but the summer-music season gets kicked off next week in a very big way.
Bowling Green, Ky., quartet Cage the Elephant’s fourth studio album, Tell Me I’m Pretty (stream it below), produced by Dan Auerbach, came out last December, impressing Exclaim!: “If your sister were Anita Miller from Almost Famous, she might tell you to listen to Tell Me I’m Pretty with a candle burning. Matthew Shultz has hit the mark lyrically and vocally here, inviting listeners into the emotionally charged and honest world that Cage the Elephant inhabit. Although we still hear his lo-fi, distorted vocals throughout the record, many moments are left confidently unadorned and clear.” Known for their fiery live performances, Cage the Elephant play SummerStage, alongside Portugal. The Man and Broncho, on Monday and Tuesday.
From the land of Britpop, in Manchester, England, the 1975 (above, performing “Love Me” earlier this year on Saturday Night Live) have risen up as a band with global appeal. Their second LP, I Like It When You Sleep, for You Are So Beautiful Yet So Unaware of It (stream it below), arrived in February, topping the charts here and across the Atlantic. “When a band conquers the charts with a fun but inoffensive debut album, you don’t expect them to return with a 17-track follow-up that tempers pop tunes with swampy post-rock instrumentals and references mental health, religion, addiction, loneliness and fame. But the 1975, whose self-titled debut hit number one in 2013, aren’t concerned with playing it safe,” raves NME. They bring their arena-ready rock to Barclays Center on Tuesday night. Wolf Alice and the Japanese House open the show.
Another English band to hit No. 1, Rudimental, the London four-piece, have been making shake-it-don’t-break-it electronic music for just a few years, but that hasn’t stopped them from becoming wildly popular. Their sophomore studio album, We the Generation (stream it below), recorded in Jamaica, came out last fall. The Evening Standard noted its “positive vibes” and “their sunny reworking of dingy old drum and bass.” And on Wednesday at SummerStage, they kick off a short tour with the like-minded North London electronic duo Gorgon City. Brooklyn duo Walker & Royce open the show.
Tags: Adam Hann, Almost Famous, Amir Amor, Anita Miller, Barclays Center, Ben King, Brad Shultz, Broncho, Cage the Elephant, Dan Auerbach, Daniel Tichenor, Double Vanity, Evil Friends, George Daniel, Gorgon City, Jared Champion, John Gourley, Joy Division, Kesi Dryden, Kye Gibbon, Kyle O’Quin, Leon Rolle, Like It When You Sleep for You Are So Beautiful Yet So Unaware of It, Matt Robson-Scott, Matthew Healey, Matthew Shultz, Nathan Price, Oasis, Penny Pitchlynn, Piers Agget, Portugal. The Man, Ross MacDonald, Rudimental, Ryan Lindsey, SummerStage, Tell Me I’m Pretty, the 1975, the Japanese House, Walker & Royce, We the Generation, Wolf Alice, Zachary Carothers, Zoe Manville
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Johnny Took (bass), Tommy O’Dell (vocals) and Matt Mason (guitar and vocals) knew one another from different bands when they began writing music together in the suburbs of Sydney just a few years ago. The wheels were in motion, and soon after, with a few singles, they began performing live as DMA’s, playing the kind of swaggering, energetic garage pop that immediately earned them comparisons to ’90s Britpop luminaries Oasis and the Stone Roses—because of their look and sound. “There are a bunch of bands from all over the world doing that Britpop sound now,” Mason told NME, “but none of them are from England. A big part of it is the generation that we’re in. We’re the first generation to have the Internet, and that means the world has gotten a lot smaller.” Their debut self-titled EP (stream it below) arrived last year to some considerable plaudits. And those accolades continued for DMA’s (above, performing “Delete” on The Late Show with Stephen Colbert) with the release of their first full-length, Hills End (stream it below), earlier this year. In a rave review, PopMatters proclaimed, “Hills End is so good that in 20 years the discussions about the hot new indie guitar band might well focus on how much they look and sound like DMA’s. It’s an outstanding debut.” See them live on Monday night at Rough Trade NYC. Wives and Cold Fronts open the show.