Tag Archives: Phosphorescent
My Top Five Favorite Shows
1. The Postal Service, Barclay Center, June 14
My decade-belated live date with the Postal Service finally culminated at Barclays Center, where rabid fans, like myself, roared as Ben Gibbard and Jimmy Tamborello hit the stage. As if acting out lyrics from “Nothing Better,” Gibbard and Jenny Lewis shimmied close for the duet. Old friends reunited onstage never felt so good.
2. Haim, Webster Hall, September 3
I was late to this bandwagon, as fellow House List contributor Alex Kapelman shortlisted Haim last year for his Top Five Bowery Presents Shows of the Year. I knew I was in for a good one when I could barely find a spot in the rafters to catch the three sisters, who charmed with their onstage banter and wicked musicianship
3. Jessie Ware, The Bowery Ballroom, January 17
Straight off her Jimmy Fallon taping backed by the Roots, the British songstress elated the crowd with her effortless, down-to-earth stage demeanor. Her star quickly rose with American audiences, as she sold out shows at Webster Hall, Music Hall of Williamsburg and Irving Plaza throughout the year. I was glad to have caught her earlier in the more intimate venue.
4. Basia Bulat, Bowery Ballroom, November 23
I’ve been a fan of Basia Bulat since I heard her cover Sam Cooke’s “Touch the Hem of His Garment.” This show on a cold night wasn’t sold out, which made me a little sad since she’s quite the talent. But those who were there were enraptured by her prowess on autoharp to the point that you could hear a pin drop during her solos.
5. Daughter, Bowery Ballroom, April 30
Somehow Elena Tonra manages to disguise heartbreak behind soulful lyrics and melody. She has a knack for turning happy dance songs into somber endeavors. The band mashed-up Bon Iver and Hot Chip’s “Perth/Ready for the Floor” that evening. Check out Tonra’s somber retake of Daft Punk’s hit “Get Lucky” for further proof. —Sharlene Chiu
My Top Five Shows I Never Thought I Would See
1. Desaparecidos, Webster Hall, February 26
Desaparecidos (and really any Conor Oberst project) were my bread and butter back in the early aughts, and for a while they seemed to be a one-off, a politically minded side project firmly planted in the past. Fortunately (and unfortunately) the global state of affairs remains messed up enough for the band to regroup to write protest songs for a new decade. It was a nostalgic, sweaty and inspired performance.
2. Shuggie Otis, Music Hall of Williamsburg, April 19
Shuggie Otis began putting out music in the mid-’70s, followed by a long period of laying low. Content to groove along to songs like “Ice Cold Daydream” at home, I never really thought about the possibility of a Shuggie Otis tour in 2013. But when I found out, I was there. And “Ice Cold Daydream” is even better in person.
3. The Flamin’ Groovies, The Bowery Ballroom, July 6
Instead of discovering the Flamin’ Groovies in a smoky San Fran club in the ’60s, I was introduced to their catchy psychedelia on a Nuggets compilation more than 30 years later. Who’d have thought they’d still be going strong in 2013 and that I’d be dancing right alongside some old school fans at this fun summer show.
4. John Prine, Beacon Theatre, September 26
John Prine has been active since the early ’70s, but unlike Shuggie Otis, he never really went away, writing and recording songs at a steady pace throughout the years. But I still always thought of him as an artist too legendary for me to see in person—or that tickets would be too out of reach. But John Prine put on an amazing show, highlighting his singular skills as a songwriter and storyteller.
5. The Julie Ruin, Music Hall of Williamsburg, October 25
I was late to the party for the original riot-grrl movement, but I became an admirer of Bikini Kill frontwoman Kathleen Hanna during her time in Le Tigre. She’s dealt with some debilitating health issues in the past few years, but I had no doubt she’d continue to make art and music. So I was happy to learn of her latest project, the Julie Ruin, and her energetic show did not disappoint. —Alena Kastin
My Top Five Shows
1. Yo La Tengo, Town Hall, February 16
I don’t like to pick a favorite, but my last.fm account tells me I’ve listened to Yo La Tengo more than any other band since 2007. At Town Hall, they performed an acoustic set and an electronic one, doing two versions of “Ohm,” my favorite song of the year. And then I ran into Tim Heidecker from Tim & Eric’s Awesome Show, Great Job! Had the Red Sox not won the World Series, this would’ve been my favorite night of the year.
2. Killer Mike/El-P, Webster Hall, August 14
I don’t care what anyone says: The best two rap albums of 2012 came from Killer Mike and El-P. And in 2013 they topped them, coming together as one entity, Run the Jewels. The night included a set from El-P, a set from Killer Mike and a combined set with both. El-P’s ingenious production plus Killer “I bleed charisma” Mike equals one concert I will never forget.
3. Foxygen, The Bowery Ballroom, October 21
With Foxygen it occasionally feels like shit could fall apart at any moment. And sometimes it does. But when their shows don’t come unhinged they deliver that sweet thrill of relief, like narrowly avoiding a car crash. And on this Halloween-themed night, the band made a weird show even weirder with homemade costumes and pseudo spooky vibes.
4. Steve Earle, Music Hall of Williamsburg, May 8
You can just tell some people are genuine, and Steve Earle is certainly one of them. Forever wearing his heart on his sleeve, that same energy bleeds right into his music, which he played alongside what he’s calling “the best band he’s ever had.”
5. Meat Puppets, Mercury Lounge, April 4
Not only are the Meat Puppets still kicking (after living through some serious shit), but also they’re thriving. And as much as I respect their legacy, seeing them play for more than two hours with the intensity you’d expect of a band 20 years their junior makes me respect them that much more. Long live the puppets of meat! —Dan Rickershauser
My Top Five Shows
1. Dessa, Union Hall, May 5
There are few performers I feel can move mountains with their vocal chords, and Dessa is one of them. This performance was an eruption of defiant lyrics and bold beats. A sizable crowd of young girls knew all of her lyrics, giving the show a chant-like feel. The only female member of Minnesota’s Doomtree collective practically vibrates with energy, and it’s completely contagious.
2. Kishi Bashi, Irving Plaza, September 12
Kishi Bashi sounds even better live than he does recorded. And he delivered a dazzling set with profuse vocal looping and an excellent backing band. Kauro Ishibashi has a supercharged, effusive aura, and his music embodies that persona. This set took a rowdy turn that involved crowd surfing, strobe lights and an outright jam session.
3. Panama Wedding, CMJ Music Marathon
I happened upon newcomers Panama Wedding three different times during CMJ: Initially, opening for NONONO at Mercury Lounge on the first night. Since the band had only released one song, “All of the People,” I was eager to see what would unfold onstage. Their set was so tight that I caught the fantastical pop group the following night at Pianos and then again at a showcase at Santos Party House.
4. You Won’t, Rockwood Music Hall, October 30
The live iteration of You Won’t is a spectacle to behold. I watched eagerly as Josh Arnoudse and Raky Sastri wielded a slew of instruments with ease, quickly fascinating the audience. The duo took their jaunty music into the audience a couple of times to break the barrier and enlisted some extra vocal support by encouraging us to all to sing along.
5. James Blake, Terminal 5, November 6
In this spellbinding live performance, complete with plenty of vocal looping and haunting electronica, James Blake made a cavernous room filled with people feel intimate. And that he’s such a dapper-looking fellow only helps boost his appeal. I’m still transfixed by this performance nearly two months later. James Blake’s music has some serious lasting effects. —Schuyler Rooth
My Top Five Shows with Regard to Lights, Visuals and Production
1. Umphrey’s McGee, Brooklyn Bowl, January 20
Kick-ass creative lighting and Brooklyn Bowl don’t usually go hand in hand, but Umphrey’s McGee lighting guru Jefferson Waful turned the room into a thing of beauty.
3. Plaza: Portugal. The Man, Irving Plaza, May 20
4. The Flaming Lips/Tame Impala, Terminal 5, October 1
It was almost as fascinating to watch the Lips’ spectacle getting set up as it was to see it in action—confetti, strobes, LEDs and, well, pretty much everything. And Tame Impala’s projections were no slouch either.
My Top Five Albums
1. Phosphorescent, Muchacho
I’d only seen Phosphorescent once before listening to Muchacho for the first time. And while much of Matthew Houck’s previous work is country-tinged (not that there’s anything wrong with that), this album, ostensibly about a breakup, covers more territory, from the meditative sounds of “Sun, Arise (An Invocation, an Introduction)” and “Sun’s Arising (A Koan, an Exit)” to the jammy, driving “Ride On/Right On” to softer fare, like “Muchacho’s Tune,” all centered on Houck’s evocative voice. I still can’t stop listening to it.
2. Foxygen, We Are the 21st Century Ambassadors of Peace & Magic
Foxygen’s third full-length, We Are the 21st Century Ambassadors of Peace & Magic, comes off as a loving mash note to ’70s rock. You’ll hear bits of the Rolling Stones, Velvet Underground and David Bowie, but the album expertly manages to sound like something whole and new rather than something derivative.
3. White Denim, Corsicana Lemonade
Upon the first couple of listens, I found White Denim’s latest, Corsicana Lemonade, to be too singer-songwriter-y, but I continued to give it a chance, and it opened up to something much bigger, with genre-hopping songs like “Let It Feel Good (My Eagles)” and “Pretty Green”—not to mention some searing guitar parts—grabbing me by the throat.
4. Futurebirds, Baba Yaga
Admittedly, I didn’t know anything about Futurebirds, out of Athens, Ga., before writing a preview of their late-May show at The Bowery Ballroom. But while listening to their second LP, Baba Yaga, as I wrote, I became totally enamored of the album—half twangy Southern rock and half spacey reverb.
5. Kurt Vile, Wakin on a Pretty Daze
I love Kurt Vile’s Wakin on a Pretty Daze so much, that I can’t believe it’s only No. 5. Labeling it stoner rock, as many have done, is lazy. Although I supposed me calling it laid-back rock isn’t any better. But the fact of the matter is there might not ever be a better album to listen to while walking the streets of New York City with headphones in your ears. —R. Zizmor
Tags: Barclays Center, Basia Bulat, Beacon Theatre, Ben Gibbard, Bikini Kill, Bon Iver, Bowery Ballroom, Brooklyn Bowl, Chris Kuroda, CMJ, Conor Oberst, Daft Punk, Daughter, David Bowie, Desaparecidos, Dessa, Doomtree, Drippy Eye, EL-P, Elena Tonra, End-of-Year Recap, Flamin’ Groovies, Flaming Lips, Föllakzoid, Foxygen, Haim, Hot Chip, James Blake, Jefferson Waful, Jenny Lewis, Jessie Ware, Jimmy Fallon, Jimmy Tamborello, John Prine, Josh Arnoudse, Kathleen Hanna, Kauro Ishibashi, Killer Mike, Kishi Bashi, Le Tigre, Matthew Hock, Meat Puppets, Mercury Lounge, Muchacho, Music Hall of Williamsburg, NONONO, Panama Wedding, Phish, Phosphorescent, Portugal. The Man, Postal Service, Raky Sastri, Review, Rolling Stones, Run the Jewels, Sam Cooke, Shuggie Otis, Steve Earle, Tame Impala, Terminal 5, the Holydrug Couple, the Julie Ruin, the Roots, Tim & Eric’s Awesome Show: Great Job!, Tim Heidecker, Town Hall, Umphrey's McGee, Velvet Underground, Webster Hall, Yo La Tengo, You Won’t
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Phosphorescent – Music Hall of Williamsburg – December 18, 2013
Julianna Barwick and Phosphorescent each performed mesmerizing solo sets last night at a sold-out Music Hall of Williamsburg. Both impressed with masterful vocal looping and the sheer will it takes to perform alone. Live, Julianna Barwick’s songs seamlessly melt into one another. She has an impressive knack for exploring every nook and cranny of her vocal range and manipulating them to create a full chorus-like effect. Her unique mix of angelic and melancholic sounds slowly crept up, holding audience members tightly. Barwick played several songs from her newest album, Nepenthe, and her clear voice, low-slung synths and the help of a guitarist made her set gracefully haunting and dramatic.
There was an extensive stage change involving dozens of candles and flower vases before Phosphorescent appeared. As “Sun Arise! (An Invocation, an Introduction)” boomed through the sound system, Matthew Houck crept onstage in a candlelit glow, arranging objects as if he were in his own living room. With just a guitar and his voice, Houck played songs from all across his repertoire. “Terror in the Canyons (The Wounded Master),” “The Quotidian Beasts” and “Wolves” kicked off the set. “I can’t tell you how good it is to be back in Brooklyn. Thanks for being here with me,” he said gratefully before performing a stripped-down version of “A Picture of Our Torn Up Praise.”
The audience sang along as Houck played a quiet version of “Song for Zula” rather than doing the tune’s normal orchestral arrangement. “Muchacho’s Tune” followed along with a whispery folk version of Vampire Weekend’s “Ya Hey.” “Cocaine Lights” concluded the set, and Houck looped his own howling to create a chorus of primal screams. The encore had a sweet, nostalgic feel to it with “My Dove, My Lamb,” “Ms. Juliette Low” and the honky-tonk “Los Angeles.” Members of Phosphorescent slid onstage to join him in singing the last number, providing a preview of the full-band shows at Music Hall tonight, tomorrow and Saturday. But last night, Matthew Houck owned the stage and celebrated the value of keeping it simple. —Schuyler Rooth
Matthew Houck has been making music as Phosphorescent since releasing A Hundred Times More a decade ago. Since then he’s put out five more terrific full-lengths, including this year’s universally acclaimed Muchacho. Houck has since traveled the world playing the new album’s songs with a full backing band, and he returns to Brooklyn this week for four sold-out shows at Music Hall of Williamsburg. Tomorrow he’ll play a rare solo show followed by full-band dates on Thursday, Friday and Saturday. The bad news is that each show is sold out. But the good news is The House List is giving away two tickets to Saturday’s show. Want to go? Try to Grow a Pair. It’s easy. Just fill out the form below, making sure to include your full name, e-mail address, which show you’re trying to win tickets to (Phosphorescent, 12/21), and a brief message explaining your favorite Phosphorescent instrumental tune. Eddie Bruiser, who will probably at Music Hall all four nights, will notify the winner by Friday. Good luck.
Tags: A Hundred Times More, Eddie Bruiser, Grow a Pair, Matthew Houck, Muchacho, Music Hall of Williamsburg, Phosphorescent
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Robert Plant/Phosphorescent – Prospect Park Bandshell – July 27, 2013
The Prospect Park Bandshell was crawling with concertgoers of all ages on Saturday night. The anticipation for the double bill of Phosphorescent and Robert Plant and the Sensational Space Shifters was palpable. Phosphorescent, with their melancholic storytelling and rich instrumental arrangements, played first. Their music is wonderfully suited for the outdoors, and the band’s set unfolded with songs spanning frontman Matthew Houck’s catalog, which includes five full-length albums and an EP since his solo debut in 2003. The crowd idled, mesmerized by poignant lyrics, Houck’s country-twanged crooning and the sense of peaceful passion the set conveyed. Crowd favorites included “Los Angeles” and Houck’s most recent hit, “Song for Zula.”
As the fireflies began to hover in the trees and night fell, we readied ourselves for Plant and his band to take the stage. I noticed a few people already had their lighters out and ready to wave. As soon as the stage was set with a trove of instruments and the lights dimmed, the crowd began to clap and cheer, swaying in awestruck bliss as Plant played an acoustic opening number. The spectacle and sound once his band joined him was sensational.
Justin Adams, John Baggott, Juldeh Camara, Billy Fuller, Liam “Skin” Tyson and Dave Smith, all stars in their own right, accompanied Plant. The deep talent onstage contributed a variety of instruments and sounds to the mix while covering old blues tunes like “Spoonful” and “Fixin’ to Die” and reinterpreting such Zeppelin classics as “Black Dog” and “Going to California.” Plant entertained with his signature mercurial disposition and amusing banter between songs, assuring the audience he’d “be back real soon.” But witnessing the last show of the band’s extensive worldwide tour was a special experience. And while Robert Plant has had a remarkably successful career, his work with the Sensational Space Shifters is some of his very best. —Schuyler Rooth
Tags: Billy Fuller, Celebrate Brooklyn, Dave Smith, John Baggott, Juldeh Camara, Justin Adams, Liam “Skin” Tyson, Matthew Houck, Phosphorescent, Prospect Park Bandshell, Robert Plant, the Sensational Space Shifters
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Ever since Led Zeppelin (perhaps you’ve heard of them) broke up following the tragic death of drummer John Bonham in 1980, frontman Robert Plant has remained busy with a variety of projects and pairings, focusing on blues, country, folk, Americana and rock. Never one to go too long without doing something new, the music legend is currently fronting his latest band, the Sensational Space Shifters—Justin Adams, John Baggot, Juldeh Camara, Billy Fuller, Dave Smith and Liam “Skin” Tyson—reinterpreting world music and Zeppelin classics through roots music, while still managing to make the tunes rock. “We take primeval desert instruments and bring them into contemporary soundscapes,” Plant tells the Boston Herald. “Where Massive Attack and Led Zeppelin left off, we keep going.” Of course, the best part is that Robert Plant and the Sensational Space Shifters (above, doing “Black Dog,” and, below, covering “Spoonful”), along with Matthew Houck’s fantastic Phosphorescent, play Celebrate Brooklyn at the Prospect Park Bandshell tomorrow night.
Tags: Billy Fuller, Celebrate Brooklyn, Dave Smith, Do, John Baggot, John Bonham, Juldeh Camara, Justin Adams, Led Zeppelin, Liam “Skin” Tyson, Massive Attack, Matthew Houck, Phosphorescent, Preview, Prospect Park Bandshell, Robert Plant, Video
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They play in Phosphorescent backing Matthew Houck, but as Virgin Forest the Brooklyn quartet recently released their second LP, Easy Way Out, on Partisan Records. And tonight at Music Hall of Williamsburg they open for Craig Finn. But today, they’re the featured band on The Bowery Presents Live. Watch them, above, talking about things like music from their youth and why they don’t have to practice much. Also check out their Track + Field session, performing “Lifted,” and a playlist of videos, live songs and interviews. And, of course make sure you subscribe to The Bowery Presents Live to keep up with what’s new on the channel.
Tags: “Lifted”, Craig Finn, Easy Way Out, Music Hall of Williamsburg, Phosphorescent, Preview, The Bowery Presents Live, Track + Field, Video, Virign Forest
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Phosphorescent plays The Bowery Ballroom on Friday, and The House List is giving away two tickets. Want to go? Then try to Grow a Pair. Just fill out the form below, listing your full name, e-mail address, which show you’re trying to win tickets to (Phosphorescent, 12/10) and a brief message explaining what the title of the band’s newest album, Here’s to Taking It Easy, means to you. Eddie Bruiser, who knows a few things about relaxing, will notify the winner by Friday.