Tag Archives: Pip Cowley

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SZA Proves She’s Worth the Hype on Sunday at Brooklyn Steel

December 11th, 2017

SZA – Brooklyn Steel – December 10, 2017


The newly minted five-time Grammy nominee SZA has had a great 2017. Her response to her nominations on her Instagram account tells it all: “This entire thing puts my wildest dreams to shame. I️ dunno what to say cause I️ dunno how to accept its even happening to me lol ? I’ve never won anything in my life even until this week (THANK YOU SOULTRAIN AWARDS!!) it all just feels strange somehow BUT IM SO OVERWHELMINGLY GRATEFUL FOR THIS STRANGENESS!!” The singer only released her debut album, Ctrl, back in June, and it’s since gone gold, with two platinum-selling singles in tow. She performed both of them on SNL the evening before her very sold-out concert at Brooklyn Steel last night.

Jaunting onstage with a bright pink puffer coat, SZA opened the performance with “Supermodel.” She called upon a choir to join her, exclaiming that they might look familiar from their Saturday night debut. The singer then tossed off her coat to reveal a cropped tank, which, paired with yellow parachute pants, brought visions of TLC’s Lisa “Left Eye” Lopes. The discarded clothing was perfectly timed with the lyrics of “Drew Barrymore,” “Warm enough for ya outside baby, yeah.” After the first snowfall of the holiday season just the day before, the song resonated especially.

Prefacing “Normal Girl” with a poll of whether people in the audience knew they were popular in high school, SZA admitted she was not and that she tried to just be “normal.” The songwriter had an easy rapport with the crowd, even offering the front row bottled waters. The best were saved for last with SZA’s two platinum singles, the timely “The Weekend” and an extended version of  “Love Galore.” She capped off the night with the melodic lullaby “20 Something,” which was the age range of the majority of the folks piled into the former manufacturing plant. On the cool, crisp evening, fans flooded out onto Frost Street with an uplifted spirit from a truly gifted performer clearly at the cusp of breaking wide open. —Sharlene Chiu


Photos courtesy of Pip Cowley | pipcowleyshoots.com

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Yeah Yeah Yeahs – Kings Theatre – November 7, 2017

November 8th, 2017


Photos courtesy of Pip Cowley | pipcowleyshoots.com

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Japandroids – Brooklyn Steel – October 26, 2017

October 27th, 2017


Photos courtesy of Pip Cowley | pipcowleyshoots.com

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Future Islands – Brooklyn Steel – October 11, 2017

October 12th, 2017


Photos courtesy of Pip Cowley | pipcowleyshoots.com

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Midnight Oil – Terminal 5 – August 21, 2017

August 22nd, 2017


Photos courtesy of Pip Cowley | pipcowleyshoots.com

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Maggie Rogers – Brooklyn Steel – August 16, 2017

August 17th, 2017


Photos courtesy of Pip Cowley | pipcowleyshoots.com

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Sylvan Esso Triumphantly Return to Celebrate Brooklyn

July 27th, 2017

Sylvan Esso – Celebrate Brooklyn at the Prospect Park Bandshell – July 26, 2017


(Sylvan Esso play My Morning Jacket’s One Big Holiday on 3/2-6.)

Killer squirrels be damned, last night Sylvan Esso returned to Prospect Park, almost two years to the day since they’d last performed there. Not even signs around the park warning of our now infamous and unusually aggressive squirrel with a taste for human flesh could tamp down the mood of an otherwise beautiful night for music. “We had a lovely weekend in your city. Last night we saw Phish. It was my first time,” said singer Amelia Meath. “And my 22nd,” added Sylvan Esso producer and beat-master Nick Sanborn. “I get it, I got it, I got it. I think I got it,” said Meath, referring to the Phish “thing.”

For anyone unfamiliar with a Sylvan Esso live show, it’s important to note that Meath can fucking dance. “Man, she’s GOING for it,” said a woman next to me two songs into the set. Slithering, snaking her body through a web of beats, whipping around a ponytail, Meath can make a big stage seem somehow not big enough for two people: They own it. Outdoor shows can make everything seem bigger, but providing the backdrop for this dance-y performance mutated their bedroom pop songs into downright pop anthems—and they’re pop anthems the world seems to need right now.

“This song is about feeling good and making yourself feel good. Whether it’s in your own skin or your mother-fucking country, we stand with you everyday,” said Meath introducing “Dress.” Something about this musical duo has made sense from Day One. Meath’s silky smooth voice contrasts beautifully against Sanborn’s choppy, scattered beats. “Signal,” maybe the craziest beat of any of their songs, had Meath’s voice split into octaves harmonizing with itself. Their megahit, “Coffee,” came out as the mid-set stimulant, complete with “get up, get down” sing-alongs. Just two albums in and Sylvan Esso already have an impressive roster of insanely catchy songs, like “Just Dancing,” “Hey Mami” and “H.S.K.T.” The twosome closed the set with their first single off their second album, “Radio.” It’s a huge amount of pop songs to be written by a duo. Most other pop acts get, at best, a few singles off each album, worked many times over by massive teams of the world’s most renowned producers in music. But Sylan Esso are a David in a world of pop Goliaths, and Goddamn can that David dance. —Dan Rickershauser |@D4nRicks

Photos courtesy of Pip Cowley | pipcowleyshoots.com

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Portugal. The Man – Rough Trade NYC – June 20, 2017

June 21st, 2017


Photos courtesy of Pip Cowley | pipcowleyshoots.com

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Benjamin Booker – Rough Trade NYC – June 5, 2017

June 6th, 2017


(Benjamin Booker returns to New York City to play Music Hall of Williamsburg on 10/22. Tickets go on sale Friday at noon.)

Photos courtesy of Pip Cowley | pipcowleyshoots.com

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Temples – Music Hall of Williamsburg – May 16, 2017

May 17th, 2017


(Temples play Music Hall of Williamsburg again tomorrow night.)

Photos courtesy of Pip Cowley | pipcowleyshoots.com

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Father John Misty Lets His Music Do the Talking at Brooklyn Steel

May 12th, 2017

Father John Misty – Brooklyn Steel – May 11, 2017


Brooklyn Steel was shoulder to shoulder with people on Thursday night to see Father John Misty for the second of three straight-sold out shows in Brooklyn this week. His new album, Pure Comedy, is a lyrically deep concept record that has been picking up some well-earned praise for layered cultural commentary that takes sharp aim at sacred cows, innocent bystanders and everything in between. It’s a demanding and serious affair that eschews his usual self-deprecating humor for a set of somber ballads that set out to explain how the technological advancements we’ve made as humans is quickly leading to our downfall as a species. See? Comedy, right? Nevertheless, the room was filled with excitement as people packed in eagerly waiting for the Father’s sermon.

First up was NYC freak-folk mainstay and ex–Moldy Peaches frontman Adam Green, who recently directed the video for Misty’s new single, “Total Entertainment Forever,” and it’s truly something to behold. If you haven’t seen it, you owe it to yourself to check it out. I won’t spoil it for you. Along with his three-piece band, Green played a set full of feel-good indie rock that found him high-fiving people in the front row and even fitting in a few lengthy crowd surfs that took him across the room. As he said his goodbyes, it was clear that he had won over everyone who caught his opening set.

Shortly after, the crowd exploded with cheers as Father John Misty, aka Josh Tillman, took the stage. Dedicating the lion’s share of his set to the new album, he shied away from his usual witty stage banter and let the songs do most of the talking. The new material translated to the stage fantastically as his nine-piece band, complete with a horn section and two-keyboardists, brought the dynamics and drama that make the arrangements so powerful on record. Ever the dynamite showman, Misty navigated the stage with ease as he threw in his Jim Morrison gyrations with a wink and a nudge all while pouring out his world-weary grievances through his tender croon. Misty’s voice sounded tremendous as it filled the room and was heartbreakingly beautiful when he would hit his high falsetto. As good as it was, when he reached back to some of the more upbeat material from his first two albums to close out the set, the crowd answered back singing along to every word.

When he returned for the encore, Father John Misty addressed the crowd for the first time, entering into a long and hilarious conversation with a girl in the front row. She yelled out for him to “Do you!” to which he replied, “Thanks, I needed that today” before going into his anthem about modern American dejection, “Bored in the USA.” During the final song, “Holy Shit,” the singer-songwriter pointed the microphone stand into the crowd to let the adoring fans belt out the wordless refrain before taking his final bows. By the end of the night, Misty’s message had landed and was somehow both distressing and life-affirming at the same time—all in a fantastic way, of course. —Patrick King | @MrPatKing

Photos courtesy of Pip Cowley | pipcowleyshoots.com

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Pond – Music Hall of Williamsburg – May 9, 2017

May 10th, 2017


(Pond play The Bowery Ballroom tonight.)

Photos courtesy of Pip Cowley | pipcowleyshoots.com

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Maggie Rogers Returns to The Bowery Ballroom as a Performer

April 12th, 2017

Maggie Rogers – The Bowery Ballroom – April 11, 2017

Maggie Rogers – The Bowery Ballroom – April 11, 2017
When Pharrell takes an eye to an artist (and I’m not talking about his stint on The Voice), ears perk up. The celeb producer was enchanted by American songwriter Maggie Rogers’ track “Alaska” while teaching a master class at NYU last summer. Her anticipated EP, That the Light Is Fading, released back in February layers Rogers’ folk sensibilities with newly examined dance tempos she acquired living abroad. Rogers has the swagger of an Amelia Meath (Sylvan Esso) and the hymnal quality of Florence Welch (Florence and the Machine). Last night at The Bowery Ballroom, the first of two sold-out New York City shows, the singer-songwriter took center stage donning a custom white denim suit designed by Christian Joy. The room was filled with the chirping of crickets as Rogers opened with “Color Song” and her frenetic dance moves were unleashed.

After the dance-pop track “Dog Years,” the recent graduate offered a slow jam written for a crush entitled “Say It.” Wise beyond her years, Rogers pensively acknowledged not only how much has changed for her in the past year, but also the world itself. “Global grief hangs heavy as summer heat,” the first lines of “Hashtag,” rang especially true for the sunny front earlier in the day and the current political climate. She revealed that “Little Joys” was the first song she wrote in NYC and admitted the opening was inspired by Sharon Van Etten. Light on the material, a cover of Neil Young’s “Harvest Moon” was reimagined with dance beats ebbing and flowing into the folk-rock classic.

Before the final song, Rogers became teary and choked up recounting the times she had previously been to The Bowery Ballroom as an audience member. She pulled herself together, saying, “I really love making music,” and culminated the evening with the track that had left Pharrell virtually speechless. No longer a fledgling songwriter, the world awaits the next chapter of Ms. Maggie Rogers. —Sharlene Chiu

Photos courtesy of Pip Cowley | pipcowleyshoots.com

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Vince Staples – Terminal 5 – March 30, 2017

March 31st, 2017

Vince Staples - Terminal 5 - March 30, 2017

Photos courtesy of Pip Cowley | pipcowleyshoots.com

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Young Thug – Terminal 5 – December 18, 2016

December 19th, 2016

Young Thug - Terminal 5 - December 18, 2016

Photos courtesy of Pip Cowley | pipcowleyshoots.com