Tag Archives: Shuggie Otis


Sam Evian and Uni Ika Ai Keep It Local at Rough Trade NYC Saturday

May 3rd, 2017

Singer-songwriter and multi-instrumentalist Sam Owens is known for fronting Brooklyn trio Celestial Shore, but he does the solo thing as Sam Evian (above, the video for “Sleep Easy”). And to that end, his debut long-player, Premium (stream it below), inspired by the likes of Shuggie Otis, Jackson Browne and Cass McCombs, came out last summer. AllMusic said it’s a “seductive listen that’s equally suited for early morning hangovers and late, late nights.” While No Depression added: “Premium is a spaced-out gem of trippy, layered instrumental arrangements and Evian’s smooth, creamy harmonies. And it is the perfect soundtrack for you last days of summer, with its beachy, bright coolness.”

Brooklyn dream-pop act Uni Ika AiMaia Friedman (vocals, synths and guitar), Peter Lalish (guitar and synths), Tom Deis (keys, bass and vocals) and Dan Drohan (drums and percussion)—also put out a first LP, Keeping a Golden Bullseye in the Corner of My Mind (stream it above), last year. In dubbing it a “stunning debut album,” the Wild Honey Pie went on to say, “The songs are dreamy without becoming cloudy—they exist within a comfortable haze and tempo, but don’t succumb to feeling lethargic or apathetic. The vocals and instrumentals push forward with ease, creating tracks that feel steady but triumphant, relaxed but purposeful.” Uni Ika Ai (below, doing “Mexico” for Sofar Sounds) have teamed up with Sam Evian for a few shows this week, and you can catch them both on Saturday night at Rough Trade NYC. A third Brooklyn act, Wilder Maker, opens.


A Top Five Look Back at 2013

January 10th, 2014

Ten days into the New Year, The House List looks back at 2013 with some Top Five lists.

My Top Five Favorite Shows
The Postal Service, Barclay Center, June 14
My decade-belated live date with the Postal Service finally culminated at Barclays Center, where rabid fans, like myself, roared as Ben Gibbard and Jimmy Tamborello hit the stage. As if acting out lyrics from “Nothing Better,” Gibbard and Jenny Lewis shimmied close for the duet. Old friends reunited onstage never felt so good.

2. Haim, Webster Hall, September 3
I was late to this bandwagon, as fellow House List contributor Alex Kapelman shortlisted Haim last year for his Top Five Bowery Presents Shows of the Year. I knew I was in for a good one when I could barely find a spot in the rafters to catch the three sisters, who charmed with their onstage banter and wicked musicianship

3. Jessie Ware, The Bowery Ballroom, January 17
Straight off her Jimmy Fallon taping backed by the Roots, the British songstress elated the crowd with her effortless, down-to-earth stage demeanor. Her star quickly rose with American audiences, as she sold out shows at Webster Hall, Music Hall of Williamsburg and Irving Plaza throughout the year. I was glad to have caught her earlier in the more intimate venue.

4. Basia Bulat, Bowery Ballroom, November 23
I’ve been a fan of Basia Bulat since I heard her cover Sam Cooke’s “Touch the Hem of His Garment.” This show on a cold night wasn’t sold out, which made me a little sad since she’s quite the talent. But those who were there were enraptured by her prowess on autoharp to the point that you could hear a pin drop during her solos.

5. Daughter, Bowery Ballroom, April 30
Somehow Elena Tonra manages to disguise heartbreak behind soulful lyrics and melody. She has a knack for turning happy dance songs into somber endeavors. The band mashed-up Bon Iver and Hot Chip’s “Perth/Ready for the Floor” that evening. Check out Tonra’s somber retake of Daft Punk’s hit “Get Lucky” for further proof. —Sharlene Chiu

My Top Five Shows I Never Thought I Would See
1. Desaparecidos, Webster Hall, February 26

Desaparecidos (and really any Conor Oberst project) were my bread and butter back in the early aughts, and for a while they seemed to be a one-off, a politically minded side project firmly planted in the past. Fortunately (and unfortunately) the global state of affairs remains messed up enough for the band to regroup to write protest songs for a new decade. It was a nostalgic, sweaty and inspired performance.

2. Shuggie Otis, Music Hall of Williamsburg, April 19
Shuggie Otis began putting out music in the mid-’70s, followed by a long period of laying low. Content to groove along to songs like “Ice Cold Daydream” at home, I never really thought about the possibility of a Shuggie Otis tour in 2013. But when I found out, I was there. And “Ice Cold Daydream” is even better in person.

3. The Flamin’ Groovies, The Bowery Ballroom, July 6
Instead of discovering the Flamin’ Groovies in a smoky San Fran club in the ’60s, I was introduced to their catchy psychedelia on a Nuggets compilation more than 30 years later. Who’d have thought they’d still be going strong in 2013 and that I’d be dancing right alongside some old school fans at this fun summer show.

4.  John Prine, Beacon Theatre, September 26
John Prine has been active since the early ’70s, but unlike Shuggie Otis, he never really went away, writing and recording songs at a steady pace throughout the years. But I still always thought of him as an artist too legendary for me to see in person—or that tickets would be too out of reach. But John Prine put on an amazing show, highlighting his singular skills as a songwriter and storyteller.

5. The Julie Ruin, Music Hall of Williamsburg, October 25
I was late to the party for the original riot-grrl movement, but I became an admirer of Bikini Kill frontwoman Kathleen Hanna during her time in Le Tigre. She’s dealt with some debilitating health issues in the past few years, but I had no doubt she’d continue to make art and music. So I was happy to learn of her latest project, the Julie Ruin, and her energetic show did not disappoint. —Alena Kastin

My Top Five Shows
1. Yo La Tengo, Town Hall, February 16

I don’t like to pick a favorite, but my last.fm account tells me I’ve listened to Yo La Tengo more than any other band since 2007. At Town Hall, they performed an acoustic set and an electronic one, doing two versions of “Ohm,” my favorite song of the year. And then I ran into Tim Heidecker from Tim & Eric’s Awesome Show, Great Job! Had the Red Sox not won the World Series, this would’ve been my favorite night of the year.

2. Killer Mike/El-P, Webster Hall, August 14
I don’t care what anyone says: The best two rap albums of 2012 came from Killer Mike and El-P. And in 2013 they topped them, coming together as one entity, Run the Jewels. The night included a set from El-P, a set from Killer Mike and a combined set with both. El-P’s ingenious production plus Killer “I bleed charisma” Mike equals one concert I will never forget.

3. Foxygen, The Bowery Ballroom, October 21
With Foxygen it occasionally feels like shit could fall apart at any moment. And sometimes it does. But when their shows don’t come unhinged they deliver that sweet thrill of relief, like narrowly avoiding a car crash. And on this Halloween-themed night, the band made a weird show even weirder with homemade costumes and pseudo spooky vibes.

4. Steve Earle, Music Hall of Williamsburg, May 8
You can just tell some people are genuine, and Steve Earle is certainly one of them. Forever wearing his heart on his sleeve, that same energy bleeds right into his music, which he played alongside what he’s calling “the best band he’s ever had.”

5. Meat Puppets, Mercury Lounge, April 4
Not only are the Meat Puppets still kicking (after living through some serious shit), but also they’re thriving. And as much as I respect their legacy, seeing them play for more than two hours with the intensity you’d expect of a band 20 years their junior makes me respect them that much more. Long live the puppets of meat! —Dan Rickershauser

My Top Five Shows
1. Dessa, Union Hall, May 5

There are few performers I feel can move mountains with their vocal chords, and Dessa is one of them. This performance was an eruption of defiant lyrics and bold beats. A sizable crowd of young girls knew all of her lyrics, giving the show a chant-like feel. The only female member of Minnesota’s Doomtree collective practically vibrates with energy, and it’s completely contagious.

2. Kishi Bashi, Irving Plaza, September 12
Kishi Bashi sounds even better live than he does recorded. And he delivered a dazzling set with profuse vocal looping and an excellent backing band. Kauro Ishibashi has a supercharged, effusive aura, and his music embodies that persona. This set took a rowdy turn that involved crowd surfing, strobe lights and an outright jam session.

3. Panama Wedding, CMJ Music Marathon
I happened upon newcomers Panama Wedding three different times during CMJ: Initially, opening for NONONO at Mercury Lounge on the first night. Since the band had only released one song, “All of the People,” I was eager to see what would unfold onstage. Their set was so tight that I caught the fantastical pop group the following night at Pianos and then again at a showcase at Santos Party House.

4. You Won’t, Rockwood Music Hall, October 30
The live iteration of You Won’t is a spectacle to behold. I watched eagerly as Josh Arnoudse and Raky Sastri wielded a slew of instruments with ease, quickly fascinating the audience. The duo took their jaunty music into the audience a couple of times to break the barrier and enlisted some extra vocal support by encouraging us to all to sing along.

5. James Blake, Terminal 5, November 6
In this spellbinding live performance, complete with plenty of vocal looping and haunting electronica, James Blake made a cavernous room filled with people feel intimate. And that he’s such a dapper-looking fellow only helps boost his appeal. I’m still transfixed by this performance nearly two months later. James Blake’s music has some serious lasting effects. —Schuyler Rooth

My Top Five Shows with Regard to Lights, Visuals and Production
1. Umphrey’s McGee, Brooklyn Bowl, January 20

Kick-ass creative lighting
and Brooklyn Bowl don’t usually go hand in hand, but Umphrey’s McGee lighting guru Jefferson Waful turned the room into a thing of beauty.

2. Föllakzoid/Holydrug Couple, Mercury Lounge, March 21
What better way to enjoy some old school psychedelic music than with some old school liquid projections courtesy of Drippy Eye.

3. Plaza: Portugal. The Man, Irving Plaza, May 20
Freakin’ lasers!

4. The Flaming Lips/Tame Impala, Terminal 5, October 1
It was almost as fascinating to watch the Lips’ spectacle getting set up as it was to see it in action—confetti, strobes, LEDs and, well, pretty much everything. And Tame Impala’s projections were no slouch either.

5. Phish, Atlantic City Boardwalk, October 31, November 2
Phish’s fall tour found lighting director Chris Kuroda playing the Willy Wonka of eye candy all over the East Coast. —A. Stein

My Top Five Albums
1. Phosphorescent, Muchacho
I’d only seen Phosphorescent once before listening to Muchacho for the first time. And while much of Matthew Houck’s previous work is country-tinged (not that there’s anything wrong with that), this album, ostensibly about a breakup, covers more territory, from the meditative sounds of “Sun, Arise (An Invocation, an Introduction)” and “Sun’s Arising (A Koan, an Exit)” to the jammy, driving “Ride On/Right On” to softer fare, like “Muchacho’s Tune,” all centered on Houck’s evocative voice. I still can’t stop listening to it.

2. Foxygen, We Are the 21st Century Ambassadors of Peace & Magic
Foxygen’s third full-length, We Are the 21st Century Ambassadors of Peace & Magic, comes off as a loving mash note to ’70s rock. You’ll hear bits of the Rolling Stones, Velvet Underground and David Bowie, but the album expertly manages to sound like something whole and new rather than something derivative.

3. White Denim, Corsicana Lemonade
Upon the first couple of listens, I found White Denim’s latest, Corsicana Lemonade, to be too singer-songwriter-y, but I continued to give it a chance, and it opened up to something much bigger, with genre-hopping songs like “Let It Feel Good (My Eagles)” and “Pretty Green”—not to mention some searing guitar parts—grabbing me by the throat.

4. Futurebirds, Baba Yaga
Admittedly, I didn’t know anything about Futurebirds, out of Athens, Ga., before writing a preview of their late-May show at The Bowery Ballroom. But while listening to their second LP, Baba Yaga, as I wrote, I became totally enamored of the album—half twangy Southern rock and half spacey reverb.

 5. Kurt Vile, Wakin on a Pretty Daze
I love Kurt Vile’s Wakin on a Pretty Daze so much, that I can’t believe it’s only No. 5. Labeling it stoner rock, as many have done, is lazy. Although I supposed me calling it laid-back rock isn’t any better. But the fact of the matter is there might not ever be a better album to listen to while walking the streets of New York City with headphones in your ears. —R. Zizmor


The Cult of Shuggie, in Williamsburg

April 22nd, 2013

Shuggie Otis – Music Hall of Williamsburg – April 19, 2013

On Friday night, Music Hall of Williamsburg played host to legendary musician Shuggie Otis, who rose to fame thanks to his funky fusion of rock, R&B and psychedelic soul before more or less fading away, all within the span of the 1970s. However, over the past few years, Otis has been making up for lost time with a slew of performances, as well as a recent reissue of his 1974 record, Inspiration Information, alongside Wings of Love, a companion album with new and previously unreleased material.

As Otis and his seven-piece band filed onstage and readied for the set, his trumpet player, also serving as unofficial host and hype man, riled up crowd with a warning: “Brooklyn! Beware. If you have never been dominated, I give you three minutes to exit. And if you do not exit…it’s on! We will not be merciful.” Otis unleashed the domination through his guitar, opening with Inspiration Information’s title track, much to the delight of a crowd filled with folks who looked like they may not have been alive during his heyday, plus a strong contingent of original fans, all grooving along to the mellow melody. Otis and his band treated the crowd to more old favorites like “Aht Uh Mi Hed” and “Island Letter,” as well as songs from the new LP, “Tryin’ to Get Close to You” and “Wings of Love.”

In contrast to the long curly locks that were a signature look on his 1970s album covers, present-day Otis wore a stylish wide-brimmed hat, hair short and slicked back. Occasionally closing his eyes as he sang—and tilting his head back and smiling when playing an especially satisfying riff—he was an understated yet commanding presence onstage. As the show progressed, the reserved Otis seemed to loosen up a little, getting lost in intricate guitar solos during songs like “Sparkle City.” After an encore of “Ice Cold Daydream” the band left the stage, seemingly for good, and as the audience began to file out, a group of fans began to chant for Shuggie Otis to come back and play his 1971 hit “Strawberry Letter 23.” After several rounds of “Straw-ber-ry! Straw-ber-ry!” the band was back, obliging the demands with a spirited version of the song, just as smooth and catchy as it must have sounded back then. —Alena Kastin



Shuggie Otis Comes to Brooklyn Tomorrow Night

April 18th, 2013

Like so many of us, much of Johnny Alexander Veliotes Jr. stems from his parents. His prodigious musical chops were passed down from his dad, R&B pioneer Johnny Otis, and his nickname—short for sugar—came courtesy of his mom. Because without them, the world wouldn’t know of Shuggie Otis. A precocious child, he first appeared on an album when he was just 15, which would be a pretty big deal for most kids. But then the next year, 1969, his debut album, Here Comes Shuggie Otis, arrived. Freedom Flight, led by “Ice Cold Daydream” and “Strawberry Letter 23,” followed in 1971. The latter song became known the world over several years later thanks to the Quincy Jones–produced version done by the Brothers Johnson. Otis would then spend three years writing, arranging, producing and recording the soul, funk and psychedelic cult classic Inspiration Information, out in 1974. And then: poof. That was it. Despite overtures from the likes of Jones, the Rolling Stones and Billy Preston, Otis declined to tour or put out any more new music—other than working as a sideman—and eventually his recording contract was nullified. But, fortunately, the story doesn’t end there. Because two days ago Inspiration Information was reissued alongside Wings of Love (stream both below), comprised of unreleased material dating back to 1975. And while that’s great news, the absolute best part of this is that you can see Shuggie Otis tomorrow night at Music Hall of Williamsburg— and you can try to win two tickets.