Tag Archives: Spacebomb Records

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Natalie Prass Comes to Music Hall of Williamsburg Tomorrow Night

November 9th, 2015

Natalie Prass grew up around Virginia Beach with an affinity for music and art, which led to her attending the famed Berklee College of Music. But it didn’t exactly take, so she left Boston and ultimately settled in Nashville. Music City ended up being the perfect home for the singer-songwriter, who, while biding her time, had ample opportunities to work on her craft. She’s previously hit the road backing Jenny Lewis, but back in January, Prass (above, performing “Why Don’t You Believe in Me” at SXSW for WFUV FM) saw her long- awaited, acclaimed self-titled debut full-length (stream it below) on Matthew E. White’s Spacebomb Records—although the album was actually finished in 2012. (Prass and White were childhood friends.) Despite the wait, critics have been absolutely knocked out. Pitchfork gave the LP its Best New Music label, and Paste magazine declared, “Over nine songs, Prass shows a range in songwriting, from anthems to confident R&B burners to whimsical prairie folk to theatrical grandeur. It is the debut of a songwriter not struggling to find a voice, but fully formed and confident as all hell. She makes knowing nods to Joni Mitchell, Lesley Gore, Diana Ross and Joanna Newsom, all while seeming natural and instinctual. She is the product of her influences and still original.” Currently winding down her most recent tour, Natalie Prass plays Music Hall of Williamsburg tomorrow night. Loamlands, out of Durham, N.C., open the show.

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Natalie Prass Brings Acclaimed New Music to Rough Trade NYC

February 5th, 2015

Natalie Prass grew up around Virginia Beach with an affinity for music and art, which led to her attending the famed Berklee College of Music. But it didn’t exactly take, so she left Boston and ultimately settled in Nashville. Music City ended up being the perfect home for the singer-songwriter, who, while biding her time, had ample opportunities to work on her craft. She’s recently been out on the road backing Jenny Lewis, but even more currently, Prass (above, performing the catchy “Bird of Prey”) saw her long-awaited, acclaimed self-titled debut full-length (stream it below) arrive last week on Matthew E. White’s Spacebomb Records—although the album was actually finished in 2012. (Prass and White were childhood friends.) Despite the wait, critics have been absolutely knocked out. Pitchfork gave the LP its Best New Music label, and Paste magazine declared, “Over nine songs, Prass shows a range in songwriting, from anthems to confident R&B burners to whimsical prairie folk to theatrical grandeur. It is the debut of a songwriter not struggling to find a voice, but fully formed and confident as all hell. She makes knowing nods to Joni Mitchell, Lesley Gore, Diana Ross and Joanna Newsom, all while seeming natural and instinctual. She is the product of her influences and still original.” In a couple of weeks, she’s off to Europe, but you can still catch her tomorrow night at Rough Trade NYC. Lady Lady and Small Wonder open the show.

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Matthe E. White and the Spacebomb Revue Come to Williamsburg

December 4th, 2013

Make no mistake: Matthew E. White is a musician. He’s a singer, songwriter, multi-instrumentalist, producer and arranger, and he even founded his own label in Richmond, Va., Spacebomb Records, which uses a house band—led by White on guitar, Cameron Ralston on bass and Pinson Chanselle on drums—for all of its work. Growing up in Virginia Beach and the Philippines, White listened to the likes of the Band, Curtis Mayfield, Brian Wilson and Stax-era R&B, and he has worked with Justin Vernon, Megafaun, the Mountain Goats and Sharon Van Etten, in addition to leading the avant-garde jazz big band Fight the Big Bull. In theory, that should really be enough for just one guy. But for Matthew E. White, it wasn’t. So last year, Spacebomb Records put out his acclaimed debut full-length, the soulful Big Inner (stream it below), reminding many of Randy Newman’s early work, thanks to White’s unique take on things. And upon the album’s release in the UK last winter, The Guardian said it “feels like a genuine revelation.” White (above, doing “Big Love” earlier this year at The Bowery Ballroom for Moshcam) is currently on tour with the Spacebomb Revue, which brings him, alongside electronic producer and multi-instrumentalist Dosh and Howard Ivans—a dance project led by the Rosebuds’ Ivan Howard—to Music Hall of Williamsburg tomorrow night.

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Matthew E. White Quietly Delivers

May 14th, 2013

Matthew E. White – The Bowery Ballroom – May 13, 2013


What is it that Teddy Roosevelt said? “Speak softly and carry a big stick”? Well, Matthew E. White sings softly and carries a big stick, namely his backing band. It’s hard to call a six-piece outfit a small band, but for Virginia Beach, Va., native White, who’s played and recorded with literally dozens of musicians at a time, the sextet he played with at The Bowery Ballroom last night was a decidedly slimmed-down affair. Still, when you’ve got a guy who’s equally up to playing some delicious countrified pedal steel as he is a rollicking piano, and a bass player who grooves like he backed Herbie Hancock in his Headhunters prime, in addition to the drummer, percussion and keys players locked into your sound, six is a big enough stick.

The group walked out to Stevie Wonder’s “Jesus Children of America” which, on Wonder’s birthday, seemed plenty deliberate for White, who matches soul with a Wonder-esque funkiness and whose music is accented by his personal faith. The set got moving with “One of These Days” and the ultragroovy “Steady Pace,” from last year’s Big Inner. These were prime examples of White’s style: soft, heartfelt vocals that melted into a steady buildup by the band, typically climbing to a surprising, ecstatic off-center climax. The band’s country-funk chops were on full display in a perfect cover of Neil Young’s “Are You Ready for the Country,” featuring the highlight pedal steel playing in a set filled with them. Although his vocals sounded great, White confessed it was a heavy dose of steroids that were keeping his sick throat up to the task and warned the side effects included extreme crankiness and irritability. Of course, he said this in his sweet, give-me-a-hug demeanor. It seemed perfect that White’s self-proclaimed “drinking song” was called “Hot Toddies” and featured a gorgeous, quiet minimalist section before a punchy finale. This is a groovy party band almost in spite of itself.

The heaviest hitter of the set was “Big Love,” a White masterpiece, mixing all the elements, in one high-energy heart-pumper, the band playing it loose, showing the clear comfort of musicians who know they’ll all get back to the same place, regardless of the different paths they take along the way. The set closed with a powerful one-two whack from the stick—“Gone Away” and “Brazos,” the latter a 10- minute mountain of a song that built upon a percolating bassline that appeared to lack a beginning or an end. It’s one of those songs that seems fit for a hundred musicians in a church in Virginia to do its climactic coda justice, but on a Monday night in NYC, White and his band were plenty big. —A. Stein

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Matthew E. White Headlines The Bowery Ballroom on Monday

May 10th, 2013

Make no mistake: Matthew E. White is a musician. He’s a singer, songwriter, multi-instrumentalist, producer and arranger—and he even founded his own label, Spacebomb Records, which uses a house band—led by White on guitar, Cameron Ralston on bass and Pinson Chanselle on drums—for all of its work. Growing up in Virginia Beach and the Philippines, White listened to the likes of the Band, Curtis Mayfield, Brian Wilson and Stax-era R&B, and he has worked with Justin Vernon, Megafaun, the Mountain Goats and Sharon Van Etten, in addition to leading the avant-garde jazz big band Fight the Big Bull. In theory, that should really be enough for just one guy. But for Matthew E. White, it wasn’t. So last year, Spacebomb Records put out his acclaimed debut full-length, Big Inner (stream it below), reminding many of Randy Newman’s early work, thanks to White’s unique take on things. And upon the album’s release in the UK this past winter, The Guardian said it “feels like a genuine revelation.” White (above, doing “Will You Love Me” for WFUV FM) has spent the past month touring Europe, but you can see him on Monday night at The Bowery Ballroom.