Tag Archives: Tom Petty

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Against Me! Thrill Packed Brooklyn Steel Crowd on Saturday Night

October 16th, 2017

Against Me! – Brooklyn Steel – October 14, 2017


For some, Against Me! are the only band that matters, while in other circles the group hasn’t mattered in more than a decade. In their early days, the Florida four-piece fused folk and punk in a way that put their sound somewhere in between Billy Bragg and Crass. Their 2002 debut, Against Me! Is Reinventing Axl Rose, was filled with scrappy sing-along tunes that promoted far-left politics and an infectious DIY charm that quickly won over the punk scene and influenced countless other acts. Then things began to change: Their 2007 album, New Wave, was a divisive sea change for the band as they jumped from indie label Fat Wreck Chords to the major label Sire Records. The LP paired them with famous producer Butch Vig, who helped them expand upon their sound and buff out the amateurish edge that seemed exciting and dangerous to many of their longtime loyal followers. But for those fans who turned their backs around that period, they have really missed out as Against Me! have come into their own in so many ways.

During that period, singer Laura Jane Grace (previously known as Tom Gabel) had begin to subtly hint in her lyrics that she was suffering from gender dysmorphia—and in the following years, she began to fully transition. This process fueled Grace to write the band’s masterpiece, Transgender Dysphoria Blues, so nakedly honest about her experiences while still rocking with more fury and passion than the band had displayed since their early days. During this time, the original rhythm section left and after some temporary substitutions, drummer Atom Willard and bassist Inge Johansson became permanent members. With these additions, Against Me! have become one the best live bands going. And after touring behind their newest album, Shape Shift with Me, for seven weeks, they brought their well-oiled machine to Brooklyn Steel on Saturday for a life-affirming night of rock and roll.

The room boiled over with a collective joy impossible not to notice as Against Me! blasted into Blues“True Trans Soul Rebel.” The mania in the crowd barely let up as the sea of fans bounced along in unison with crowd-surfers perpetually rolling overhead throughout the set. The band treated fans to a well-balanced mix of material from throughout their career, even busting out some deep cuts from the early days, like an especially heavy rendition of Axl Rose’s “Jordan’s First Choice.” One of the most surprising moments of the main set came as the quartet played a faithful rendition of Tom Petty’s “Runnin’ Down a Dream” that did the fallen Florida icon proud. Their encore also started with a cover as Grace played a solo rendition of the Mountain Goats classic “The Best Ever Death Metal Band in Denton.” The song’s lines “When you punish a person for living his dream/ Don’t expect him to thank or forgive you” could act as a rallying cry for the resistance and Grace sang it with an intense purpose that sent chills down the spine. As the show came to an end, the band went out with a one-two punch of “Sink, Florida, Sink” and “We Laugh at Danger and Break All the Rules” that had fans singing the words long after the house lights had come on. —Pat King | @MrPatKing

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Broken Social Scene to the Rescue at Brooklyn Steel on Wednesday

October 5th, 2017

Broken Social Scene – Brooklyn Steel – October 4, 2017

In “getting the band back together,” the siblings in The Blues Brothers are compelled to get all of the original members, no less will do, in order to rekindle the old magic. I imagine Kevin Drew and Brendan Canning going through similar adventures every few years as they search Toronto to round up Andrew Whiteman, Charles Spearin, Justin Peroff and the rest of Broken Social Scene. In the movie, the reunion is to save an orphanage, and while now there’s no orphanage to save, per se, it does lately feel like our collective national psyche has been orphaned—and who better to save it than these guys? Or, as Drew put it midway through their sold-out show at Brooklyn Steel last night: “When your country gets fucked up, Broken Social Scene shows up … that’s what we do.” And show up they did, delivering a powerful, jubilant, cathartic set, the band, indeed back together.

The healing vibes were flowing from the beginning with a punchy opening one-two of “KC Accidental” and “7/4 Shoreline,” guitars layered upon guitars and then, at just the right moment, a blast of horns materializing to provide the exclamatory oomph. “We’re not a rock band, we’re a family!” proclaimed Drew later in the night, putting to words the unique, sibling-love energy coming from the stage. Even when squeezing two, three and sometimes four guitar parts into their songs, the sound was big and loving without getting too messy. A mid-set pairing of “Stars and Sons” and “World Sick” showed off the ensemble’s range: joyous, raucous bounce followed by more subtle, heartfelt rocking, the latter lingering with beautiful cascades of guitar in both the intro and outro.

While it’s been a few years since Broken Social Scene’s last proper tour—and the band and crowd were both filled with nostalgia last night—plenty of new material still seamlessly fit into the set. “Skyline,” dedicated to Tom Petty, felt especially purposeful and charged, quietly building to another horn-led climax. The new record is titled Hug of Thunder, and that’s exactly what the show felt like, an emotional release in voluminous guitars, bass, drums and more. During the encore, the hugs became literal, Drew dropping down into the crowd to sing “Lover’s Spit” and giving a genuine embrace to as many people as he could along the way as he sang, sincerely, if not reassuringly, “Making it work takes a little time.” —A. Stein | @Neddyo

Photos courtesy of Gregg Greenwood | gregggreenwood.com

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Marty Stuart Pays Homage to California Country at Bowery Ballroom

April 27th, 2017

Marty Stuart and His Fabulous Superlatives – The Bowery Ballroom – April 26, 2017


Marty Stuart is old school country good—it’s right there in the title of his band. Raised in Mississippi, entranced with the likes of Buck Owens and Marty Robbins, Stuart came to renown as a guitarist with Lester Flatt and Johnny Cash before he broke out as a solo artist, favoring a high-energy country, roots and Americana sound that feels classic but not overly nostalgic. The essence of his 18th album, the outstanding Way Out West, is also right there in the title: Stuart loves the mythology of the American West, the panoramic dreams and wide-open-desert terrors it can evoke and the range of moods that music flavored with these things can inspire.

Lest it seem like Stuart and his crackerjack band will get lost in the cinematic sweep of things, however, they definitely don’t: They’re as fun, foot-stomping and down-to-earth good a country band as any New York City can attract. Over an hour and a half at The Bowery Ballroom last night, they plumbed the best of Way Out West and served up hefty helpings of Stuart chestnuts and roots-music staples, from ancient stuff like “I Know You Rider,” “Orange Blossom Special,” “Country Boy Rock & Roll” and Robbins’ “El Paso,” to ripping, surf-leaning instrumentals like “Mojave” and “Torpedo,” newer tunes like the honky-tonk “Whole Lotta Highway” and Stuart classics like “The Whiskey Ain’t Workin’.” They’re storytellers, string-benders, good-time Charlies who can acquit a twangy reworking of Tom Petty’s “Runnin’ Down a Dream” and make it feel like a deep cut from a Best of the Bakersfield Sound compilation.

Stuart is the proverbial “name on the door,” but it’s the Fabulous Superlatives who get at least as much of the spotlight, claiming at least one solo vocal or instrumental performance apiece. Among them, Kenny Vaughan, Harry Stinson and Chris Scruggs (yep, grandson of Earl) cover guitar, bass, drums and plenty of other things, but, like Stuart, are best described as multi-instrumentalists for how seamlessly—and how musically—they inhabit whatever they’re playing or singing. That’s key: Beneath the wisecracks and convivial joy, the foursome exhibit a deep trust and abiding gratitude for this music and their ability to play it so magnificently. —Chad Berndtson | @Cberndtson

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Five Questions with Savoir Adore’s Paul Hammer

August 10th, 2016

Savoir Adore (above, performing “Giants” for We Found New Music) play The Bowery Ballroom on Friday night, and The House List recently reached out to the band’s leader, Paul Hammer, to discuss a new lineup, a new album, The Love That Remains—which comes out on Friday—and to answer Five Questions.

Your show at The Bowery Ballroom celebrates the release of The Love That Remains. What can we expect that night? Will you play the whole album? We’ll be playing most of it, yes! It’s a strange new (good) problem to have for us—figuring out a set list with three albums is a whole new challenge. This will also be the first time we’re playing most of these songs, so it’s exciting for us on that level too. 

For some bands, touring is like a theater piece in that the set list doesn’t change too much from show to show, but everyone onstage is aware of the different nuances in each performance. But for others, every night has a totally different set list and feel. Where do you land in that spectrum? I think a little bit of both, but definitely leaning toward the theater-piece approach. We have a pretty specific flow and idea for transitions, and our sound is also very electronic and sequenced at times. That’s the tricky part about being an electronic band without the ability to hire a nine-piece traveling group. Would love to have three dedicated synth players in the future, but for now we’ll give a little bit of the work to Mr. Ableton.

How has a change in the band’s lineup changed things? It’s interesting ’cause it’s obviously different with a different group of people, but in some ways it hasn’t changed much at all. We’ve also been a band that’s sort of evolved and changed lineups over the years, so in that sense we’ve become a bit used to it. But I think the biggest change is just that I’m more in a position of being the sole leader now. It’s a pressure that was pretty overwhelming for a long while, but now that I’m used to it, it’s actually really liberating. 

As a Brooklyn band, what does it mean to do an album-release show at home in NYC? And is there any personal significance to playing The Bowery Ballroom? Big time. It means a lot. Honestly, most of my favorite shows in New York have been at The Bowery Ballroom, and I often call my happy place the upstairs bar looking out at the arched window. As soon as I started writing this record I knew I wanted to have the release show here, and this being our first time headlining makes it even more special. 

Friday’s show has ended, and at the after-party we give you a buck for the jukebox. Which three songs do you choose? Talking Heads, “Once in a Lifetime,” Tom Petty, “Don’t Come Around Here No More” and Fleetwood Mac, “Gypsy.” Then again, if this was a party of some kind, I might pick different songs. —R. Zizmor | @Hand_Dog

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The Shelters – Mercury Lounge – June 8, 2016

June 9th, 2016

The Shelters - Mercury Lounge - June 8, 2016

Photos courtesy of Brian C. Reilly | www.briancreilly.com

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The Shelters Celebrate Debut Album Tonight at Mercury Lounge

June 8th, 2016

Chase Simpson (guitar), Josh Love (guitar), Sebastian Harris (drums) and Jacob Pillot (bass) formed the Shelters—expertly mashing together glam, bluesy melodies and fuzzy guitar hooks—two years ago in Los Angeles. They caught a break when, shortly after forming, Tom Petty showed up at one of their performances and liked what he saw so much that he decided to sign on as one of the producers for their self-titled full-length, which was recorded in his home studio. The album comes out on Friday, but the Shelters (above, performing “Birdwatching” at Jam in the Van headquarters), taking a break from opening for Petty’s Mudcrutch, celebrate its release in advance tonight at Mercury Lounge. As an added bonus, NYC four-piece Silverbird open the show.

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A Top Five Look Back at 2014

December 31st, 2014

Colourful 2014 in fiery sparklers

Top Five Albums
1. The War on Drugs, Lost in the Dream
2. Total Control, Typical System
3. Run the Jewels, Run the Jewels 2
4. Coldplay, Ghost Stories
5. Parquet Courts, Sunbathing Animal —Charles Steinberg

Top Five Memorable Shows
1. Feist, Tarrytown Music Hall, 4/10
When I heard Feist was doing a tiny solo acoustic tour, I forked over ducats for this one. There were bits of stand-up-like banter with the audience as she stripped down the material. But what really made the night was a mini-reunion with former bandmate (and ex) Kevin Drew as they dueted on the Broken Social Scene classic “Lover’s Spit.”
2. (tie) Rhye, Webster Hall, 2/21
This performance was a bit misleading because although singer Milosh and producer Robin Hannibal are the members in Rhye, the latter member doesn’t tour. But Milosh’s ethereal voice really is the heart and soul of the pair, and it shone greatest for the hit “Open.” His deceptively androgynous voice sounds at times like Sade or even Antony Hegarty.
(tie) Max Richter, The Bowery Ballroom, 12/7
When I saw that the German-British composer was playing Bowery, I had to hop to it. As Richter usually plays symphony concert halls, it was an interesting choice to play such a smaller venue. The Ballroom felt like a recital hall with the audience entranced. What can I say: I’m a sucker for artists playing unorthodox venues.
3. Glass Animals, The Bowery Ballroom, 7/7
I was recently reminded of this concert when my yoga instructor played “Gooey” in class. Pretty fitting, right? In addition to infectious dance melodies, frontman Dave Bayley’s gangly limbs flayed erratically that evening, bringing to mind another dude named Thom Yorke. The two lads have great music and dance moves to boot. Coincidence? I think not.
4. Phox, Knitting Factory, 7/22
The buzz swirling around this Wisconsin band post-SXSW had me tuned into their album all spring and into the summer. Frontwoman Monica Martin was definitely a bit tipsy, but that didn’t detract from her lush vocals or onstage camaraderie. (Check out Schuyler Rooth’s review of their Mercury Lounge gig.)
5. (tie) Mr. Little Jeans, Rough Trade NYC, 5/10
Opening for Sohn, Norwegian singer Monica Birkenes, aka Mr. Little Jeans, overshadowed the headliner for me. It’s rare when that happens, but this lady has a knack for übercatchy dance-pop songs that streamed through my head all summer. She mentioned how she often came here as a child and was really craving a good slice of pizza. What’s not to love?
(tie) Alvvays, Rough Trade NYC, 7/28
New York City summers are packed with free outdoor gigs throughout the boroughs, but this in-store performance with Alvvays stood out amongst the rest. Their infectiously happy songs illuminated the dark back room of Rough Trade but had folks departing into the night with an extra bounce in their step. —Sharlene Chiu

Top Five Just a Man and His Guitar Solo Sets (chronological order)
1.
Dustin Wong (opening set), The Bowery Ballroom, 4/21
2. Plankton Wat, Trans Pecos, 5/8
3. Steve Gunn, Mercury Lounge, 5/18
4. Willie Watson, Mercury Lounge, 5/21
5. Leif Vollebekk (opening set) The Bowery Ballroom, 11/21 —A. Stein | @Neddyo

Top Five Memorable Shows
1. Sylvan Esso, Rough Trade NYC, 9/11
Both my favorite album and my most memorable live show of 2014 came from Sylvan Esso. Amelia Meath and Nick Sanborn possess unwavering emotive energy, and every single lyric and beat has sunk into my psyche . I saw the duo perform live twice this year, most recently at their headlining show at Rough Trade NYC. The duo’s erudite electronica boosted the audience as they performed the entirety of their self-titled debut album plus and few clever covers.
2. Broods, Mercury Lounge, 3/3
Comprised of New Zealander siblings Caleb and Georgia Nott, Broods blend melodic melancholia with sparkling synths and glitchy beats. After getting wrapped up in their self-titled debut EP, I simply had to see them live. Broods played their first NYC show to an incredibly enthusiastic sold-out crowd at Mercury Lounge.
3. Hozier, The Bowery Ballroom, 5/13
Hozier’s rich voice and ardent lyrics sit front and center in his compositions. When he headlined The Bowery Ballroom back in May, he was flanked by equally talented musicians who created dazzling harmonies with choral echoes and rock hooks. Hozier and his bandmates mesmerized the audience, including me.
4. Dan Croll, The Bowery Ballroom, 4/17
Dan Croll’s brand of pop is highly addictive, and his live show is equally intoxicating. He fuses lilting pop, wonky electronica and tribal beats and tops it all off with clever lyrics and airy vocals.
5. Kishi Bashi, The Bowery Ballroom, 6/4
Kishi Bashi has what so many musicians seek, and that is an astounding live presence. It’s as if this guy belongs onstage. Kishi Bashi played back-to-back sold-out New York City shows this past June and stunned audiences with his whimsical finesse and astute lyrics. This picture and my review prove that Kishi Bashi’s live performance is one big euphoric dream sequence. —Schuyler Rooth | @Schuylerspeak

Top Five Albums
1. Under the Pressure, the War on Drugs
Channeling Dylan and Springsteen beneath Adam Granduciel’s vocals and personal struggles to stunning effect, this Philly six-piece put out, for me, far and away the top album of the year.
2. Benjamin Booker, Benjamin Booker
From the very first listen, Benjamin Booker’s self-titled debut sounds familiar, not like you’d previously heard its influences, but rather you’d actually already heard this album. The music is lived in and alive and a joy to listen to again and again.
3. 77, Nude Beach
Eighteen songs that sound like the love children of late-’70s Tom Petty and Elvis Costello. You’ll smile the whole time you listen to it.
4. Dancin’ with Wolves, Natural Child
Recording for the first time as a five-piece, and moving away from gritty garage rock to
a more full-band bluesy country sound (with a side of boogie), these Nashville boys took a huge step forward.
5. Morning Phase, Beck
Six years removed from his previous offering, Beck’s slow-building emotional relative of Sea Change captures you from the very first note. —R. Zizmor | @Hand_Dog

Top Five Memorable Shows
1. Pearl Jam, I Wireless Center (Moline, Ill.), 10/17
Playing a small (for them) venue (for the first time) on a Friday night in the middle of nowhere, Pearl Jam put on the best show by any band I’ve seen in the past four years. They performed No Code in its entirety and covered Pink Floyd, John Lennon, Van Halen and Neil Young. Frontman Eddie Vedder put it best, comparing the appearance to a blind date: “You get there and she opens the door, and it’s like, she’s hot!”
2. My Morning Jacket, One Big Holiday (Riviera Maya, Mexico), 1/29
I could’ve chosen any of MMJ’s performances from this run, but the last night was the longest show and it particularly stood out thanks to the perfect weather, the we’re-on-vacation-in-the-middle-of-winter party vibe and carefully chosen covers (including Jim James singing, “Something, something, something” in “Rock the Casbah.”)
3. the War on Drugs, The Bowery Ballroom, 3/20
I absolutely loved, loved, loved Under the Pressure and was extremely excited to hear it live. The War on Drugs did not disappoint, plus they even threw in a stellar rendition of “Mind Games” to boot. (As an added bonus, the night began with Drive-By Truckers at Terminal 5 and closed with green sauce and salt-baked goodness at New York Noodletown.
4. Jonathan Wilson, Music Hall of Williamsburg, 2/14
It was a Friday night and Valentine’s Day. But if you were expecting something quiet and romantic, you’d have been way off. Jonathan Wilson and Co. delivered 16 jammed-out (but not self-indulgently) songs over the course of two-and-a-half hours.
5. Deer Tick, Allen Room, 3/6
As part of the American Songbook series, Deer Tick played an incredibly intimate, seated show in front of a wall of windows revealing Columbus Circle below. It was one of those moments that makes you grateful to live in New York City. —R.Z.

 

 

 

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The Men Celebrate a New Album Tomorrow at The Bowery Ballroom

March 4th, 2014

They began making punk(-ish) music back in 2008, but with the release of New Moon (stream it below), last March, the Men moved in a different sonic direction: still tapping into feedback and distortion, but doing so over more classic-rock sounds, or what Allmusic calls “creating a sound akin to Dinosaur Jr. on a serious Tom Petty kick.” But that was 12 whole months ago, an eternity to a prolific group like this Brooklyn five-piece. So, naturally, they return with the ambitious Tomorrow’s Hits (stream it below), their fifth album in five years, out today. This time, according to Rolling Stone, “the band reinvent themselves yet again as a slamming blue-eyed soul group.” “We had been kickin’ the horns idea around for a little while,” singer-guitarist Mark Perro told the magazine, “thinking about Fun House by the Stooges, Exile on Main Street by the Stones and all those old classics Stax and Motown records.” Band members—Perro, singer-guitarist Nick Chiericozzi, guitarist Kevin Faulkner, bassist Ben Greenberg and drummer Rich Samis— share singing duties, and while performing live, the guys in the Men (above, playing “Settle Me Down” for KEXP FM) occasionally get lost in a solo, with their back to the crowd, but it doesn’t mean they’ve lost focus. Instead, they’re just caught up in the music. Get caught up in the music yourself when the Men celebrate their new album tomorrow night at The Bowery Ballroom.

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The Men Play Music Hall of Williamsburg Tonight

November 5th, 2013

They began making punk(-ish) music back in 2008, but with the release of New Moon (stream it below), their fourth full-length in as many years, in March, the Men have moved in a different sonic direction: still tapping into feedback and distortion, but doing so over more classic-rock sounds—or what Allmusic calls “creating a sound akin to Dinosaur Jr. on a serious Tom Petty kick.” Band members share singing duties, and while performing live, the guys in the Men (above, playing “Jennifer” for KEXP FM) occasionally get lost in a solo, with their back to the crowd, but it doesn’t mean they’ve lost focus. Instead, they’re just caught up in the music. And you’ll be, too, tonight at Music Hall of Williamsburg. And while you’re at it, make sure you arrive early enough to catch Purling Hiss and Pampers.

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Two Big Local Bands Take the Stage at Barclays Center

September 19th, 2013

Earlier this year, art-punk trio Yeah Yeah Yeahs—frontwoman Karen O, drummer Brian Chase and guitarist Nick Zinner—released their fourth full-length, Mosquito (stream it below). The album includes production work from LCD Soundsystem’s James Murphy and TV on the Radio’s Dave Sitek among others, and in praising it, the A.V. Club says the album “takes a much more open-ended, and less studied, approach to Yeah Yeah Yeahs’ electric eccentricity.” Of course, Yeah Yeah Yeahs (above, performing “Sacrilege” on Late Show with David Letterman) are most known for the fiery live performances, and you can see these hometown musical heroes tonight at Barclays Center. But do yourself a favor and get there early enough to see Har Mar Superstar.

Another big local band, Vampire Weekend—college buddies Ezra Koenig (vocals and guitar), Chris Baio (bass and vocals), Rostam Batmanglij (keys and vocals) and Chris Tomson (drums)—also put out an acclaimed new album this year, Modern Vampires of the City (stream it below). The band’s much-praised third LP is a bit of a departure, abandoning the post-college themes of their previous work, but gaining plaudits in the process, with Rolling Stone winningly comparing the quartet’s new tunes to Paul Simon and Tom Petty. But, like Yeah Yeah Yeahs, Vampire Weekend (above, doing “Diane Young” on Saturday Night Live) are best experienced live. And alongside Solange and Sky Ferreira, they play Barclays Center tomorrow night.

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Morning Teleportation and Desert Noises Together at Mercury Lounge

August 9th, 2013

Tiger Merritt (vocals and guitar), Tres Coker (drums), Travis Goodwin (keyboards) and Paul Wilkerson (bass) met in Bowling Green, Ken., and formed Morning Teleportation. The psychedelic four-piece, with the “combined energy of a basement party, a back-room jam session and a futuristic hootenanny,” recorded their debut album, Expanding Anyway (stream it below) over 12 days in Modest Mouse frontman Issac Brock’s home studio. The result, according to Consequence of Sound, is “driving four-on-the-floor beats, a glimmering polyphonic mix of synthesizer and electric guitar lines and a variety of crazed, Coltrane-esque guitar solos or trumpet lines.” But their album is just a start because Morning Teleportation (above, playing “Salivating for Symbiosis” for Audiotree) are quickly becoming known for their high-energy live shows.

Another four-pack of friends—Kyle Henderson (vocals and guitar), Brennan Allen (guitar), Patrick Boyer (drums) and Tyler Osmond (bass)—formed Desert Noises. You can pick up some of the Orem, Utah, outfit’s influences in their music, which is kind of a folkie Americana (think: Tom Petty and Fleetwood Mac) with some unpredictable twist and turns (think: Tame Impala). Thanks to an intense touring schedule, Desert Noises (above, performing “27 Ways”) built a loyal following even before their first LP, the melodious Mountain See (stream it below) came out in late 2011. They’re currently working on their second release, but you can see Desert Noises alongside Morning Teleportation tomorrow night at Mercury Lounge.

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Lose Your Inhibitions Tomorrow Night with Nude Beach

January 17th, 2013

Singer-guitarist Chuck Betz, drummer-singer Ryan Naideau and bassist Jimmy Shelton all grew up on Long Island’s North Shore, but they began playing music together in Brooklyn. At first it was “just a really fun way to get together on the weekends and get drunk and play music,” said Naideau. But it eventually became something more. In 2008 the power-pop trio took the name Nude Beach and began making rock music in the vein of Tom Petty, the Replacements and Elvis Costello, or as Consequence of Sound puts it: “Nude Beach echoes the past without drooling in the rearview mirror.” This becomes totally clear upon listening to last year’s II (stream it below) just once. Check out Nude Beach, above, doing “Walkin’ Down My Street,” and then do yourself a favor and go see them play the late show tomorrow night at Mercury Lounge.

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Cut Loose with the Music of Tom Petty Tonight at Webster Hall

October 24th, 2012

You know who has a million great songs you probably already know by heart? Tom Petty. The guy’s a legendary hitmaker who’s been making music to raucously sing along to since 1976. Blues, roots, rock, country. You name it, he’s done it. And tonight at Webster Hall, the Cabin Down Below Band—the same guys behind Dylan Fest and Stones Fest—are having a party to celebrate his music. And they won’t go it alone. Far from it! Expect guests galore, like Father John Misty, Andrew W.K., Justin Townes Earle, Delta Spirit, Karen Elson, Ryan Miller of Guster, Jody Porter of Fountains of Wayne, Caveman, Petter Ericson Stakee of Alberta Cross and lots, lots more. As an added bonus, 100 percent of ticket proceeds will benefit the Sweet Relief Musicians Fund and the Musicians Cancer Fund. And a word of advice: You might want to take a sick day tomorrow.