Tag Archives: Wes Anderson

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Ought Find Magic at Music Hall of Williamsburg on Friday Night

April 9th, 2018

Ought – Music Hall of Williamsburg – April 6, 2018

Photos courtesy of Charles Steinberg | charlesosteinberg.com

Montreal’s Ought still feel like the kind of band that’s this wonderful secret you can’t wait to tell someone about. Their fans, who have gradually grown in number and in their affections since the quartet’s 2014 debut, More Than Any Other Day, all seem to share that sparkle of knowing about greatness yet to be widely discovered. As it turns out, there are a bunch of those fans in New York City, as evidenced by Ought packing them into Music Hall of Williamsburg on Friday night. “Into the Sea,” off Ought’s latest and most impressive album, Room Inside the World, sent an instant jolt into the air with its churning, essentially post-punk bassline that implored the bodies in the room, helpless to its charms, to bounce and sway. That energy kept mounting as the show continued in a blissful blur, picking up steam with other striking post-punk-revival delights off the new album, like “Disaffectation,” “These 3 Things” and “Take Everything.”

To bring heart rates down some, the bluesy gospel stride of “Desire” provided respite. For a song recorded with and carried by a 70-piece choir, the live rendition was still decidedly full and radiant, due to precisely synced musicianship and frontman Tim Darcy’s sonorous bellow. His stage presence was also undeniable. It’s meant as a great compliment to describe him as a grown and elongated version of the boy protagonist of Moonrise Kingdom, Sam. (Ought are also clearly influenced by Wes Anderson favorites like the Velvet Underground, the Clash and the Ramones, to name a few.) As he swung a guitar around in awkward angularity, occasionally flipping back his hair with a quick on-beat head shake, Darcy easily won over everyone in the crowd.

Of course, the music took care of that, too, thanks to the band’s consummate professionalism. Behind Darcy, bassist Ben Stidworthy, keyboardist Matt May and drummer Tim Keen played so fluidly as to sound like the music wasn’t being performed with effort and strained focus, so much as it was imagined into existence in the way the group ideally wanted it to sound. No beat was skipped or note rushed as songs from earlier records populated the back half of the show, some stretched and probed in extended forms, as if searching for a bit of ephemeral magic. There was plenty to be found, especially on the irresistible grooviness of “Habit.” By the encore, it felt like the room was in a collective trance and the very gracious Ought happily played a few more for an audience not shy in showing appreciation for them. And dancing loosely with a grin, you kind of thought that Ought were a secret you wish you could keep. —Charles Steinberg | @Challyolly

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L.A. Trio Wildcat! Wildcat! Make a Home at The Bowery Ballroom

November 25th, 2014

Wildcat! Wildcat! – The Bowery Ballroom – November 24, 2014

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Despite taking their name from a reference to Wes Anderson’s The Royal Tenenbaums, Wildcat! Wildcat! don’t sound anything like that film’s soundtrack, but rather they produce hazy tracks perfect for long drives around their home city, Los Angeles. Bassist Jesse Taylor, keyboardist Michael Wilson and drummer Jesse Carmichael garnered plenty of buzz for their early releases, a sold-out 7″ and a self-titled debut EP. And following a busy 2013 touring and supporting Alt-J and Portugal. The Man, the lads released their first full-length album, No Moon at All, this past August.

On an unseasonably warm Monday in New York City, the sunny tracks provided a perfect (if temporary) send-off to the autumn chills. Southern Californians turned The Bowery Ballroom into a party beginning with the slow burner “Tower // W.O.H.L.” Its quiet, starry intro burst into a kaleidoscope of dance beats and an echo of “put your head down low.” The vibe continued with the glimmering guitar lines against floating falsetto on “Garden Grays.” Although they almost played their album in its entirety, Wildcat! Wildcat! made sure to pepper the set with tracks from earlier in their catalog to delight fans.

Notably, Taylor admitted that they hadn’t played “The Chief” in some time, but those in the audience couldn’t tell a bit. Having dropped a cover of Paula Abdul’s “Straight Up” on Baeble Music earlier in the day, the trio played their rendition live for the first time. And on a night when Carmichael hacked through not one but two sets of drumsticks, it seemed like nothing could limit the exuberance in the crowded room. Wildcat! Wildcat! ended the show and their tour with an encore of Tears for Fears’ “Everybody Wants to Rule the World.” —Sharlene Chiu