Tag Archives: Williamsburg

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Bully Ratchet Up the Energy at Music Hall of Williamsburg on Monday

November 14th, 2017

Bully – Music Hall of Williamsburg – November 13, 2017

(Photo: Andie Diemer)

In an era when we’re all coming to realize that women have a million reasons to angrily shout, Bully frontwoman Alicia Bognanno might just rock one of the best screams in all of rock music. Her vocal chords come with a built-in distortion pedal. It’s a slight miracle she can tour playing night after night with her gravely scream on full blast. At other times her voice is filled with tenderness—it takes a certain chorus or bridge to flick a switch then suddenly the same voice isn’t just cutting like a knife, it’s cutting you open. “I am trying to stay focused,” screamed Bognanno on repeat at a fever pitch for the final lines of “Focused,” each refrain ratcheting up the energy levels at Music Hall of Williamsburg, far higher than you’d think possible on a Monday night.

Not all of their songs hit so heavy: “I Feel the Same” came with a bouncy feel to it, with Bognanno flanked on both sides by pogoing guitarist Clayton Parker and bassist Reece Lazarus. The latter dedicated the set to two friends in the audience celebrating their two-year anniversary. “I don’t want to sing the saddest song we have after that. I’ll jinx this,” said Bognanno leading into “Blame.” But it was easily one of their best songs of the night, oscillating between soft contemplation and fury-filled choruses. “Milkman” one of their first-ever recorded tracks, had the whole band packing serious punch, with Lazarus’ thudding bassline doing the walloping. The show ended with “I Remember,” a tight number already trimmed of any fat whatsoever, played in warp speed. No better way to end the night than with a knockout blow. —Dan Rickershauser | @D4nRicks

 

 

 

Contest

Grow a Pair: Win Free Tickets to See Stars on 11/18

November 14th, 2017

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Thanks to their recently released ninth studio album, Montreal rock outfit Stars are back in New York City this week to play Rough Trade NYC on Thursday, Friday and Saturday. All three dates are already sold out, but The House List is giving away two tickets to Saturday’s show. Don’t have any of your own and still want to go? Try to Grow a Pair. It’s easy. Just fill out the form below, making sure to include your full name, email address, which show you’re trying to win tickets to (Stars, 11/18) and a brief message explaining your favorite song on There Is No Love in Fluorescent Light. Eddie Bruiser, a fan of Canadian rock in general, will notify the winner by Friday.

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Alex Clare Brings New Material to Music Hall of Williamsburg

November 13th, 2017

English singer-songwriter and multi-instrumentalist Alex Clare’s Tail of Lions (stream it below) just came out recently in the U.S., striking “an enjoyable balance on his third full-length,” according to AllMusic, “with a further evolution of a sound that shines the spotlight on his voice.” The title, Clare (above, performing “Basic”)—who moved with his family from London to Jerusalem two years ago—tells the Independent, refers to an ancient Jewish Proverb: “‘It is better to be a tail to a lion than a head to a fox’ means that it is better to follow someone who is truly great, than to lead something negative and crooked.” Per the Line of Best Fit, “Deeply rooted in religious literature, [the album’s] other influences range from mental illness to the current political climate, making it an engaging listen from one of Britain’s most distinctive male vocalists.” Clare’s current North American tour touches down in Brooklyn on Tuesday night at Music Hall of Williamsburg. Singer-songwriter Bobby Bazini and Brooklyn five-piece Elijah open the show.

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Julia Jacklin Launches New Tour Monday at Rough Trade NYC

November 10th, 2017

Australian singer-songwriter Julia Jacklin (above, performing “Don’t Let the Kids Win” in studio for Triple J) has been compared to Angel Olsen and Sharon Van Etten, thanks to what AllMusic calls her “seamless meld of dreamy indie folk-pop and confessional alt-country.” Jacklin’s debut full-length, Don’t Let the Kids Win (stream it below), dropped last fall, pleasing critics and fans alike. Consequence of Sound said it “works like a musical punch to the gut, a tearjerker that makes even the most public of spaces ready sobbing spots. Each of the album’s 11 songs sounds effortlessly polished, her voice seasoned with the emotion of an entire lifetime.” The Guardian added: “Don’t Let the Kids Win feels very much like one of those albums that will slowly creep into the affections of a large number of people; it’s that lovely.” Having recently released two new singles, Julia Jacklin kicks off a quick North American tour on Monday at Rough Trade NYC. Atlanta folk singer-songwriter Faye Webster and Brooklyn singer-songwriter Aerial East open the show.

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David Bazan Goes Deep at Rough Trade NYC on Thursday

November 10th, 2017

David Bazan – Rough Trade NYC – November 9, 2017


The opening verse of “Magazine” pretty much sums up the inner conflict that singer-songwriter David Bazan—of the beloved indie-rock outfit Pedro the Lion—has been struggling through his entire career. Once an evangelical Christian, he’s challenged his faith with each release in a way that never pulls any punches. After four full-lengths and five EPs, Bazan decided to retire the band name in order to go solo and explore his relationship with faith without the religious baggage his old band carried. Any longtime fan of his songwriting would be able to tell you that his relationship to the church was never an issue. As a lyricist, Bazan has always been able to pull apart the complex equations that everyday people spend their entire lives trying to solve. In the years since Pedro’s demise, he’s remained prolific, releasing albums and singles under his own name as well as launching many different side projects (his group Lo Tom, played Rough Trade NYC over the summer). Last month, Bazan announced that he would be reviving Pedro for a string of reunion shows this winter as well as plans to record and tour again as a working unit.

But before he can get to work on that, Bazan is finishing up promoting his most recent solo album, Care, which brought his tour to Brooklyn to play Rough Trade NYC last night along with singer-songwriter Michael Nau of Page France. Nau set the tone with a short set of laid-back songs accompanied by a lead guitarist, upright bassist and a drum machine that he’d program in between numbers. His material took on a trance-inducing quality that recalled Lambchop at their most ethereal with lyrics that seemed heartbreakinghly personal. Shortly after, Bazan took the stage backed by a three-piece. And for the most part, he and his band kept it “strictly business” as they plowed through material from Care and his 2016 LP, Blanco, with little talking in between songs, aside from a brief intermission when he took questions from the crowd. Both albums had been a slight sonic departure for Bazan, as they each strictly used synths and drum machines—so it was great to hear these songs getting the heavier band treatment live. He delighted the crowd with a few old Pedro songs, like “When They Really Get to Know You They Will Run” and “Penetration,” and even dusted off the old Headphones tune “Gas and Matches.”

For the encore, Bazan took questions for the second time of the night. As expected, most of them had to do with the Pedro reunion, and he was frank and honest with his answers, explaining that the decision was made in order to tour and record music “as a band” again and to bring his music to a much larger audience. For a sometimes frustratingly overlooked force in the world of indie rock, it’s hard to blame him. He also assured the crowd that the Pedro tour would make its way to New York City in the future but would have to keep us in suspense as to when. He and his band then closed with the opening song off of Pedro’s final album, Achilles Heel, “Bands With Managers,” which had everyone singing along in unison. —Pat King | @MrPatKing

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Two Nights of the Shadowboxers in New York City This Weekend

November 9th, 2017

Layering pitch-perfect three-part harmonies over soulful pop, funky folk and stadium rock channeled through an R&B lens, the Shadowboxers—original members Adam Hoffman (vocals and guitar), Matt Lipkins (vocals and keys) and Scott Tyler (vocals and guitar) with Cole McSween (drums) and Carlos Enamorado (bass)—have been winning over fans with their fun-loving, captivating live performances since forming in college seven years ago in Atlanta. But first they won over Indigo GirlsEmily Saliers, who’d caught one of their shows at Emory University, which led to the Shadowboxers (above, playing “Build the Beat” for WRLT FM) touring and performing with Indigo Girls. Now based in Nashville, Tenn., the group’s Kickstarter-funded Red Room arrived in 2013. To thank donors, the band recorded several cover songs and posted them to their YouTube channel. Their version of “Pusher Love Girl” so impressed Justin Timberlake that he’s since taken them under his wing and signed them to Villa 40, his artist-development company. Following the release of several singles, including “Hot Damn,” and with a new album on the horizon, the Shadowboxers, who have been compared to the Temptations and Maroon 5, have hit the road. Their November tour brings them to Music Hall of Williamsburg on Friday (with Blonde Maze opening) and The Bowery Ballroom on Saturday (with the Rooks opening).

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Blitzen Trapper Return to Play Music Hall of Williamsburg Thursday

November 8th, 2017

And so we find ourselves in November, halfway between the cold canned beers of summer and the sweater-and-overcoat chill of winter, a perfect time to listen to Blitzen Trapper. The Portland, Ore., band’s music fits right into this seasonal space with thoughtful storytelling and a progressive country-folk-funk sound. Right on cue, they have just released their ninth studio album, Wild and Reckless (stream it below), and will be headlining Music Hall of Williamsburg on Thursday night (with Nashville, Tenn., singer-songwriter Lilly Hiatt opening). After some dabbles with a more experimental sound, Blitzen Trapper (above, performing “No Man’s Land” for KINK FM) are in a mature and confident space on the new record, concentrating on the songs themselves. The material will only bolster their already formidable live repertoire that, along with its subtleties and idiosyncrasies, totally rocks in concert, in November or any other time of year. —A. Stein | @Neddyo

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See Diane Coffee Play Rough Trade NYC on Wednesday Night

November 7th, 2017

Shaun Fleming grew up in Los Angeles working on a variety of movies, TV shows and video games as a voice actor. Eventually he became Foxygen’s touring drummer, before Fleming launched his own solo musical project, Diane Coffee, upon relocating to New York City five years ago, when a vicious flu strain kept him homebound for several weeks in his new apartment. Drawing on what AllMusic calls “the same enormous canon of ’60s folk-pop, doo wop and bubblegum influences that inspired Foxygen and other like-minded contemporaries,” Fleming wrote and recorded the first Diane Coffee album, My Friend Fish (stream it below), which came out in 2013. “Packed with peace, love and jangly guitars, Diane Coffee’s debut LP, My Friend Fish, is an irresistible ode to ’60s psychedelia. After only a few listens, it’s hard not to slip into dreams of floral-crown-wearing hippies and cozy Haight-Ashbury cafés,” according to Paste magazine. “Lucky for us, his miserable experience created a 10-track collection filled with organs that hark to both a traditional gospel concert and a jubilant acid trip.” A second full-length, Everybody’s a Good Dog (stream it below), arrived in 2015. “Working with a large group of collaborators, including his Foxygen bandmates, and a larger palette of instruments that includes horns and strings, Fleming takes the intimate, loosely warped pop of My Friend Fish and blows it up into an expansive rainbow that includes elements of Motown, dub reggae, classic ’60s bubblepop, ’70s glam rock and psychedelic R&B,” per AllMusic. “An album this crazy and good deserves nothing but praise and adulation.” Fleming recently released a two-song 7″ called Peel and has hit the road. Catch Diane Coffee (above, doing “Mayflower” for KEXP FM) tomorrow at Rough Trade NYC. Vancouver, B.C., four-piece Peach Pit open the show.

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Lee Ann Womack Plays Intimate Show Tuesday at Rough Trade NYC

November 6th, 2017

After penning work for others as a professional songwriter, Lee Ann Womack burst onto the country scene with the release of her self-titled debut (stream it below) in 1997. She became a crossover sensation with the arrival of I Hope You Dance (stream it below) in 2000, knocking ’NSync off the charts in the process, before embracing traditional Americana, which makes up the majority of her newest studio album, produced by her husband, Frank Liddell, The Lonely, the Lonesome & the Gone (stream it below), which came out two weeks ago. “Womack is in terrific voice throughout, the songs—including her co-writes—are top notch and with Liddell’s sympathetic backing and production, it’s hard to imagine how anything could be improved. It’s a late-breaking short list nominee for 2017’s album of the year,” raves American Songwriter. “She may have danced with the devil in Nashville to become a big success, but now she’s asking for salvation by getting back to her roots in Texas. Why the hell not, as the former Lone Star gubernatorial candidate Kinky Friedman used to ask. She really doesn’t have anything to be forgiven for, and her new album redeems her from the curse of being overly popular by being so damn good,” adds PopMatters. In support of her new material, Womack (above, performing “All the Trouble”) puts on a very intimate perfromance tomorrow night at Rough Trade NYC. Local country singer-songwriter Zephaniah OHora opens the show.

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The Rural Alberta Advantage Spend the Weekend in New York City

November 2nd, 2017

After forming in Toronto in 2005, the Rural Alberta AdvantageNils Edenloff (vocals and guitar) and Paul Banwatt (drums) now with Robin Hatch (keys, bass and vocals)—began releasing emotional folkish music, which led to a fair amount of Internet intrigue. Their debut full-length, Hometowns (stream it below), came out in 2008 (and was rereleased a year later). AllMusic rang in: “With a name like the Rural Alberta Advantage and a debut album called Hometowns, one would hope for an unpretentious collection of amiable indie pop tunes filtered through the wistful lens of a Wes Anderson film, and that’s exactly what you get.” The band followed that in 2011 with Departing (stream it below), and PopMatters was impressed: “The Rural Alberta Advantage have delivered a rarity: An album that remarkably stuns, even though its world view is largely seen from a car stuck in the middle of snow bank on the side of the road.” The trio returned in 2014 with their third album, the terrific Mended with Gold (stream it below), about which Consequence of Sound said, “The band is in a groove, churning out good to great songs with a distinguishable aesthetic.” Just a few weeks ago, the RAA (above, performing “White Lights” for CIND FM) dropped their fourth long-player, The Wild (stream it below), which “maintains a real sense of spontaneity, a sound in keeping with their manic folk impulses and the heady adrenaline rush that frequently drives their songs to euphoric highs,” per Paste magazine. “Consider this both edgy and essential.” Their new tour brings them to Rough Trade NYC on Friday and The Bowery Ballroom on Saturday. Five-piece Yukon Blonde open both shows.



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Spend Halloween with the Multitalented Pell at Rough Trade NYC

October 30th, 2017

After Hurricane Katrina hit, Jared Pellerin and his family left New Orleans for Jackson, Miss., and he began making beats, allowing him to make friends, gain confidence and eventually begin performing, which continued while at Mississippi State University. Pellerin ultimately decided to halt his studies and after putting out several singles as the rapper-singer-songwriter-producer Pell, he self-released Floating While Dreaming (stream it below) in 2014. “The 22-year old rapper and singer has a distinct style that blends the old with the new,” said Hip-Hop DX. “He is a storyteller, weaving his life experiences with melodic beats. The album’s title describes how he lives his dreams and inspires others to chase their own.” Pell (above, performing “Runaway”) has remained busy ever since, putting out singles, collaborating with the likes of G Eazy and Big Gigantic and honing his live performances. And to that end, in mid-tour form, Pell comes to Rough Trade NYC tomoroow night. Brooklyn rapper Jimi Tents opens the show.

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Torres – Music Hall of Williamsburg – October 27, 2017

October 30th, 2017


Photos courtesy of Silvia Saponaro | www.saponarophotography.com

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Protomartyr Finish American Tour at Music Hall of Williamsburg

October 27th, 2017

Joe Casey (vocals), Alex Leonard (drums), Greg Ahee (guitar) and Scott Davidson (bass) have been making top-quality post-punk as Protomartyr (above, performing “The Devil in His Youth” for Pitchfork) since forming the band seven years ago in Detroit, trafficking in energetic yet melancholic songs—with frontman Casey earning comparisons to Nick Cave and Ian Curtis along the way. The quartet’s fourth long-player, Relatives in Descent (stream it below), came out about a month ago to raves: “Alex Leonard pounds the skins and shifts through impressively complex percussive work, while Scott Davidson provides chugging grounded bass below Greg Ahee’s dissonant and virtuosic post-punk wailings. It’s Joe Casey’s driven melismatic, charismatic and poetic crooning however that adorns and brings each fragmented arrangement to life,” gushes the Line of Best Fit. “It really is about time we all sat up and started to take Protomartyr seriously. Their quality of music and precision is outstanding.” And not to be outdone, the Guardian calls it “sensational, bloodied but unbowed post-punk.” Find out how it all comes together live (spoiler alert: pretty great) when they close our their American tour at Music Hall of Williamsburg on Saturday night. D.C. trio Flasher and Brooklyn quartet Weeping Icon open the show.

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A Willie Watson and Colter Wall Sing-Along at Rough Trade NYC

October 26th, 2017

Willie Watson and Colter Hall – Rough Trade NYC – October 25, 2017


Sometimes at a concert you get a real feel for what things were like back when. Sometimes it’s because of the room: Walk into Carnegie Hall or Village Vanguard and you are transported back through decades of New York City live-music history. Other times it’s the performers themselves who seem to transport you back to a past heyday. Last night at Rough Trade NYC featured two such performers who transported the crowd back in time, evoking a country and folk music of another era as if it were brand-new today.

Colter Wall is a Canadian singer from Saskatchewan who evokes a country music of a time gone by. He began his set solo, with just enough croak in his vintage voice and acoustic guitar, singing, “If I’m being truthful, I only live at night” and covering Woody Guthrie’s “Do Re Mi” like he’d written it on his way from Canada. He was joined by a band—mandolin, dobro, bass—and continued to mix old-school covers by Ramblin’ Jack Elliott and Hank Williams with originals from his self-titled debut that evoked the same spirit with a little updating along the way. A cover of Blaze Foley’s “Oval Room,” perfectly fit into the set and had the crowd whooping and hollering. Audiences will clap or sing along and this one did that aplenty, but the stomp along is a bit rarer and felt natural at several points during Wall’s performance—you could imagine yourself back when in a barn somewhere hearing murder ballads like his “Kate McCannon” and stomping along.

Willie Watson has a voice and a love for folk music and, let’s face it, a name that makes it easy to imagine sitting around a campfire or revival tent hearing gospel numbers and old-timey songs mixed with storytelling and off-center humor. He opened with “Take This Hammer,” his voice infused with a slight warble as he stretched out syllables, letting them fill the room. “If you know this one, sing along” seemed to be implied from the start of his set, and the crowd joined in as he worked his way through a musical time warp. Watson has been playing and touring and recording these old folk songs for years—his new album is simply and aptly titled Folk Singer Vol. 2—and he sings them possessed of their original spirit. Tunes like “Samson and Delilah,” “Gallows Pole” and “Midnight Special” in their original form before they were turned into modern-day rock songs were stripped to their original bare essence in Watson’s hands. Switching between guitar and banjo (giving the audience what he referred to as a proper dose of “vitamin B”), the set was both raucous and poignant. Like any good folk show, there were sing-alongs, like “Stewball,” and murder ballads, like “Frankie and Johnny,” and, of course, songs about the feats of John Henry. Through them all, Watson’s love for the music and performing it shined through, taking the audience to way back when for just one night. —A. Stein | @Neddyo

(Tonight’s Willie Watson and Colter Hall show at Mercury Lounge is sold out.)       

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Two Chances to Catch Up-and-Comer Whethan This Week in NYC

October 24th, 2017

It was just a couple of years ago that Chicago DJ and producer Ethan Snoreck began using GarageBand on his iPad to create music as Whethan, and now at the ripe old age of 18, AllMusic already calls him an “electronic wunderkind.” Influenced by the likes of Skrillex, Whethan (above, his newest release, “Enemy”) has gained admirers of his recorded material with the release of several singles and remixes on Soundcloud, and he’s gotten fans enamored with his live performances thanks to an opening slot on the road with the Chainsmokers. Currently headlining his own Good Nights tour, the rising star comes to New York City this week to play The Bowery Ballroom tomorrow and Music Hall of Williamsburg on Thursday. Saint Wknd and Ashe open both shows.