Portugal. The Man – Brooklyn Steel – February 20,2018
Somewhere in the middle of last night’s set at Brooklyn Steel, Portugal. The Man frontman John Gourley sang, “We won’t sell you nothing you can’t use” as part of “Modern Jesus,” which just about perfectly summed up a show that had so much coming at those in the sold-out crowd: lasers and other assorted psychedelic imagery, an onstage dance duo, a Grammy-winning song, deftly placed covers, cheeky humor projected on the backdrop and as much guitars, bass, drums, keys and vocals as the room could handle. Portugal. The Man served up quite a bit over the course of the show and yet, for everyone in attendance, there was nothing there that wasn’t put to good use.
By the time they had gotten to “Modern Jesus” so much had already transpired. With both “Don’t Sleep Till Brooklyn” and “Unchained Melody” playing in full over the PA before the band even took the stage, and then a lengthy hard-core opening jam that weaved through Metallica’s “For Whom the Bell Tolls” and Pink Floyd’s “Another Brick in the Wall,” the opening “Purple Yellow Red and Blue” already felt like an explosive release for the audience. The song’s title used to accurately describe their show’s visual color palette, but Tuesday the display featured lasers of nearly every hue bouncing over the heads of the crowd. Even with the success of an all-timer breakout hit, not much has changed for PTM.
In fact, it was less surprising that they had a Grammy-winning song to anchor the midpoint of the set than the fact that it fit right in with some of their most far-reaching material, transitioning directly with little distinction into “All Your Light,” which, in recent years, has swallowed some of their oldest jams and repurposed them for the big rooms. Alternatively, “So American” and “People Say” both drew a powerful response from the audience and felt just as award-worthy. By the time the band reached the too-soon encore, “Holy Roller” encompassed it all, laser-abetted Floydian-freak-outs and chest-thumping metal meltdowns that still, somehow, perfectly accommodated breakdancing onstage. It’s a formula that keeps working for Portugal. The Man, as Gourley also sings in “Modern Jesus”: “The only faith we have is faith in us.” —A. Stein | @Neddyo